[Dancecult-l] literature on performer-audience divide

[Bas van Heur]

Hi all,

I was wondering if anyone could point me to literature that addresses 
the 'performer-audience divide' - or the lack thereof - within 
electronic music / club cultures. I know this is a central returning 
theme within the debate on club cultures, but I'm still looking for a 
well-argued in-depth analysis of this problematic.

Very much of interest to me would also be literature that discusses this 
issue in relation to the more experimental electronic musics and the 
avant-garde tradition of electronic music, since these composers were of 
course interested in similar questions.

any references appreciated! I know they must be out there, but for some 
reason I seem to search in the wrong direction and overlook important work.

best,

Bas