[Dancecult-l] Dancecult-l Digest, Vol 29, Issue 4

Wed Sep 26 05:02:54 CEST 2007

Hi Bas van Heur!

I wrote a paper on DJ-audience interaction in nightclubs from an HCI
perspective that may be of use to you:
http://www.otherartists.com/papers/cdg-DIS_Paper-2006.pdf
*if the paper isn't quite what you were looking for, the references might
give you some new leads to other goodies

I also recommend the work of Jennifer Sheridan:
www.comp.lancs.ac.uk/~sheridaj/publications/2004/sheridan_BSHCI.pdf

cheerz
carrie gates*
*
On 9/25/07, dancecult-l-request at listcultures.org <
dancecult-l-request at listcultures.org> wrote:
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> Today's Topics:
>
>    1. Holy Rave: The Greatest Rave that Never Happened (Graham St John)
>    2. literature on performer-audience divide (Bas van Heur)
>    3. Re: literature on performer-audience divide (Graham St John)
>
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Mon, 24 Sep 2007 14:40:16 -0600
> From: Graham St John <g.stjohn at warpmail.net>
> Subject: [Dancecult-l] Holy Rave: The Greatest Rave that Never
>         Happened
> To: Dancecult-l at listcultures.org
> Message-ID: <p06240808c31dd0e6b05c@[192.168.123.143]>
> Content-Type: text/plain; charset="us-ascii"
>
> May be of interest to a few here.......
>
> Yet another postcard from the edge.
>
> The Holy Rave: the greatest rave that never happened
>
> Had I miss-keyed the url?
>
> I make a few efforts at re-loading the page. All futile, for the
> website has been pulled under a week from the event's conclusion. The
> virtual blinds now drawn tight. What was formerly breathtaking and
> bombastic, now among the virtually disappeared; consigned,
> unceremoniously, to the afternet. I got to thinking, was this an
> effort to induce popular amnesia? Could the experience be exorcised
> from collective memory? In those endless minutes contemplating the
> failure of my hypertext document requests I indeed wondered if IT
> really happened at all. Had I actually attended the Holy Rave in the
> south of Israel?......
>
> Continued with pictures at
>
> http://edgecentral.blogspot.com/2007/09/holy-rave-greatest-rave-that-never.html
>
> From Mitzpe (the edge of the world) Ramon, Israel.
>
> Graham
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> ------------------------------
>
> Message: 2
> Date: Mon, 24 Sep 2007 18:31:49 +0200
> From: Bas van Heur <basvanheur at gmx.net>
> Subject: [Dancecult-l] literature on performer-audience divide
> To: Dancecult-l at listcultures.org
> Message-ID: <46F7E675.8060309 at gmx.net>
> Content-Type: text/plain; charset=ISO-8859-1; format=flowed
>
> Hi all,
>
> I was wondering if anyone could point me to literature that addresses
> the 'performer-audience divide' - or the lack thereof - within
> electronic music / club cultures. I know this is a central returning
> theme within the debate on club cultures, but I'm still looking for a
> well-argued in-depth analysis of this problematic.
>
> Very much of interest to me would also be literature that discusses this
> issue in relation to the more experimental electronic musics and the
> avant-garde tradition of electronic music, since these composers were of
> course interested in similar questions.
>
> any references appreciated! I know they must be out there, but for some
> reason I seem to search in the wrong direction and overlook important
> work.
>
> best,
>
> Bas
>
>
>
> ------------------------------
>
> Message: 3
> Date: Mon, 24 Sep 2007 22:41:06 -0600
> From: Graham St John <g.stjohn at warpmail.net>
> Subject: Re: [Dancecult-l] literature on performer-audience divide
> To: Dancecult-l at listcultures.org
> Message-ID: <p06240824c31e40ade2fd@[192.168.123.143]>
> Content-Type: text/plain; charset="us-ascii"
>
> I would also be interested in hearing more about this. I wrote an
> entry about it after I visited Frankfurt recently:
> http://edgecentral.blogspot.com/2007/09/branded-green-blue.html
>
> >Hi all,
> >
> >I was wondering if anyone could point me to literature that addresses
> >the 'performer-audience divide' - or the lack thereof - within
> >electronic music / club cultures. I know this is a central returning
> >theme within the debate on club cultures, but I'm still looking for a
> >well-argued in-depth analysis of this problematic.
> >
> >Very much of interest to me would also be literature that discusses this
> >issue in relation to the more experimental electronic musics and the
> >avant-garde tradition of electronic music, since these composers were of
> >course interested in similar questions.
> >
> >any references appreciated! I know they must be out there, but for some
> >reason I seem to search in the wrong direction and overlook important
> work.
> >
> >best,
> >
> >Bas
> >
> >_______________________________________________
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> >Dancecult-l at listcultures.org
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> >No commercial use without permission
> >www.dancecult.net
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> End of Dancecult-l Digest, Vol 29, Issue 4
> ******************************************
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-- 
(((audio/video/text/events/research)))
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http://www.otherartists.com
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