[Filmfestivalresearch] Film Festival Research at NECS 2012 in Lisbon (June 21-23)

[erwin verbruggen]

Dear all,

not immediately related to film festivals, but with a link to the last
topic in this overview and considering online collections /
contextualisation is this panel we're doing on the television heritage
portal EUscreen. Looking forward indeed to meet (again) some of you there.

 J8.  UNSTABLE HISTORIES: THE PROBLEM OF SEEING AND UNDERSTANDING 'OLD'
TELEVISION IN THE DIGITAL AGE
Chair: t.b.a.

Erwin Verbruggen (Amsterdam)
Creating online access to European archival TV content

Dana Mustata (Groningen)
Challenging Television Historiography in an Analogue World

Berber Hagedoorn (Utrecht)
Providing Online Access to Television History: Considering the TV User

Liam Wylie (Dublin)
Challenges in Providing Access to Television Archives Online

Kind regards,

Erwin Verbruggen
Film programmer, Pluk de Nacht Open Air Film Festival
Amsterdam<http://www.plukdenacht.nl>
Press officer, EUscreen <http://blog.euscreen.eu>
Project officer, Netherlands Institute for Sound and Vision,
R&D<http://www.beeldengeluid.nl/onderzoek>


On Fri, May 25, 2012 at 2:41 PM, Skadi Loist <skadi at filmfestivalresearch.org
> wrote:

>
> Dear colleagues:
>
>
>
> The preliminary conference program for the upcoming NECS Conference has
> been
> released. This year’s annual conference “Time Networks: Screen Media and
> Memory” takes place in Lisbon, Portugal, June 21-23, 2012 and is hosted by
> the New University of Lisbon and the University of Coimbra.
>
>
>
> Film Festival Research again has a strong presence at NECS 2012.  Here is a
> list of the announced panels, workshops and papers dedicated to film
> festivals:
>
>
>
> Thursday, 21st June 2012, 09.00 – 10.45 (Session A)
> A10. POWER OF PROGRAMMING: FESTIVALS, IDENTITY AND POLITICS
> hair: t.b.a.
>
> *       Dunja Jelenkovic (Versailles): Role of Politics in Selection of
> Film
> Programs – Yugoslav Documentary and Short Film Festival in the Time of Wars
> of 1990s
> *       Ger Zielinski (Trent): On Affect and Memory Traces Circulated in
> and
> around Identity Film Festivals
> *       Maria-Paz Peirano (Kent): Reconstructing films and social memory in
> a film archive festival: The case of the “Festival Internacional de Cine
> Recobrado” of Valparaíso
> *       Cindy S.C. Chan (Houston): Café Lumière (2003). Taiwanese Identity
> between Japanese Cinema and International Film Festival
>
>
>
> Thursday, 21st June 2012, 11.00 – 12.45 (Session B)
> B10. FILM FESTIVALS AND THE INDUSTRY
> Chair: t.b.a.
>
> *       Sumanta Barua/Finola Kerrigan (London): Importance and Facilitators
> of Networking in International Film-festivals
> *       Marijke de Valck (Amsterdam): Film Business, Festival Business: The
> Growing Influence of Industry Partners
> *       Minerva Campos (Madrid): Film Festivals’ Memory: Festivals
> Trademark
> in “Video on Demand” websites
>
>
>
> Thursday, 21st June 2012, 13.45 – 15.30 (Session C)
> C10. KEY FESTIVAL CHALLENGES: PAST, PRESENT AND FUTURE
> Chair: t.b.a.
>
> *       Dorota Ostrowska (London): International film festivals as
> descendants of universal exhibitions
> *       Laura Rodríguez Isaza (Leeds): Touring the Film Festival Circuit:
> Migrating Patterns of Latin American Cinema
> *       Aida Vallejo Vallejo (Madrid): Festival Dependencies. Documentary,
> Europe and the Crisis
> *       Gavin Wilson (York): Cell Cinema Festivals: Showing, Sharing and
> Exhibiting Mobile Phone Films
>
>
>
> Friday, 22nd June 2012, 09.00 – 10.45  (Session E)
> E10. ACADEMICS AND FESTIVALS: ON THE FLOW OF LABOUR, EXPERTISE AND
> INFLUENCE
> BETWEEN
> Workshop – Film Festival Research Workgroup
>
> *       Chair: Skadi Loist (Junior researcher, University of Hamburg,
> Germany, Lesbisch Schwule Filmtage Hamburg)
> *       Greg de Cuir, Jr. (Selector/Programmer, Alternative Film/Video
> Belgrade; Managing Editor, NECSUS: European Journal of Media Studies)
> *       Gavin Wilson (York St John University, UK, former cameramen,
> writer,
> sector manager Screen Yorkshire)
>
>
>
> Friday, 22nd June 2012, 11.00 – 12.45 (Session F)
> F10. FILM FESTIVALS
> Chair: t.b.a.
>
> *       Przemyslaw Suwart (Weimar): Programming Film History at Film
> Festivals
> *       Christel Taillibert (Nice): Film Festivals and Digitization of
> Motion Picture Films
> *       Julian Stringer and Nikki J. Y. Lee (Nottingham):
> Counter-Programming and the Udine Far East Film Festival
>
>
>
> Saturday, 23rd June 2012, 09.00 – 10.45 (Session I)
> I8. HOW BRITAIN LEARNED TO LOVE EUROPE: BRITISH TELEVISION AND EUROPEAN
> FILM
> CULTURE, 1982-1996
> Chair: t.b.a.
>
> *       Justin Smith (Portsmouth): British television and European film
> co-production policy
> *       Rachael Keene (Portsmouth): Channel 4’s Visions: a European style
> of
> film programme?
> *       Laura Mayne (Portsmouth): From Cannes to Berlin: Examining the
> importance of film festivals in promoting Channel 4 films in Europe
> *       Anne Woods (Portsmouth): No Cannes Do
>
>
>
>
>
> This list is also available online:  <http://tinyurl.com/cndz5js>
> http://tinyurl.com/cndz5js
>
> The preliminary program can be downloaded here: http://tinyurl.com/d67wc3d
>
>
>
> Looking forward to see many of you in Lisbon.
>
> Skadi
>
>
>
>
>
> --
>
> Skadi Loist
>
> Co-Founder / Admin
>
> Film Festival Research Network (FFRN)
>
>  <http://www.filmfestivalresearch.org> www.filmfestivalresearch.org
>
>  <mailto:skadi at filmfestivalresearch.org> skadi at filmfestivalresearch.org
>
>
>
>
>
>
>
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