[Dancecult-l] literature on performer-audience divide

[ripley]

I would be interested as well

In addition I would think discussion of dancehall/reggae sound system
culture would be quite relevant, although I don't think enough has
been written that focuses on that dynamic specifically (please,
someone prove me wrong).

-Larisa


-- 
http://djripley.blogspot.com
http://riddimmethod.net (group music blog)
http://wiretapmag.org


On 9/24/07, Bas van Heur <basvanheur at gmx.net> wrote:
> Hi all,
>
> I was wondering if anyone could point me to literature that addresses
> the 'performer-audience divide' - or the lack thereof - within
> electronic music / club cultures. I know this is a central returning
> theme within the debate on club cultures, but I'm still looking for a
> well-argued in-depth analysis of this problematic.
>
> Very much of interest to me would also be literature that discusses this
> issue in relation to the more experimental electronic musics and the
> avant-garde tradition of electronic music, since these composers were of
> course interested in similar questions.
>
> any references appreciated! I know they must be out there, but for some
> reason I seem to search in the wrong direction and overlook important work.
>
> best,
>
> Bas
>
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