<videovortex> a new gaze via remote control - death 24x a second
Seth Keen
Seth.Keen at rmit.edu.au
Thu Mar 1 23:03:12 CET 2007
review in realtime - laura mulvey’s death 24x a second
"More precisely and theoretically, Mulvey is very interested in the
way the new technologies enable and even encourage the remote control-
wielding viewer to see figurative death in the form of the still or
slowed image extricated from narrative movement. Replaying sequences
and freeze-framing particular shots, for Mulvey, enable a significant
re-making of the film away from its original organisation towards a
more malleable, stretched and fragmented form that opens up a new
engagement with “the presence of death.”
"Mulvey’s argument asserts a new viewer-film relationship—a
technical, hermeneutic and sensual access to films in all their
aesthetic minutiae—rather than cinema per se, which has always
contained such elements even if shrouded by narrative action and
linearity. This allows a newly multi-dimensional understanding of
“the internal world of cinema.” Taken as a whole, the book
effectively, if idealistically, essays this newly empowered gaze as a
revolution in our knowledge of the increasingly important image world
she says is equivalent to 19th century photography transforming “the
human eye’s perception of the world.”
seth.keen at rmit.edu.au
http://www.sethkeen.net/blog/
http://del.icio.us/videovortex
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