From geert at xs4all.nl Sat May 7 12:15:51 2011 From: geert at xs4all.nl (Geert Lovink) Date: Sat, 7 May 2011 12:15:51 +0200 Subject: ::fibreculture:: Geert Lovink and Nathaniel Tkacz (eds), Critical Point of View: A Wikipedia Reader (INC Reader #7) Message-ID: <1A8D9AFD-B0D8-40EF-8DB8-0CF5D1200AF3@xs4all.nl> INC Reader #7 Critical Point of View: A Wikipedia Reader Geert Lovink and Nathaniel Tkacz (eds) For millions of internet users around the globe, the search for new knowledge begins with Wikipedia. The encyclopedia?s rapid rise, novel organization, and freely offered content have been marveled at and denounced by a host of commentators. Critical Point of View moves beyond unflagging praise, well-worn facts, and questions about its reliability and accuracy, to unveil the complex, messy, and controversial realities of a distributed knowledge platform. The essays, interviews and artworks brought together in this reader form part of the overarching Critical Point of View research initiative, which began with a conference in Bangalore (January 2010), followed by events in Amsterdam (March 2010) and Leipzig (September 2010). With an emphasis on theoretical reflection, cultural difference and indeed, critique, contributions to this collection ask: What values are embedded in Wikipedia?s software? On what basis are Wikipedia?s claims to neutrality made? How can Wikipedia give voice to those outside the Western tradition of Enlightenment, or even its own administrative hierarchies? Critical Point of View collects original insights on the next generation of wiki-related research, from radical artistic interventions and the significant role of bots to hidden trajectories of encyclopedic knowledge and the politics of agency and exclusion. Contributors: Amila Akdag Salah, Nicholas Carr, Shun-ling Chen, Florian Cramer, Morgan Currie, Edgar Enyedy, Andrew Famiglietti, Heather Ford, Mayo Fuster Morell, Cheng Gao, R. Stuart Geiger, Mark Graham, Gautam John, Dror Kamir, Peter B. Kaufman, Scott Kildall, Lawrence Liang, Patrick Lichty, Geert Lovink, Hans Varghese Mathews, Johanna Niesyto, Matheiu O?Neil, Dan O?Sullivan, Joseph Reagle, Andrea Scharnhorst, Alan Shapiro, Christian Stegbauer, Nathaniel Stern, Krzystztof Suchecki, Nathaniel Tkacz, Maja van der Velden. Colophon: Editors: Geert Lovink and Nathaniel Tkacz. Editorial Assistance: Ivy Roberts and Morgan Currie. Copy-Editing: Cielo Lutino. Design: Katja van Stiphout. Cover Image: Ayumi Higuchi. Priner: Ten Klei, Amsterdam. Publisher: Institute of Network Cultures, Amsterdam. Supported by: The School for Communication and Design at the Amsterdam University of Applied Sciences (Hogeschool van Amsterdam DMCI), the Centre for Internet and Society (CIS) in Bangalore and the Kusuma Trust. You can download the pdf for free here: http://www.networkcultures.org/_uploads/%237reader_Wikipedia.pdf To order a hard copy of the reader, send an email to books at networkcultures.org Geert Lovink and Nathaniel Tkacz (eds), Critical Point of View: A Wikpedia Reader, Amsterdam: Institute of Network Cultures, 2011. ISBN: 978-90-78146-13-1, paperback, 385 pages. From alexandra.reill at kanonmedia.com Tue May 10 16:22:50 2011 From: alexandra.reill at kanonmedia.com (Alexandra Reill) Date: Tue, 10 May 2011 16:22:50 +0200 Subject: ::fibreculture:: War Upon Us: audiovisual Live-Performance on War and Peace Message-ID: <4C930311E4BE41769AC02A3639AF6483@sorgenkind> [for English version please scroll down] WAR UPON US Audiovisual Live-Performance on War and Peace DARKO* (B) & Alexandra Reill (A) When: May 17, 2011, 8 PM Where: MAK - Museum of Applied Arts Vienna A 1010 Vienna, Stubenring 5 In einer audiovisuellen Echtzeit-Performance untersucht die Konzept- und Medienk?nstlerin Alexandra Reill (Wien) gemeinsam mit dem Electronic Sound Composer DARKO* (Br?ssel) die Rolle transnationaler Wirtschaften bei der Bildung von Frieden bzw. der Konstruktion von Krieg. Entsteht Krieg oder wird Krieg gemacht? Wer profitiert von Krieg? Welche Rolle spielen dabei die Medien? Und inwieweit sind Menschen wirtschaftlichen oder politischen Kriegsinteressen ausgesetzt bzw. k?nnen sie auf Friedensbildung oder Kriegsplanung Einfluss nehmen? Pressekontakt Monika Meryn (Leitung) Olivia Harrer Christiane Vogl Tel. (+43-1) 711 36- 229 Fax (+43-1) 711 36-227 presse at MAK.at www.MAK.at --- WAR UPON US Audiovisual Live-Performance on War and Peace DARKO* (B) & Alexandra Reill (A) When: May 17, 2011, 8 PM Where: MAK - Museum of Applied Arts Vienna A 1010 Vienna, Stubenring 5 A real-time audiovisual performance sees conceptual and media artist Alexandra Reill (Vienna) join with electronic sound composer DARKO* (Brussels) to examine the role of transnational enterprises in the creation of peace and/or the construction of war. Does war simply arise on its own, or is war something that is "made?" Who profits from war? What role does the media play? And to what extent are individuals subject to war-related interests from the economic and/or political realms? And can they themselves exercise any sort of influence over peace-building or war-planning? Utilizing TV spots and blockbuster productions, DARKO* and Reill explore contemporary developments of a globalization which is formed and characterized by big business-and, not unimportantly, which is strongly influenced by the media. Press Contact Monika Meryn Olivia Harrer Christiane Vogl Tel. (+43-1) 711 36- 229 Fax (+43-1) 711 36-227 presse at MAK.at www.MAK.at --- kanonmedia ngo for new media contact: Alexandra Reill mailto: alexandra.reill at kanonmedia.com? writeto: 12/24, richtergasse, A 1070 vienna call: (+43-0)6991 820 70 03 visit: www.kanonmedia.com --- sorry for x-crossing; if you do not wish to receive infos from us please just reply and say unsubscribe in the header ___ -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: press_image_mailer.jpg Type: image/jpeg Size: 21890 bytes Desc: not available URL: From gerard.goggin at sydney.edu.au Wed May 11 04:12:50 2011 From: gerard.goggin at sydney.edu.au (Gerard Goggin) Date: Wed, 11 May 2011 12:12:50 +1000 Subject: ::fibreculture:: McLelland/Internet Regulation & Imagination/USyd/Fri 13 May, 2-4pm Message-ID: Media at Sydney presents ?Australia's Child-Abuse Materials Legislation, Internet Regulation and the Juridification of the Imagination? a seminar by Associate Professor Mark McLelland (Wollongong) 2-4pm, Friday 13 May, 2011 Rogers Room, Woolley Building (A20) -- see map: http://db.auth.usyd.edu.au/directories/map/building.stm?location=12E Abstract: This seminar investigates the implications of Australia?s blanket prohibition of ?child-abuse material? (including cartoons, animation, drawings, digitally manipulated photographs, and text) for Australian fan communities of animation, comics and gaming (ACG) and slash fiction. ACG/slash fan groups in Australia and elsewhere routinely consume, produce and disseminate material that contains content that would be ?refused classification? (i.e. featuring fictitious ?under-age? characters in violent and sexual scenarios).???Two lines of argument are advanced in the seminar to show that current legislation is seriously out of synch with the new communicative environment brought about by the Internet. Firstly, Henry Jenkins?s analysis of participatory fan culture is engaged to demonstrate that (i) a large portion of the fans producing and trading in these images are themselves minors and young people and (ii) legislators have failed to comprehend the manner in which the Internet is facilitating the development of new literacies, including sexual literacies. Habermas?s analysis of the conflict between instrumental and communicative rationality is then deployed to demonstrate that legislators have misrecognised the nature of the communicative practices that take place within the ?lifeworlds? of these fan communities resulting in an unjust ?juridification? of their creative practices. Drawing on Japanese research into the overwhelmingly female fandom surrounding ?Boys Love? (BL) manga, it is argued that current Australian legislation not only forecloses the fantasy lives of young Australian fans but also harms them by mistakenly aligning them with paedophile networks and threatening them with arrest, prosecution, and a lifetime on the sex offenders? list. Finally, drawing upon Jean Cohen?s paradigm of ?reflexive law? the seminar considers a possible way forward that opens up channels of communication between regulators, fans, domain host administrators and media studies professionals that would encourage a more nuanced approach to legislation as well as a greater awareness of the need for self-regulation among fan communities. About the presenter: Associate Professor Mark McLelland is in the School of Social Sciences, Media and Communication at the University of Wollongong. He is a sociologist and cultural historian of Japan specialising in the history of sexuality, gender theory and new media. His recent publications have focused on the postwar history of Japanese cultures of sexuality and the development of the Internet in Japan, especially the use of the Internet and other new media by minority communities in Japan and throughout Asia. McLelland is currently engaged in two ARC-funded projects. 'Sexuality and Social Transformation in Japan? looks at how global movements of people and knowledge are impacting upon Japanese constructs of sexuality and gender. The latest publication from this project, the book Love, Sex and Democracy in Japan during the American Occupation will be published by Palgrave Macmillan in 2012. ?Internet History in Australia and the Asia-Pacific? compares the development and uses of the Internet in Australia, with those of China, Korea, and Japan. Mark was the 2007/08 Toyota Visiting Professor of Japanese at the Center for Japanese Studies, The University of Michigan. Media @ Sydney is presented by the Department of Media and Communications, University of Sydney: http://sydney.edu.au/arts/media_communications/home/. For further information, contact Gerard Goggin: gerard.goggin at sydney.edu.au \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\ Gerard Goggin Professor of Media and Communications Department of Media and Communications Faculty of Arts and Social Sciences University of Sydney e: gerard.goggin at sydney.edu.au p: +61 2 9114 1218 m: +61 428 66 88 24 w: http://sydney.edu.au/arts/media_communications/staff/ggoggin Address: Level 2, room 206 Holme Building (A09a) Footbridge terrace entrance University of Sydney NSW 2006 -------------- next part -------------- An HTML attachment was scrubbed... URL: From mdieter at gmail.com Wed May 11 13:30:23 2011 From: mdieter at gmail.com (Michael Dieter) Date: Wed, 11 May 2011 13:30:23 +0200 Subject: ::fibreculture:: Fwd: Geek Mook: Call for Submissions In-Reply-To: References: Message-ID: ---------- Forwarded message ---------- From: Amy Espeseth Date: Wed, May 11, 2011 at 1:11 PM Subject: Geek Mook: Call for Submissions To: geekmook at gmail.com Geek Mook: Call for Submissions Mook - 1. A bound hybrid publication issued in a series. 2. Not quite a magazine, not quite a book. 3. A collection of surprising, unconventional new writing. Geek - 1. An awkward or socially inept person. 2. A person obsessed with technical or non-mainstream interests. 3. A carnival performer who performs sensationally morbid or disgusting acts, such as biting off the head of a live chicken. Vignette Press is now seeking work for the latest in its acclaimed series of mooks. Following the success of?The Death Mook?and?The Sex Mook,?Geek Mook?explores the worlds of hackers, gamers, steam punk fashionistas, trekkies, neo-punk trainspotters and obsessives of all the other fixations that give us a reason to stave off death (and quite frequently sex as well). As primarily book and literary geeks ourselves, the editors especially welcome submissions caught in the intersection of geekery and the literary. We?d love to learn about the ways the ways geek, literary and human have crashed up and mashed up in your lives and imagination: explain to us the aesthetics of coding; remember a childhood struggling with the unfair dice rolls of AD&D and ADHD; trace the interconnections between infidelity and Star Trek; show us the human heart beneath the steampunk carapace. Specs We are accepting nonfiction, fiction, infographics, poetry, illustration and other art forms which work well in a black and white print format.?Submissions may be from 500-3000 word, though we envisage sweet-spots around 1250 words and 2500 words. We will consider longer pieces where the work is so good, we?d feel silly bowing to any word count rule.?Geek Mook?contributors should not assume specialised knowledge or vocabulary on the part of the mook audience, though they can and should expect intelligence and curiosity. The pieces need not be homogenised, however, and we welcome work that, like?A Clockwork Orange,?pushes us out a little past our cognitive and linguistic depth, sinking yet strangely still able to breathe. Vignette Press appreciates the guts, labour and dedication required to produce good writing and art. Unfortunately, at the moment, we are not in position to express this monetarily. Each contributor will receive two complimentary copies of the?Geek Mook. Possible topics include but are not limited to: Coding Conventions Steampunk Cosplay Cinema Fan fiction Hacking Online communities Collecting Music obsessions WikiLeaks Dungeons and Dragons Superheroes Zines Blogging Code poetry Memes Speculative fiction Submissions open 1 July 2011 and close 31 July 2011.??Please email your submission together with a fifty word bio to geekmook at gmail.com Live long and prosper. Aaron Mannion and Julian Novitz,?Geek Mook?Editors Amy Espeseth, Publisher, Vignette Press??www.vignettepress.com.au Follow us on Twitter: vignettepress and geekmook. Like us on Facebook: Vignette Press. Befriend us in real life. From geert at xs4all.nl Thu May 12 07:51:11 2011 From: geert at xs4all.nl (Geert Lovink) Date: Thu, 12 May 2011 07:51:11 +0200 Subject: ::fibreculture:: Casual tutor required, Digital Culture, U of Newcastle Message-ID: Date: Wed, 11 May 2011 07:44:24 +1000 From: Marj Kibby To: air-l at listserv.aoir.org Subject: [Air-L] Casual tutor required, Digital Culture, U of Newcastle Australia Message-ID: <4DCA3E81020000CB0004212B at WINDOMPRD00.newcastle.edu.au> Content-Type: text/plain; charset=US-ASCII Hi all, For my sins I have been seconded to a full time position improving the student experience. So I'm looking for someone to teach Digital Culture - a third year course in the BA that has students from a wide range of programs taking it as an elective. As taught in 2010 it has three modules. Module 1 The Information Revolution Module 2 Produsers, Creativity and Remix Culture Module 3 Social Networks & Online Communities Students undertake tasks relevant to the module. Set up an annotated bibliography in Delicious; edit specific Wikipedia pages; Post images to Flickr, download a classmates images and manipulate and re-post them; and so on. They then read related material and discuss the process in an online forum. Three assessible items: Contribution to the discussion A research project A production project using free online tools. As the course is online the tutor would not need to be located in Newcastle. However being able to have one or two f2f meetings would be an advantage. If interested please contact me privately marj.kibby at newcastle.edu.au Regards, Marj Associate Professor Marjorie Kibby Discipline Convenor: Film, Media and Cultural Studies School of Humanities and Social Science The University of Newcastle Callaghan NSW 2308 Australia Marj.Kibby at newcastle.edu.au +61 2 49216604 From geert at xs4all.nl Thu May 12 16:43:03 2011 From: geert at xs4all.nl (Geert Lovink) Date: Thu, 12 May 2011 16:43:03 +0200 Subject: ::fibreculture:: Casual tutor required, Digital Culture, U of Newcastle Message-ID: <11D91CC9-2ACE-4829-A4E4-75A164AEC1D3@xs4all.nl> Date: Wed, 11 May 2011 07:44:24 +1000 From: Marj Kibby To: air-l at listserv.aoir.org Subject: [Air-L] Casual tutor required, Digital Culture, U of Newcastle Australia Message-ID: <4DCA3E81020000CB0004212B at WINDOMPRD00.newcastle.edu.au> Content-Type: text/plain; charset=US-ASCII Hi all, For my sins I have been seconded to a full time position improving the student experience. So I'm looking for someone to teach Digital Culture - a third year course in the BA that has students from a wide range of programs taking it as an elective. As taught in 2010 it has three modules. Module 1 The Information Revolution Module 2 Produsers, Creativity and Remix Culture Module 3 Social Networks & Online Communities Students undertake tasks relevant to the module. Set up an annotated bibliography in Delicious; edit specific Wikipedia pages; Post images to Flickr, download a classmates images and manipulate and re-post them; and so on. They then read related material and discuss the process in an online forum. Three assessible items: Contribution to the discussion A research project A production project using free online tools. As the course is online the tutor would not need to be located in Newcastle. However being able to have one or two f2f meetings would be an advantage. If interested please contact me privately marj.kibby at newcastle.edu.au Regards, Marj Associate Professor Marjorie Kibby Discipline Convenor: Film, Media and Cultural Studies School of Humanities and Social Science The University of Newcastle Callaghan NSW 2308 Australia Marj.Kibby at newcastle.edu.au +61 2 49216604 From andrew.murphie at gmail.com Wed May 18 12:31:38 2011 From: andrew.murphie at gmail.com (Andrew Murphie) Date: Wed, 18 May 2011 20:31:38 +1000 Subject: ::fibreculture:: =?windows-1252?q?The_Fibreculture_Journal_17=97U?= =?windows-1252?q?nnatural_Ecologies=2C_edited_by_Michael_Goddard_a?= =?windows-1252?q?nd_Jussi_Parikka?= Message-ID: *Unnatural Ecologies* http://seventeen.fibreculturejournal.org/ http://fibreculturejournal.org/ many thanks to Mat Wall-Smith, the Journal Manager, who has now enabled pdf and epub downloads of all articles and of the whole issue in file. -- *We are pleased to launch issue 17 of the Fibreculture Journal?Unnatural Ecologies, edited by Michael Goddard and Jussi Parikka* FCJ-114 Towards an Archaeology of Media Ecologies: ?Media Ecology?, Political Subjectivation and Free Radios Michael Goddard FCJ-115 Autocreativity and Organisational Aesthetics in Art Platforms Olga Goriunova FCJ-116 Media Ecologies and Imaginary Media: Transversal Expansions, Contractions, and Foldings Jussi Parikka FCJ-117 Four Regimes of Entropy: For an Ecology of Genetics and Biomorphic Media Theory Matteo Pasquinelli FCJ-118 Faulty Theory Matthew Fuller FCJ-119 Subjectivity in the Ecologies of P2P Production Phoebe Moore This issue is an exercise in media ecology that is paradoxically unnatural. Instead of assuming a natural connection to the established tradition of Media Ecology in the Toronto-school fashion of Marshall McLuhan, Neil Postman, and the work of scholars involved in the Media Ecology Association (http://www.media-ecology.org/media_ecology/), our issue stems from another direction; its theoretical orientation is more inspired by the work of Felix Guattari and engages with several overlapping ecologies that are aesthetico-political in their nature. It stems from a more politically oriented way of understanding the various scales and layers through which media are articulated together with politics, capitalism and nature, in which processes of media and technology cannot be detached from subjectivation. In this context, media ecology is itself a vibrant sphere of dynamics and turbulences including on its technical level. Technology is not only a passive surface for the inscription of meanings and signification, but a material assemblage that partakes in machinic ecologies. And, instead of assuming that ?ecologies? are by their nature natural (even if naturalizing perhaps in terms of their impact on capacities of sensation and thought) we assume them as radically contingent and dynamic, in other words as prone to change. The concept of media ecology was revived in 2005 by Matthew Fuller?s theoretically novel take on the idea. His Media Ecologies: Materialist Energies in Art and Technoculture set out to map the ?dynamic interrelation[s] of processes and objects, beings and things, patterns and matter? (Fuller 2005: 2) in a culture where the relation between materiality and information has been redefined. Steering clear of earlier celebrations of media as informational environments which dismiss any connection with the physical as for example with the cyberculture of the 1980s and 1990s ? Fuller is keen to map out how we can develop a material vocabulary for media ecological processes. The roots of such a vocabulary?that bends itself to the intensive connections of pirate radios and voice, the photographic medium and the Internet as well as such informational entities as memes?come from Whitehead, Simondon, Nietzsche as well as Guattari and contemporary writers such as Katherine N. Hayles. What emerges is a different genealogy for theories of media ecology. What was demonstrated already in Fuller?s take on the concept was a special appreciation of material practices involved in establishing the regimes of media ecologies. Media ecologies are quite often understood by Fuller through artistic/activist practices rather than pre-formed theories, which precisely work through the complex media layers in which on the one hand subjectivation and agency are articulated and, on the other hand, the materiality of informational objects gets distributed, dispersed and takes effect. Media ecological platforms can be seen to range from network environments for philosophy and media activism as in Rekombinant ( http://www.rekombinant.org) to art platforms on the net such as Runme.org ( http://runme.org/). Related themes can be detected in the various negotiations of nature being remixed, resurfaced, revisualized or sonified through media environments. Examples include Natalie Jeremijenko?s work, the Harwood-Yokokoji-Wright Eco Media collaboration (featured in Parikka -this Issue), biological art projects such as Amy Youngs?s The Digestive Table (2006, http://hypernatural.com/digestive.html), the work of activist/artistic groupings like Critical Art Ensemble, the Yes Men or the Wu Ming foundation and various bioart projects of recent years. In all these cases a dynamic media ecology is generated, incorporating natural, technical and informational components and giving rise to singular processes of subjectivation that are equally an essential part of the media ecology. (more...) http://seventeen.fibreculturejournal.org/ ----- *The Fibreculture Journal* is a peer reviewed international journal, first published in 2003 to explore the issues and ideas of concern to both the Fibreculture network. *The Fibreculture Journal* now serves wider social formations across the international community of those thinking critically about, and working with, contemporary digital and networked media. *The Fibreculture Journal* has an international Editorial Board and Committee . In 2008, *the Fibreculture Journal* became a part of the Open Humanities Press , a key initiative in the development of the Open Access journal community. The journal encourages critical and speculative interventions in the debate and discussions concerning a wide range of topics of interest. These include the social and cultural contexts, philosophy and politics of contemporary media technologies and events, with a special emphasis on the ongoing social, technical and conceptual transitions involved. -- "A traveller, who has lost his way, should not ask, Where am I? What he really wants to know is, Where are the other places" - Alfred North Whitehead Andrew Murphie - Associate Professor School of English, Media and Performing Arts, University of New South Wales, Sydney, Australia, 2052 Editor - The Fibreculture Journal http://fibreculturejournal.org/> web: http://www.andrewmurphie.org/ http://dynamicmedianetwork.org/ fax:612 93856812 tlf:612 93855548 email: a.murphie at unsw.edu.au room 311H, Webster Building -------------- next part -------------- An HTML attachment was scrubbed... URL: From Bolton.Anna at abc.net.au Thu May 26 06:22:23 2011 From: Bolton.Anna at abc.net.au (Anna Bolton) Date: Thu, 26 May 2011 14:22:23 +1000 Subject: ::fibreculture:: ABC Radio National's Celebration of the McLuhan Century Message-ID: <7FA98C537FC7E943BA5CC7521E3548D4012283C5C72C@NUCEMB02.aus.aunty.abc.net.au> Hello, You may know that 21 July this year marks the centenary of the birth of Canadian media theorist Marshall McLuhan. The Australian Broadcasting Corporation is marking the anniversary with a suite of special programs on ABC Radio National, culminating in a ?pop-up? (temporary) radio station on ABC Digital on the weekend of July 23 and 24, which will include archival material and explore life in the present digital age. We are also developing a special online space, which will include an interactive infographic depicting a timeline of McLuhan?s life, and the media and communications landscape from his birth until the present day (and into the future!). We?ve kicked it off with some starter dates and events: http://dragtotrash.com/misc/marshall/mcluhan/60th/ Now, this is where you come in. As a part of this project, we would value your input on what you believe to be the best or most significant cultural phenomenon or events during this period of the McLuhan century (1911-2011), in any of the following categories: ? Communication Technologies - Significant technological developments or advances (for example, the first colour television broadcast by John Logie Baird in the UK on 4 February 1938), or the first mobile telephone, brick size (2kgs) in 1973, or even Agent 86?s shoe phone, first depicted in the first scene of the first episode of Get Smart in 1965) ? Media Events - Ways in which the media has reflected historical events (such as images of the Vietnam War, Apollo 11 and the moon landing, the felling of the twin towers etc.) Great moments in modern culture - (for example, the opening of Australia?s first Westfield Mall in Blacktown, July 1959, legalisation of gay marriage in the Netherlands in 2001, Vatican II from 1962-1965, First public broadcast of a presidential funeral in 1963 following Kennedy?s assassination, etc) Advertising - Iconic or representative advertisements (from the Marlboro man to Burger King?s subservient chicken) Biography - Significant events in McLuhan?s life and work (including publications, television appearances etc) Future Directions - Your own McLuhan-esque observations, insights and predictions for the future We will be collating this data and incorporating it into the infographic. Feel free to answer any or all of the aforementioned categories. We request that the information is provided in the following format: Event Category Date of event Brief description (about 30 words) Relevant image, audio, video or other media (either a link or attached file) Links to further information on the event, commentary, audio or video clip Suggested by (your name) Below is a link to a Google spreadsheet where you can easily enter the information. https://spreadsheets.google.com/spreadsheet/ccc?hl=en&hl=en&key=t3rY-buwEhNZWbHPPhT7a5w&authkey=CPeD4oQC #gid=0 If you have any difficulty accessing or using the spreadsheet, please reply to this email with the information you would like to be included. Your ideas and expertise will be invaluable to the project, and we look forward to hearing from you. And if you have any general comments or suggestions we?d love to hear those as well. Regards, Anna Bolton -------------- next part -------------- An HTML attachment was scrubbed... URL: