From stephen at melbpc.org.au Tue May 4 06:37:04 2010 From: stephen at melbpc.org.au (stephen at melbpc.org.au) Date: Tue, 4 May 2010 04:37:04 GMT Subject: ::fibreculture:: Copyright Message-ID: <20100504043704.4ADC48A7@eagle.melbpc.org.au> Hello all, If and whenever we have any influence over copyright matters, PLEASE recommend the following copyright. Our Australian government will be: http://creativecommons.org/licenses/by/2.5/au/ Attribution 2.5 Australia You are free: to Share ? to copy, distribute and transmit the work to Remix ? to adapt the work Under the following conditions: Attribution ? You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work). Waiver ? Any of the above conditions can be waived if you get permission from the copyright holder. Other Rights ? In no way are any of the following rights affected by the license: ? Your fair dealing or fair use rights; ? The author's moral rights; ? Rights other persons may have either in the work itself or in how the work is used, such as publicity or privacy rights. Notice ? For any reuse or distribution, you must make clear to others the license terms of this work. The best way to do this is with a link to this web page. -- Cheers, Stephen From nathanieltkacz at gmail.com Tue May 4 10:27:05 2010 From: nathanieltkacz at gmail.com (nathaniel tkacz) Date: Tue, 4 May 2010 19:27:05 +1100 Subject: ::fibreculture:: Lecture: Johan Soderberg, "Reconstructivism versus Critical Theory of Technology" Message-ID: if anyone is in melbourne next thursday, this lecture might be of interest: *University of Melbourne Media and Communications Program presents a guest lecture* * Reconstructivism versus Critical Theory of Technology: Alternative Perspectives on Activism and Institutional Entrepreneurship in the Czech Wireless Community *Johan S?derberg Thursday 13th May 2010 4.30 ? 6.00pm Old Arts-Theatre C The once dominant position of constructivist STS theory looks increasingly tenuous, and the question has been raised what will come after constructivism (Sterne & Leach, 2005). A number of proposals for future research avenues have been put forward in recent years. One candidate for a reinvented, more partisan STS program continues to build on constructivist theory. It retains the basic insight that knowledge and technology are constructed, but gives a political spin to that statement by asking how things could be re-constructed in a better way (Woodhouse, Hess, Breyman, Martin, 2002; Woodhouse, 2005). Another avenue goes back to the writings of the first generation of members of the Frankfurth school. A number of contemporary scholars have, for most part independently of each other, adopted critical theory as their starting point when reflecting over science and technology (Feenberg, 1999; 2008, Cooper, 2002; Kirkpatrick, 2008; Brey, 2008; Radder, 2008). The objections raised by reconstructivist and critical theory perspectives against constructivist STS are rather similar and underpinned by the same political concerns. Nevertheless, the philosophical traditions which reconstructivism and critical theory of technology build on are distinct. It is this difference which stands at the centre of my investigation. I will argue that from these two philosophical traditions have followed, among other things, varying estimations about the relevance of over-arching, analytical categories. Suspicion against general truth claims is part and parcel of the intellectual current to which the many constructivist STS schools belong. In contrast, the inclination in critical theory to use 'totalising' concepts goes back to its roots in Hegel and Marx. A theoretical understanding of commodity exchange as a relation which permeates the whole of capitalism is the startingpoint of an analysis of science and technology conducted in the tradition of critical theory. I believe that such an approach is useful for adressing some of the more urgent, political concerns which awaits a normative, STS discipline ?after constructivism?. My argument will be developed through a case study of the Czech wireless network community and specifically around the commercialisation of the free space optics device called "Ronja". *Johan S?derberg* http://www.sts.gu.se G?teborgs Universitet, Avdelningen f?r Teknik och Vetenskapsstudier, Sweden Johan S?derberg has been working on the emergent free hardware movement and on how hackers provide a new angle to on-going discussions within STS on how politics is folded into technological design. The central claim is that whatever political consequences that hacking might have stems from the challenge it poses to the control of firms and government institutions over innovation processes. Published books include: Allt Mitt ?r Ditt ? Fildelning, Upphovsr?tt, F?rs?rjning (2008) Atlas F?rlag. Hacking Capitalism ? The Free and Open Source Software Movement (2007) Routledge. Published papers include: ?A Mis-User Centred Innovation Model ? Hackers, Crackers & Filesharers?, Science as Culture ?Hacking as Labour Struggle?, Capital & Class, January 2009, co-autor George Dafermoes ?Long Wave Theory and Information Technologies?, Technovation 25, 2005, pp. 203-211, co-author Bo G?ransson ";Copyleft vs. Copyright";, First Monday, 7 (3), 2002 All welcome. best Nate Tkacz Research Fellow, RMIT University Twitter: http://twitter.com/__nate__ Homepage: www.nathanieltkacz.net Current project: http://networkcultures.org/wpmu/cpov/about-2/ -------------- next part -------------- An HTML attachment was scrubbed... URL: From magikbobrulz at yahoo.com Tue May 4 16:43:51 2010 From: magikbobrulz at yahoo.com (Ben Abraham) Date: Tue, 4 May 2010 07:43:51 -0700 (PDT) Subject: ::fibreculture:: Copyright In-Reply-To: References: Message-ID: <805069.7976.qm@web52802.mail.re2.yahoo.com> Stephen, Am I missing something or does that CC license not prohibit commercial derivatives? Are you advocating that we should all use a license that permits commercial derivatives of our work? If so I'd be interested to know why. - Ben http://benabraham.net -------------- next part -------------- An HTML attachment was scrubbed... URL: From geert at xs4all.nl Sun May 23 08:46:18 2010 From: geert at xs4all.nl (Geert Lovink) Date: Sun, 23 May 2010 08:46:18 +0200 Subject: ::fibreculture:: Sounds, Images and Readings from Sydney's Techno-underground Message-ID: <8E1D04E3-5CF2-4739-BA85-87DA2FB14756@xs4all.nl> If you happen to be in Sydney next Friday night, come along..... With pleasure I invite you to the Sydney launch of Technomad Friday, May 28, 2010 6:00pm - 11:00pm Tortuga Studios, St Peters, Sydney Sounds, Images and Readings from Sydney's Techno-underground Guest Speaker: John Jacobs DJs: Zeitgeist, Mashy P, Al Corrupt, Franko Live: Rob Joiner Refreshments and snacks available Books sold at discount - signed by author A cultural history of global electronic dance music countercultures, Technomad explores the pleasurable and activist trajectories of post- rave culture. The book documents an emerging network of techno-tribes, exploring their pleasure principles and cultural politics. "Beautifully written, with a genuinely international perspective on electronic dance music culture, Technomad is one of the best books on music I've read in some time." Professor Will Straw More at Facebook events page: http://www.facebook.com/event.php?eid=12618326072581 From geert at xs4all.nl Sun May 23 09:17:44 2010 From: geert at xs4all.nl (Geert Lovink) Date: Sun, 23 May 2010 09:17:44 +0200 Subject: ::fibreculture:: wikileaks story References: <687E3E7F-EEF9-4C0B-AD09-D8DE83D9965D@nedrossiter.org> Message-ID: <139E160C-935E-484A-B346-2C455E619BDC@xs4all.nl> > http://www.theage.com.au/technology/technology-news/the-secret-life-of-wikileaks-founder-julian-assange-20100521-w1um.html The secret life of Wikileaks founder Julian Assange May 22, 2010 Setting knowledge free ... Julian Assange, the only self-identified employee of the Wikileaks website. Julian Assange, the man behind the world's biggest leaks, believes in total openness and transparency - except when it comes to himself. Nikki Barrowclough tracked him down. Julian Assange has never publicly admitted that he's the brains behind Wikileaks, the website that has so radically rewritten the rules in the information era. He did, however, register a website, Leaks.org, in 1999. ''But then I didn't do anything with it.'' Wikileaks appeared on the internet three years ago. It acts as an electronic dead drop for highly sensitive or secret information: the pure stuff, in other words, published straight from the secret files to the world. No filters, no rewriting, no spin. Created by an online network of dissidents, journalists, academics, technology experts and mathematicians from various countries, the website also uses technology that makes the original sources of the leaks untraceable. In April the website released graphic, classified video footage of an American helicopter gunship firing on and killing Iraqis in a Baghdad street in 2007, apparently in cold blood. The de-encrypted video, which Wikileaks released on its own sites as well as on YouTube, caused an international uproar. The Baghdad video has been Wikileaks' biggest coup to date, although an extraordinary number of unauthorised documents - more than a million - have found their way to the website. These include a previously secret, 110-page draft report by the international investigators Kroll, revealing allegations of huge corruption in Kenya involving the family of the former president Daniel arap Moi; the US government's classified manual of standard operating procedures for Camp Delta at Guantanamo Bay, which revealed that it was policy to hide some prisoners from the International Committee of the Red Cross; a classified US intelligence report on how to marginalise Wikileaks; secret Church of Scientology manuals; an internal report by the global oil trader, Trafigura, about dumping toxic waste in the Ivory Coast; a classified US profile of the former Icelandic ambassador to the US in which the ambassador is praised for helping quell publicity about the CIA's activities involving rendition flights; and the emails leaked from the embattled Climate Research Unit at East Anglia in Britain, last November, which triggered the so-called ''climategate'' scandal. That's one leak which might have bemused those conservatives convinced that Wikileaks was run by ultra-lefties. In the blogosphere, meanwhile, conspiracy theories abound that Wikileaks is a CIA cyber- ops plot. Two years ago a Swiss bank in Zurich, Julius Baer, succeeded in temporarily closing down the website with a US District Court injunction after Wikileaks published documents detailing how the bankers hid their wealthy clients' funds in offshore trusts (the banned documents reappeared on Wikileaks ''mirror'' sites in places such as Belgium and Britain). The Australian government, too, has made noises about going after the website, after the Australian Communications and Media Authority's list of websites it may ban if the Rudd government goes ahead with its proposed internet censorship plan turned up on Wikileaks last year. To say that the list of rattled people in high places around the world is growing because of Wikileaks is an understatement. The fact that the website has no headquarters also means the conventional retaliatory measures - phones tapped, a raid by the authorities - are impossible. Intense interest in Julian Assange began well before the Baghdad video was released, and viewed 4.8 million times by the end of its first week. The former teenage hacker from Melbourne, whose mystique as an internet subversive, a resourceful loner with no fixed address, travelling constantly between countries with laptop and backpack, constitutes what you might call Assange's romantic appeal. But then there's the flip side: a man who believes in extreme transparency, but evades and obfuscates when it comes to talking about himself in the rare interviews that he gives. In the past, at least, these have hardly ever been face to face. The secretiveness extends to those close to him. One woman who speaks to me on the condition of total anonymity lived in the same share house in Melbourne as Assange for a few months in early 2007, when Wikileaks was in its incubation period. The house was the hub, and it was inhabited by computer geeks. There were beds everywhere, she says. There was even a bed in the kitchen. This woman slept on a mattress in Assange's room, and says she would sometimes wake up in the middle of the night to find him still glued to his computer. He frequently forget to eat or sleep, wrote mathematical formulas all over the walls and the doors, and used only red light bulbs in his room - on the basis that early man, if waking suddenly, would see only the gentle light of the campfire, and fall asleep again. He also went through a period of frustration that the human body has to be fed several times a day and experimented with eating just one meal every two days, in order to be more efficient. ''He was always extremely focused,'' she says. Well before meeting Assange, I'd thought how much he seemed like a character from Stieg Larsson's trilogy of blockbuster novels. One of Larsson's brilliant computer geniuses, taking on the world's wicked and powerful. Or a more youthful Mikael Blomkvist, with an Australian accent. Larsson died six years ago. But could the Swedish crime writer and Assange have met? Assange first visited Sweden in the 1990s - and Wikileaks is hosted on a main server in Sweden, where the identities of confidential sources are protected by law. This doesn't prove anything, of course - and Wikileaks only moved its main server to Sweden two years ago, after the Julius Baer Bank tried to close down the website. Even so, I email Eva Gabrielsson, Larsson's widow, to ask if the two of them ever met Assange - explaining that he helped research a remarkable 1997 book, Underground, about the exploits of an extraordinary group of young Melbourne hackers, written by the Melbourne academic Suelette Dreyfus. The hackers all had monikers in the book: Assange is said to be the character Mendax. Assange convinced Dreyfus to release the book online, and according to one source I spoke to, there was great interest in the book in Sweden - and in China. ''About Julian Assange - well, why don't you ask him?'' Gabrielsson emails back. It isn't the most urgent question I have for Assange, who I meet in early May, the day after he slips back into Melbourne, his home town. He arrived on a flight from Europe, via the US. Or so I understand from the person acting as our inbetween. The same contact provides a Melbourne address, and instructions. ''Don't call a cab, find one on the street; turn off your mobile phone before you catch the cab and preferably, remove the batteries.'' And here he is - a tall, thin, pale figure with that remarkable white hair, looking very tired, and wearing creased, student-style dark clothes and boots, and backpack. As we shake hands, he inclines his head slightly in a courtly, old world manner, at odds with his youthful, student-traveller looks. When I remark that there's a lot to ask him, he replies, ''That's all right - I'm not going to answer half of it.'' Is Assange his real name? Yes, he replies, then says it's the name in his passport. ''What's in a name?'' he then adds mysteriously, casting doubt on his first answer. At the time of writing, his passport status was apparently back to normal after immigration officials at Melbourne Airport said that his passport was going to be cancelled on the grounds that it was too tatty. It has been in a couple of rivers, Assange allows of the state of his passport. The first time, as he recalls, in December 2006, when he was crossing a swollen river during heavy rain in southern Tasmania, and was swept out to sea. He swam back in. ''My conclusion from that experience is that the universe doesn't give a damn about you, so it's a good thing you do.'' Why did he have his passport with him? He had everything he needed for three weeks of survival, he replies. He needed his passport for ID when he flew to Tasmania. Doesn't he have a driver's licence? ''No comment.'' How true is the image of him as the enigmatic founder of Wikileaks, constantly on the move, with no real place to call home? Is this really how he lives his life? ''Do I live my life as an enigmatic man?'' No - is it true you're constantly on the move? ''Pretty much true.'' Does he have one base he'd call home? ''I have four bases where I would go if I was sick, which is how I think about where home is.'' He has spent the best part of the past six months in Iceland, he says. And the next six months? ''It depends on which area of the world I'm needed most. We're an international organisation. We deal with international problems,'' he replies. Assange mentions four bases, but names only two. The one in Iceland and another in Kenya, where he has spent a lot of time, on and off, in the past couple of years. The Kroll report, released on Wikileaks, reportedly swung the Kenyan presidential election in 2007. When he's in the country, Assange lives in a compound in Nairobi with other foreigners, mainly members of NGOs such as Medecins Sans Frontieres. He originally went to Kenya in 2007 to give a lecture on Wikileaks, when it was up and running. ''And ended up staying there,'' I suggest encouragingly. ''Mmmm.'' As a result of liking the place or ? ''Well, it has got extraordinary opportunities for reforms. It had a revolution in the 1970s. It has only been a democracy since 2004 ? I was introduced to senior people in journalism, in human rights very quickly.'' He has travelled to Siberia. Is there a third base there? ''No comment. I wish. The bear steak is good.'' Why did he go to Georgia? ''How do you know about that?'' I read it somewhere, I reply. It was a rumour. ''Ah, a rumour,'' he says. But he did go there? ''It's better that I don't comment on that, because Georgia is not such a big place.'' Living permanently in a state of exile, which can become addictive, means that you always have the sharp eye of the outsider, I suggest. ''The sense of perspective that interaction with multiple cultures gives you I find to be extremely valuable, because it allows you to see the structure of a country with greater clarity, and gives you a sense of mental independence,'' Assange replies. "You're not swept up in the trivialities of a nation. You can concentrate on the serious matters. Australia is a bit of a political wasteland. That's OK, as long as people recognise that. As long as people recognise that Australia is a suburb of a country called Anglo- Saxon.'' Could he ever live in one place again? A brief silence. ''I don't think so,'' he says finally. ''I don't see myself as a computer guru,'' he remarks at one point. ''I live a broad intellectual life. I'm good at a lot of things, except for spelling.'' At one point, thinking about some of the material leaked on Wikileaks, I ask Assange how he defines national security. ''We don't,'' he says crisply. "We're not interested in that. We're interested in justice. We are a supranational organisation. So we're not interested in national security.'' How does he justify keeping his own life as private as possible, considering that he believes in extreme transparency? ''I don't justify it,'' he says, with just a hint of mischievousness. ''No one has sent us any official documents that were not published previously on me. Should they do so, and they meet our editorial criteria, we will publish them.'' Assange isn't paid a salary by Wikileaks. He has investments, which he won't discuss. But during the 1990s he worked in computer security in Australia and overseas, devised software programmes - in 1997 he co- invented ''Rubberhose deniable encryption'', which he describes as a cryptographic system made for human rights workers wanting to protect sensitive data in the field - and also became a key figure in the free software movement. The whole point of free software, he comments, is to ''liberate it in all senses''. He adds: ''It' s part of the intellectual heritage of man. True intellectual heritage can't be bound up in intellectual property.'' Did being arrested, and later on finding himself in a courtroom, push him into a completely different reality that he had never thought about - and eventually in a direction that eventually saw him start thinking along the lines of a website like Wikileaks, that would take on the world? ''That [experience] showed me how the justice system and bureaucracy worked, and did not work; what its abilities were and what its limitations were,'' he replies. ''And justice wasn't something that came out of the justice system. Justice was something that you bring to the justice system. And if you're lucky, or skilled, and you're in a country that isn't too corrupt, you can do that.'' In another life, Assange might have been a mathematician. He spent four years studying maths, mostly at Melbourne University - with stints at the Australian National University in Canberra - but never graduated, disenchanted, he says, with how many of his fellow students were conducting research for the US defence system. ''There are key cases which are just really f---ing obnoxious,'' he says. According to Assange, the US Defence Advance Research Project Agency was funding research which involved optimising the efficiency of a military bulldozer called the Grizzly Plough, which was used in the Iraqi desert during Operation Desert Storm during the 1991 Gulf War. ''It has a problem in that it gets damaged [from] the sand rolling up in front. The application of this bulldozer is to move at 60 kilometres an hour, sweeping barbed wire and so on before it, and get the sand and put it in the trenches where the [Iraqi] troops are, and bury them all alive and then roll over the top. So that's what Melbourne University's applied maths department was doing - studying how to improve the efficiency of the Grizzly Plough.'' Assange says he did a lot of soul-searching before he finally quit his studies in 2007. He had already started working with other people on a model of Wikileaks by early 2006. There were people at the physics conference, he goes on, who were career physicists, ''and there was just something about their attire, and the way they moved their bodies, and of course the bags on their backs didn't help much either. I couldn't respect them as men''. His university experience didn't define his cynicism, though. Assange says that he's extremely cynical anyway. ''I painted every corner, floor, wall and ceiling in the 'room' I was in, black, until there was only one corner left. I mean intellectually,'' he adds. ''To me, it was the forced move [in chess], when you have to do something or you'll lose the game.'' So Wikileaks was his forced move? ''That's the way it feels to me, yes. There were no other options left to me on the table.'' Wikileaks, he says, has released more classified documents than the rest of the world press combined. ''That's not something I say as a way of saying how successful we are - rather, that shows you the parlous state of the rest of the media. How is it that a team of five people has managed to release to the public more suppressed information, at that level, than the rest of the world press combined? It's disgraceful.'' Where does Assange see Wikileaks in 10 years? "It's not what I want the world to be. It's what I want the rest of the world to be," he replies. He would like to see all media develop their own forms of Wikileaks. That would put his own website out of business, I point out. ''We have a proposal to [an American foundation] for a grant to just that,'' he replies, explaining that Wikileaks could create systems for all media organisations. A thought: has he ever met Rupert Murdoch? ''No.'' Nor has he met Stieg Larsson, Assange tells me. Source: The Sydney Morning Herald From alexandra.reill at kanonmedia.com Wed May 26 14:50:55 2010 From: alexandra.reill at kanonmedia.com (Alexandra Reill) Date: Wed, 26 May 2010 14:50:55 +0200 Subject: ::fibreculture:: GRANDCHILDREN's QUESTIONS Message-ID: <53B00B681B864FA3825205594C6DF878@kanonmedtdtihm> GRANDCHILDREN's QUESTIONS A video station + documentary film by Alexandra Reill continuing the work of coming to terms with NS-past in Vienna As part of the S?dwind Festival taking place in Vienna in the courtyard of the Old General Hospital on May 29th 2010, the film maker Alexandra Reill asks people questions which perhaps still are not asked often enough. The film maker researches the specific history of Vienna: in the interviews held, she examines relationships between contemporary xenophobia and historical traces of fascist or fascistoid identity in a Viennese 'majority' society by not only interviewing people on their opinions on integration and interculturalism but also posing a personal question: which "stories" from the Nazi era the family passed down to offspring? This question leads far: How common are traditional myths of denial of active naziship or opportunism still today? Are there regularities in the repetition of standard answers and, if so, which? What are the connections with today's everyday racism, and how do such traces contribute to today's xenophobia? What is current status of consciousness regarding interculturalism and multiculturalism? Alexandra Reill, in a number of projects, i.e. the tour against everyday racism REAL ONES ALWAYS SURVIVE or WOULD WE SAY NO ? with which she and a team of cultural and social workers toured almost all "workers'" districts of Vienna, has led dozens of conversations with people on the subject. She learned one thing: the more myths of Naziship denial are hidden the stronger they affect so many obstacles in the context of interculturalism and integration. The more they lay hidden because having passed on to the next generation the stronger they can live on. Alexandra Reill's video installation at the S?dwind Festival creates the opportunity to unveil such myths of denial that are potentially undetected and classified as "normal" - by talking about the myths, the past and what was passed down. The results of the talks the film maker shows in a documentary: GRANDCHILDREN's QUESTIONS is premiered on Tuesday, 22 June 2010 in a matinee at 10:30 AM in the conference room of the district council of 1090 Vienna, W?hringer Stra?e 43. The head of the district council Martina Malyar speaks the welcoming and opening words. After the screening, Alexandra Reill is available for questions and discussion. The roundtable which wants to turn especially to school groups is moderated by Gilda Horvath from the ORF editorial department for ethnic questions. A second screening followed by a round of talks takes place on Wednesday, 23 June 2010 at 7:00 PM. This evening is also opened by the head of the district council Martina Malyar and moderated by Gilda Horvath. At both events, admission is free. Team Alexandra Reill, concept, interviews, editing Karin Gruber, camera work, video station Egon Theiner, organizational support video station Production kanonmedia, Vienna 2010 Support We are thankful for the support of the District Council of 1090 Vienna and the S?dwind Street Festival. Press contact and further inquiries kanonmedia, ngo for new media Alexandra Reill call: + +43 [0] 6991 820 70 03, mail to: alexandra.reill at anonmedia.com write to: 12/24 richter alley, a 1070 vienna, visit: http://www.kanonmedia.com For the download of print photos in high resolution and for the download of the German version of the press release please visit: http://www.kanonmedia.com/portfolio/films/ex.html --- Details of the photos used in this email: Left: unknown members of the German NS army / author and year of production unknown; Right: alexandra reill talking to a young woman in the street during the tour against daily racism REAL ONES ALWAYS SURVIVE or WOULD WE SAY NO ? in April 2010 / photo: back bone 20 --- sorry for cross-mailings if you do not like to receive infos from us any more please just reply and say unsubscribe in the header --- -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: ex_press_image_1_pic.jpg Type: image/jpeg Size: 20207 bytes Desc: not available URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: ex_press_image_2_pic.jpg Type: image/jpeg Size: 17798 bytes Desc: not available URL: From D.Hairs at object.com.au Thu May 27 04:36:58 2010 From: D.Hairs at object.com.au (Danielle Hairs) Date: Thu, 27 May 2010 12:36:58 +1000 Subject: ::fibreculture:: MEDIA RELEASE: Rapid prototyping exhibition debuts at Object Message-ID: <9CA3DDD9DBCEEF408ADD43806C11126652248C@OBJ-SERV2.Object.local> Good afternoon, Opening 5 June 2010 Object will present the Australian debut of Inside Out, an exciting exhibition of miniature sculptures produced using rapid prototyping. Inside Out will feature the work of 46 designers and artists from Australia, the United Kingdom and New Zealand. Each sculpture in Inside Out has been created using 3D computer modelling software and is designed to fit inside a 6cm x 6cm x 6cm box. All of the sculptures originated as 3D computer models which were then made physical through the process of 3D printing. Attached is a press release containing further information about the exhibition, along with an image guide of available images. Please don't hesitate to be in touch to arrange an interview or request images. All the best, Danielle Danielle Hairs Object: Australian Centre for Craft and Design 415 Bourke St Surry Hills PO Box 63 Strawberry Hills NSW 2012 Australia Telephone: +61 2 9361 4555 Facsimile: + 61 2 9361 4533 www.object.com.au > - - Main Gallery Design Now! 2010 Annual National Graduate Exhibition Project Space Ben McCarthy Late Nights and Weekends 10 April - 30 May 2010 - - Notice: If you are not an authorised recipient of this email, please contact Object immediately by return e-mail or by phone on + 61 2 9361 4555. In the case that you are not an authorised recipient, you should not read, print, re-transmit, store or act in reliance on this email or any attachments, and should destroy all copies of them. This email and any attachments are confidential and may contain legally privileged information and/or copyright material of Limited or third parties. You should only re-transmit, distribute, or commercialise the material if you are authorised to do so. -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: insideout_image_guide.pdf Type: application/octet-stream Size: 990184 bytes Desc: insideout_image_guide.pdf URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: insideout_media_release.pdf Type: application/octet-stream Size: 325901 bytes Desc: insideout_media_release.pdf URL: