[Dancecult-l] Violence & EDMC
Adam Walker
de_proginosko at hotmail.com
Sun Apr 29 10:36:58 CEST 2007
Wow Neil! Thanks for jumping onboard the discussion. It seems I have
opened one heck of a pandoras box! I am so busy, I haven't had the chance
to read Featherstone's article, nor have I read enough of Derrida to truly
have assimilated this notion 'speed' (I'm still a lowly undergrad!). Would
I be accurate in summating its relevence to the discussion as; a
perpetuation of deconstuctive value, which has implications in the momentum
of opposition?
Adam
>From: Nibelungentreue at aol.com
>To: dancecult-l at listcultures.org
>Subject: [Dancecult-l] Violence & EDMC
>Date: Sun, 29 Apr 2007 01:52:25 EDT
>
>Just by way of a brief postscript, I guess it might be said in light of
>Derrida's concluding remarks, that the level or appropriation with which he
>is
>concerned, is that between the economic and the cultural spheres of
>society. His
>argument is that capital continually disestablishes the category of the
>human,
>in which case it might need to be clarified whether Tobia's musings about
>becoming "alien" are symptom formations, or counter reactions to the
>process
>Derrida desribes. In any case, I think it might be helpful to talk about
>democratisation of "speed" in Derrida's sense as an attempt to slow the
>exchange rate
>[sic] between the economic and cultural spheres. Perhaps unlike Tobias, I
>think
>this makes questions of ontology secondary, and questions of cultural
>policy
>primary i.e. a democratisation of cultural policy might help slow the rate
>of
>imitation/translation between these two spheres. This could mean that the
>state
>could play a mediating role in the kind of "Gandhi" like alternative Graham
>evokes. Cultural and technological citizenship may help then in qualifying
>violence in the context of EDMC. Indeed, it is imitation of the imperatives
>of
>citizenship in EDMC that could help play a constitutive, as opposed to a
>merely,
>after the event role, in such a context.
>
>This suggests that violence is a symptom formation of imitation of the
>market
>in EDMC (read: selfish, destructive identities). I leave it to others
>though
>to consider the aptness of social theorist Nico Mouzelis's prescriptions
>for
>cultural policy in such a context:
>
>"It requires designing and implementing a regulatory framework for
>reversing
>the growing imbalance seen in late modernity between the economic and
>cultural
>spheres. It requires mechanisms that will make it difficult, to use
>Bourdieu's terminology, for economic capital to buy more or less cultural
>capital. It
>requires mechanisms that will shift the control of cultural technologies
>from
>media moguls, not necessarily to the state, but to those who all actually
>produce culture (artists, writers, intellectuals, philosophers), as well as
>those
>actually entitled to transmit it to the new generations (teachers). It
>requires, that is to say, mechanisms that will reverse the present drift
>from market
>economy to market society".
>
>Just a thought,
>
>Neil Huthnance
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