[Dancecult-l] liveness
Seb Chan
seb at snarl.org
Wed Jun 27 17:44:22 CEST 2007
rob
my recollections of Aphex Twin 'live' are that it was rarely
live . . . . likewise my understanding was that CDs took preference
over vinyl in psy-trance because of the portability/robust-ness for
travelling. likewise the earlier use of minidiscs (and previously
DATs) as a preferred format within the scene.
style-wise it may also be that psy-trance djing has tended, partially
because of the early use of minidiscs and DATs made end-to-end mixing
the preferred method of DJing - which is far less interactive than,
say, mixing jungle/d&b or techno with their fast cuts, loops tracks
etc (i'm talking late 90s here).
seb chan
Editor-in-chief
Cyclic Defrost Magazine
P.O.Box A2073
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Australia
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Cyclic Defrost is an independently operated quarterly electronic
music magazine based in Sydney, Australia. Cyclic Defrost is
distributed in Australia by Inertia Distribution. It gratefully
acknowledges the support of the Australia Council For The Arts.
On 27/06/2007, at 4:02 PM, Rob Lindop wrote:
> I wondered if anyone has considered entirely electronic 'live'
> performance, as popularised by the likes of Orbital and Aphex Twin
> in the '90s. This is certainly problematic- even though this
> approach involves a high level of mixing, real-time sound
> manipulation etc, it still relies heavily on loops and sequencing.
> Therefore it is a moot as to whether this approach can be seen as
> truly live- what do people think about this?
> I'm currently researching my PhD on psy-trance and one of the
> things that I'm interested in is why 'live' sets seem to take
> preference over DJ sets, even though the former are not 'live' in
> the traditional sense of the word. Some of the big name producers
> such as Simon Posford (Hallucinogen) and Merv Pepler (Eat Static)
> tend to view dj'ing as not particularly creatively fulfilling and
> something that 'pays the bills'- whereas live performance is much
> more pleasing. There does seems to be more focus on the producer
> within psy-trance- partly as a result of CD's being the preferred
> format for the music. Consequently, nearly everything is released
> on artist albums and compilations, so there is no 12" vinyl
> 'culture'. This is quite unusual for such a dancefloor-orientated
> style of EDM- any thoughts on this?
>
> Rob
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