[Dancecult-l] [Fwd: Re: History of House and Techno music since 2000]

Hillegonda hillegonda at zoo.co.uk
Wed Feb 27 14:18:08 CET 2008


FYI - perhaps handy addition to the dance cult website?

Best,
Gonnie

-------- Original Message --------
Subject: 	Re: History of House and Techno music since 2000
Date: 	Sun, 24 Feb 2008 09:05:34 -0000
From: 	Sean Albiez <sean at MUSICMONKEY.PLUS.COM>
Reply-To: 	Subscribers of iaspm list <IASPMLIST at liverpool.ac.uk>
To: 	IASPMLIST at liverpool.ac.uk
References: 
<OF99C223A0.21449E3E-ON802573F8.0071AE14-802573F8.0071AE23 at solent-university.ac.uk> 




There has been worked produced post-2000 that looks at early 21st century
currents in electronic (dance) music - but has often focused more on IDM and
the experimental extremities of glitch, microsound etc. rather than
mainstream forms - but even this work has diminished since @ 2004. 

Here are some potentially useful references:

Butler, Mark J. (2001) ‘Turning the Beat Around: reinterpretation, metrical
dissonance, and assymetry in electronic dance music’, Music Theory Online,
Vol. 7 No. 6 December 2001 
	10th March 2006 <
http://mto.societymusictheory.org/issues/mto.01.7.6/mto.01.7.6.butler.html>

Byrne, David (2002) ‘Machines of Joy: I have seen the future and it is
squiggly’, Leonardo Music Journal, 
	Vol. 12, pp. 7-10, 2002

Chapman, Dale (2003) ‘Hermeneutics of Suspicion: paranoia and the
technological sublime in drum and bass music’, Echo – a music centred
journal, Vol. 5 Issue 2, (Fall 2003) 
	10th March 2006 <
http://www.echo.ucla.edu/volume5-issue2/chapman/chapman.pdf>

Cranfield, Brady (2002) ‘Producing Noise: Oval and the politics of digital
audio’, Parachute, Issue 107, pp. 42-51

Diedrichsen, Diedrich (2003) ‘Digital Electronic Music: between pop and pure
mediality’ in Van Assche et al, 
	Sonic Process, Paris: Actar

Emmerson, Simon (2001) 'From Dance! to "Dance": distance and digits',
Computer Music Journal, Vol. 25 No. 1,
	Spring 2001, pp. 13-20

Garcia, Luis-Manuel (2005) ‘On and On: repetition as process and pleasure in
electronic dance music’, 
	Music Theory Online, Vol. 11 No. 4, October 2005
	10th March 2006 <
http://mto.societymusictheory.org/issues/mto.05.11.4/mto.05.11.4.garcia.html
>

Hemment, Drew (2004) 'Affect and Individuation in Popular Electronic Music'
in Ian Buchanan and Marcel Swiboda
	(eds.) Deleuze and Music, Edinburgh: Edinburgh University Press, pp.
76-94

Huegli, Walter and Jaeggi, Martin (eds.) Raw Music Material: electronic
music DJ's today , Zurich: Scalo

Loubet, Emmanuelle (2000) ‘Laptop Performers, Compact Disc Designers, and
No-Beat Techno Artists in Japan:
	music from nowhere’, Computer Music Journal, Winter 2000, Vol. 24
No. 4, p. 19-36

Luna, Edward (2003) ‘Beautiful Noise: directions in electronic music’ 
	10th March 2006 <
http://www.ele-mental.org/beautifulnoise/BeautifulNoise-Oct03.pdf>

Neill, Ben (2002) ‘Pleasure Beats: rhythm and the aesthetics of current
electronic music’, Leonardo Music 	Journal, Vol. 12, pp. 3-6

Petridis, Alexis (2004), 'Bored of the Dance', The Guardian, 3/11/04
	20th March 2006
<http://arts.guardian.co.uk/features/story/0,,1341919,00.html>

Stuart, Caleb (2003) ‘Damaged Sound: glitching and skipping compact discs in
the audio of Yasunao Tone,
	Nicolas Collins and Oval’, Leonardo Music Journal, Vol. 13 No. 1,
January 2003, pp. 47-52

	- (2003) ‘The Object of Performance: aural performativity in
contemporary laptop music’
		11th March 2006
<http://hypertext.rmit.edu.au/dac/papers/Stuart.pdf>

Van Veen, Tobias C. (2002) ‘Laptops & Loops: the advent of new forms of
experimentation and the question of 
	technology in experimental music and performance’
	10th March 2006 <
http://www.quadrantcrossing.org/papers/Laptops&Loops-UAAC-tV.pdf>

Weidenbaum, Marc (2005) ‘The Organization Musician - Monolake’ 
	10th March 2006 < http://www.disquiet.com/monolake.html>

The Wire also regularly covers techno in one way or another ...

Sean Albiez



-----Original Message-----
From: Subscribers of iaspm list [mailto:IASPMLIST at liverpool.ac.uk] On Behalf
Of Martin James
Sent: 23 February 2008 20:42
To: IASPMLIST at liverpool.ac.uk
Subject: Re: History of House and Techno music since 2000

My book 'French Connections - from Discotheque to Discovery' deals with
French house music up to 2003, but as far as I'm aware there has been very
little in the way of House/techno histories in recent years...

The last eight years of media disinterest has resulted in some of the most
exciting developments in electronic music going almost undocumented in the
wider press.

Simon Reynolds' Energy Flash will cover this period in the new update.

MJ

      To&nbsp;&nbsp;    IASPMLIST at liverpool.ac.uk
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      Subject&nbsp;&nbsp;     History of House and Techno music since 2000
Jan Hemming <jan.hemming at UNI-KASSEL.DE>
Sent by: Subscribers of iaspm list <IASPMLIST at liverpool.ac.uk>
22/02/2008 13:07 CET
<HR><font size=-1>Please respond to
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Hi everybody,



does anyone know of good sources regarding the history of House and / or
Techno music since 2000? I have a student willing to work on the subject,
but he mustn’t “reinvent the wheel”…



Thanks



Jan





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