<videovortex> ukland: future histories of the moving image (has some links to videovortex)
Geert Lovink
geert at xs4all.nl
Tue Apr 3 20:09:27 CEST 2007
]From: Jason Wilson <jason.wilson at beds.ac.uk>
> Date: 2 April 2007 5:28:42 PM
> To: nettime-ann at nettime.org
> Subject: <nettime-ann> CFP - Future histories of the moving image
>
> Future Histories of the Moving Image
>
> An international conference to be held at University of Sunderland
>
> 16-18 November 2007
>
> Keynote Speaker: Professor Patricia Zimmermann (Ithaca College, New
> York), with other keynotes to be confirmed
>
> As is now widely acknowledged, with the advent of digital technology
> the nature of moving image production, distribution and exhibition has
> changed dramatically. In particular, a rapidly increasing number of
> people are now accessing an increasing volume and range of moving
> image material online. This technology is also changing the way in
> which we analyse and document current and historical moving image
> practices, as there has been a recent proliferation of digital archive
> and database projects relating to film, video and television
> practices. It is timely therefore to examine the changing ways in
> which we are circulating and interrogating moving image culture.
>
> We would particularly welcome papers that address the following areas:
>
> – What impact does the increasing reliance on database resources
> have on the nature of the histories we produce and write?
>
> – History as database vs history as narrative.
>
> – Implications of the proliferation of online critical writing
> (from refereed academic journals through to personal blogs) and its
> dissemination, with the blurring of the traditional distinction
> between professional and amateur writer.
>
> – The role and implication of immediate online
> distribution/exhibition of works
>
> – What impact is digital distribution having on theatrical
> exhibition?
>
> – Issues arising from the perceived need on the part of major
> producers/broadcasters to develop content for multiple platforms.
>
> – The implications of multiple producers being able to
> disseminate a wide range of material to multiple niche audiences
> (giving the idea of ‘narrowcasting’ a new meaning).
>
> – Revival/development of found footage production practices with
> the availability of digital archives such as Library of Congress
> Internet Archive (including the Prelinger Archive) and BBC Open
> Archive initiative.
>
> – Questions relating to the increasing accessibility online of
> moving image material in relation to intellectual property and the
> development of the Creative Commons copyright licence.
>
> – The creative influence of database logic on film structure.
>
> The conference will also host an open workshop – with participation by
> the Arts Council England, the Tate and the British Film Institute –
> which will address the issues of securing the sustainability and
> maximising the use/visibility of the growing number of film and video
> database/online research resources. The workshop is funded by the
> AHRC Networks and Workshops Scheme.
>
> Please send proposals of 200-300 words for papers of approx. 20
> minutes, together with a brief biographical note by 30 May 2007 to the
> conference organisers (Steven Ball, Julia Knight and Stephen
> Partridge) at futurehistories at sunderland.ac.uk
>
> Future Histories of the Moving Image is a joint conference organised
> by the Univeresity of Sunderland, the British Artists’ Film and Video
> Study Collection (University of the Arts, London) and the Visual
> Research Centre REWIND project DJCAD at the University of Dundee, in
> collaboration with Convergence: The International Journal of Research
> into New Media Technologies. All papers delivered at the conference
> will be considered for publication in the journal.
>
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