<div dir="ltr"><div><div><div><div><div><div>Hello Marcin and colleagues on the list,<br><br></div><div>Marcin, thanks for bringing up this great question.<br></div><div><br></div>In case you are curious to know more about the Occupy Wall Street Archives Working Group (OWS AWG), including specifically how web archiving was part of our activities, I co-wrote a book chapter on work we did in the OWS AWG: <a href="http://dx.doi.org/10.7916/D80R9MGR" target="_blank">http://dx.doi.org/10.7916/D80R9MGR</a>. The seed sites we sent are available through the Internet Archive's Archive-It global event collection on the Occupy movement:
<a href="https://archive-it.org/collections/2950" target="_blank">https://archive-it.org/collections/2950</a>. <br><br>More of the global event collections made with Archive-It are available at: <a href="https://archive-it.org/organizations/89" target="_blank">https://archive-it.org/organizations/89</a> and often are curated by submissions from the general public. A currently very active collection is the #blacklivesmatter collection: <a href="https://archive-it.org/collections/4783" target="_blank">https://archive-it.org/collections/4783</a>. Nominations for this collection are still being accepted through this web form: <a href="https://docs.google.com/forms/d/1uTyINjaFgLMzizrxqGzGbS8avb5_1xJJ2ostRnhvxXo/viewform" target="_blank">https://docs.google.com/forms/d/1uTyINjaFgLMzizrxqGzGbS8avb5_1xJJ2ostRnhvxXo/viewform</a>. <br><br></div>Columbia University Libraries (my current employer) has an established web archiving program (<a href="https://library.columbia.edu/bts/web_resources_collection.html" target="_blank">https://library.columbia.edu/bts/web_resources_collection.html</a>), including the Human Rights Web Archive: <a href="http://hrwa.cul.columbia.edu/" target="_blank">http://hrwa.cul.columbia.edu/</a> which is partially curated by public nomination but mostly formed by curators based at universities. Through a Mellon grant we have been building more collaborative models for archiving web resources. These projects are very much based within a university but I wanted to mention them since they are on a smaller scale than projects going on via national libraries. If you would like to know more about the collaborative models we have been exploring for web archiving, this recent article I wrote has a brief overview <a href="http://dx.doi.org/10.7916/D87943X5" target="_blank">http://dx.doi.org/10.7916/D87943X5</a><br><br></div>Though it is geared to video rather than web archiving, I think WITNESS (<a href="https://witness.org/resources/">https://witness.org/resources/</a>) is a great model to look to when thinking about supporting community archiving. <br><br></div>Hope this helps!<br><br></div>Best,<br></div>Anna <br><div><div><div><div><a href="http://dx.doi.org/10.7916/D87943X5" target="_blank"></a><div> <br></div><div class="gmail_extra"><br><div class="gmail_quote">On Sat, Sep 5, 2015 at 3:14 PM, <span dir="ltr"><<a href="mailto:webcultures-request@listcultures.org" target="_blank">webcultures-request@listcultures.org</a>></span> wrote:<br><blockquote class="gmail_quote" style="margin:0px 0px 0px 0.8ex;border-left:1px solid rgb(204,204,204);padding-left:1ex">Send WebCultures mailing list submissions to<br>
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Today's Topics:<br>
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1. Re: grassroots web archiving projects (ReindeR Rustema)<br>
2. The 12hr ISBN-JPEG Project: since 1994 ({ brad brace })<br>
3. Re: grassroots web archiving projects (Ed Summers)<br>
4. Re: grassroots web archiving projects (jara rocha)<br>
<br>
<br>
----------------------------------------------------------------------<br>
<br>
Message: 1<br>
Date: Sat, 5 Sep 2015 13:17:47 +0200<br>
From: ReindeR Rustema <<a href="mailto:reinder@rustema.nl" target="_blank">reinder@rustema.nl</a>><br>
To: Marcin Wilkowski <<a href="mailto:m@wilkowski.org" target="_blank">m@wilkowski.org</a>><br>
Cc: Michael Stevenson <<a href="mailto:webcultures@listcultures.org" target="_blank">webcultures@listcultures.org</a>><br>
Subject: Re: [WebCultures] grassroots web archiving projects<br>
Message-ID: <<a href="mailto:55963E03-A3D1-402D-A20D-A2D96989B6B0@rustema.nl" target="_blank">55963E03-A3D1-402D-A20D-A2D96989B6B0@rustema.nl</a>><br>
Content-Type: text/plain; charset="us-ascii"<br>
<br>
<br>
> On 5 sep. 2015, at 11:42, Marcin Wilkowski <<a href="mailto:m@wilkowski.org" target="_blank">m@wilkowski.org</a>> wrote:<br>
><br>
> Do you know any more similar initiatives?<br>
<br>
Amsterdam Museum for the Digital City <a href="http://re-dds.nl" rel="noreferrer" target="_blank">http://re-dds.nl</a><br>
<br>
amateurs with similar goal at <a href="http://opendomein.nl" rel="noreferrer" target="_blank">http://opendomein.nl</a><br>
<br>
<br>
<br>
<br>
--<br>
ReindeR<br>
<br>
<br>
<br>
<br>
<br>
<br>
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Message: 2<br>
Date: Sat, 5 Sep 2015 05:28:43 -0700 (PDT)<br>
From: { brad brace } <<a href="mailto:bbrace@eskimo.com" target="_blank">bbrace@eskimo.com</a>><br>
To: <a href="mailto:webcultures@listcultures.org" target="_blank">webcultures@listcultures.org</a><br>
Cc: <a href="mailto:archiveteam@archiveteam.org" target="_blank">archiveteam@archiveteam.org</a><br>
Subject: [WebCultures] The 12hr ISBN-JPEG Project: since 1994<br>
Message-ID: <<a href="mailto:Pine.SUN.4.58.1509050527360.27584@eskimo.com" target="_blank">Pine.SUN.4.58.1509050527360.27584@eskimo.com</a>><br>
Content-Type: TEXT/PLAIN; charset=US-ASCII<br>
<br>
<br>
<br>
_ |__ __| | /_ |__ \| |<br>
| __| | | | (_) | | __/ (__| |_<br>
__ | | | | | | __/ | |/ /_| | | | |<br>
_ | | | '_ \ / _ \ | | / /| '_ \| '__|<br>
<br>
The 12hr-ISBN-JPEG Project >>>> posted since 1994 <<<<<br>
<br>
_ | | | '_ \ / _ \ | | / /| '_ \| '__|<br>
-_ | | | |__ ___ | | ) | |__ _ __<br>
_ | __ \ (_) | |<br>
<br>
"A compassionate observer, { brad brace } forges a personal aesthetic in these<br>
12hr-images infused with blank-sadness and a sense of mystery. What makes them both<br>
new and significant is the fact that he organizes its contents in sequences, applying<br>
the principles of cinematographic montage to fixed images."<br>
<br>
Immaculate Perception: to be happy in gazing: with dead will, free from the grip and<br>
greed of selfishness -- cold and ashy-grey all over, but with intoxicated<br>
moon-eyes... Extraordinary Rendition. Manifest Destiny. Abyssal Plain. Living Truth.<br>
Sublime Madness. Autofictional Metanarratie<br>
<br>
You begin to sense the byshadows that stretch from the awe of global<br>
dominance. How the intersecting systems help pull us apart, leaving<br>
us vague, drained, docile, soft in our inner discourse, willing to be<br>
shaped, to be overwhelmed -- easy retreats, half beliefs. Works of art<br>
are complex formal interventions within discursive traditions and their<br>
myriad filiations. These interventions are defined precisely by their<br>
incomparable capacity to trace the dynamics of historical process in<br>
paradoxical gestures of simultaneously prognostic and mnemonic<br>
temporalities.<br>
| __| | | | (_) | | __/ (__| |_<br>
_ | | | '_ \ / _ \ | | / /| '_ \| '__|<br>
_| |__) | __ ___ _ ___ ___| |_<br>
|_ ___/ '__/ _ \| |/ _ \/ __| __|<br>
|_| _ |_| \___/| |\___|\___|\__|<br>
_ _/ |<br>
_ |__/<br>
<br>
<br>
> > > > Synopsis: The 12hr-ISBN-JPEG Project began December 30, 1994. A<br>
`round-the-clock posting of sequenced hypermodern imagery from { brad<br>
brace }. The hypermodern minimizes the familiar, the known, the<br>
recognizable; it suspends identity, relations and history. This<br>
discourse, far from determining the locus in which it speaks, is avoiding<br>
the ground on which it could find support. It is trying to operate a<br>
decentering that leaves no privilege to any center.<br>
<br>
<br>
The 12-hour ISBN JPEG Project<br>
-----------------------------<br>
began December 30, 1994<br>
<br>
<br>
Time-honoured, pointless Hypermodern Imagery... posted/mailed every 12 hours...<br>
a spectral, trajective alignment for the 00`s! A continuum of minimalist masks<br>
in the face of catastrophe; conjuring up transformative metaphors for the everyday...<br>
A poetic reversibility of exclusive events: visual haiku...<br>
<br>
A post-rhetorical, continuous, apparently random sequence of imagery...<br>
genuine gritty, greyscale... corruptable, compact, collectable and compelling<br>
convergence. The vernacular voluptuousness of the grey imminence: the art of making<br>
the other disappear. Continual visual impact; an optical drumming, sculpted in<br>
duration, on the endless present of the Net.<br>
<br>
An extension of the printed ISBN-Book (0-9690745) series... critically<br>
unassimilable... imagery is gradually acquired, selected and re-sequenced<br>
over time... ineluctable, vertiginous connections. The 12hr dialtone...<br>
<br>
[ see <a href="http://www.eskimo.com/~bbrace/netcom/books.txt" rel="noreferrer" target="_blank">http://www.eskimo.com/~bbrace/netcom/books.txt</a> ]<br>
<br>
KEYWORDS:<br>
<br>
>> Buffered, disconnected, disjunctive, distended, de-centered,<br>
de-composed, dark, disembodied,<br>
despondent, ambiguous, augmented, ambilavent, annoying, homogeneous, reckless,<br>
spontaneous...<br>
>> Multi-faceted mandala, meditative, metaphysical, oblique, obsessive,<br>
obscure, obdurate, unfocused-attention, all-inclusive ground: god...<br>
>> Promulgated, personal, permeable, prolonged, polymorphous, provocative,<br>
poetic, plural, perverse, potent, prophetic, pathological, pointless,<br>
private, peripheral, precocious, porous, placeholders...<br>
>> Robust, real, redundant, resplendent, revolutionary, redeeming...<br>
>> Emergent, evolving, eccentric, eclectic, egregious, eternal, exciting,<br>
entertaining, evasive, entropic, erotic, entrancing, enduring, ergodic,<br>
expansive, exhaustive, encyclopedic, enlinked, enlaced, enamoured...<br>
>> Contemplative, congealed, contemporary...<br>
<br>
<br>
Every 12 hours, another!... view them, re-post `em, save `em,<br>
trade `em, print `em, even publish them...<br>
<br>
Here`s how:<br>
<br>
~ Set www-links to -> <a href="http://www.eskimo.com/~bbrace/12hr.html" rel="noreferrer" target="_blank">http://www.eskimo.com/~bbrace/12hr.html</a><br>
-> <a href="http://bradbrace.net/12hr.html" rel="noreferrer" target="_blank">http://bradbrace.net/12hr.html</a><br>
-> <a href="http://bbrace.net/12hr.html" rel="noreferrer" target="_blank">http://bbrace.net/12hr.html</a><br>
-> twitter, facebook, flickr, tumblr, posterous, delicious<br>
<br>
Look for the 12-hr-icon. Heavy traffic may require you to specify files<br>
more than once! Anarchie, Fetch, CuteFTP, TurboGopher...<br>
<br>
~ Download from -> <a href="http://ftp.rdrop.com" rel="noreferrer" target="_blank">ftp.rdrop.com</a> /pub/users/bbrace<br>
Download from -> <a href="http://ftp.eskimo.com" rel="noreferrer" target="_blank">ftp.eskimo.com</a> /home/bbrace<br>
Download from -> hotline://<a href="http://artlyin.ftr.va.com.au" rel="noreferrer" target="_blank">artlyin.ftr.va.com.au</a><br>
Download from -> <a href="http://12hr.noemata.net/" rel="noreferrer" target="_blank">http://12hr.noemata.net/</a><br>
<br>
* Remember to set tenex or binary. Get 12hr.jpeg<br>
<br>
~ E-mail -> If you only have access to email, then you can use FTPmail to<br>
do essentially the same thing. Send a message with a body of 'help' to<br>
the server address nearest you:<br>
*<br>
<a href="mailto:ftpmail@ccc.uba.ar" target="_blank">ftpmail@ccc.uba.ar</a> <a href="mailto:ftpmail@cs.uow.edu.au" target="_blank">ftpmail@cs.uow.edu.au</a><br>
<a href="mailto:ftpmail@ftp.uni-stuttgart.de" target="_blank">ftpmail@ftp.uni-stuttgart.de</a> <a href="mailto:ftpmail@ftp.Dartmouth.edu" target="_blank">ftpmail@ftp.Dartmouth.edu</a><br>
<a href="mailto:ftpmail@ieunet.ie" target="_blank">ftpmail@ieunet.ie</a> <a href="mailto:ftpmail@src.doc.ic.ac.uk" target="_blank">ftpmail@src.doc.ic.ac.uk</a><br>
<a href="mailto:ftpmail@archie.inesc.pt" target="_blank">ftpmail@archie.inesc.pt</a> <a href="mailto:ftpmail@ftp.sun.ac.za" target="_blank">ftpmail@ftp.sun.ac.za</a><br>
<a href="mailto:ftpmail@ftp.sunet.se" target="_blank">ftpmail@ftp.sunet.se</a> <a href="mailto:ftpmail@ftp.luth.se" target="_blank">ftpmail@ftp.luth.se</a><br>
<a href="mailto:ftpmail@NCTUCCCA.edu.tw" target="_blank">ftpmail@NCTUCCCA.edu.tw</a> <a href="mailto:ftpmail@oak.oakland.edu" target="_blank">ftpmail@oak.oakland.edu</a><br>
<a href="mailto:ftpmail@sunsite.unc.edu" target="_blank">ftpmail@sunsite.unc.edu</a> <a href="mailto:ftpmail@decwrl.dec.com" target="_blank">ftpmail@decwrl.dec.com</a><br>
<a href="mailto:ftpmail@census.gov" target="_blank">ftpmail@census.gov</a><br>
bitftp@plearn.bitnet bitftp@dearn.bitnet<br>
<a href="mailto:bitftp@vm.gmd.de" target="_blank">bitftp@vm.gmd.de</a> <a href="mailto:bitftp@plearn.edu.pl" target="_blank">bitftp@plearn.edu.pl</a><br>
<a href="mailto:bitftp@pucc.princeton.edu" target="_blank">bitftp@pucc.princeton.edu</a> bitftp@pucc.bitnet<br>
* *<br>
<br>
<br>
~ Mirror-sites requested! Archives too!<br>
The latest new jpeg will always be named, 12hr.jpeg<br>
Average size of images is only 45K.<br>
*<br>
Perl program to mirror ftp-sites/sub-directories:<br>
src.doc.ic.ac.uk:/packages/mirror<br>
*<br>
<br>
~ Postings to usenet newsgroups:<br>
12hr<br>
alt.12hr<br>
alt.binaries.pictures.12hr<br>
alt.binaries.pictures.misc<br>
alt.binaries.pictures.fine-art.misc<br>
<br>
* * Ask your system's news-administrator to carry these groups!<br>
(There are also usenet image browsers: TIFNY, PluckIt, Picture Agent,<br>
PictureView, Extractor97, NewsRover, Binary News Assistant, EasyNews)<br>
* * A secondary stream of the sequenced imagery is now uploaded/repeated:<br>
about a thousand scans behind for those missing earlier offerings.<br>
<br>
<br>
~ This interminable, relentless (online) sequence of imagery began in<br>
earnest on December 30, 1994. The basic structure of the project has been<br>
over thirty years in the making. While the specific sequence of<br>
photographs has been presently orchestrated for many years` worth of<br>
12-hour postings, I will undoubtedly be tempted to tweak the ongoing<br>
publication with additional new interjected imagery. Each 12-hour image<br>
is like the turning of a page; providing ample time for reflection,<br>
interruption, and assimilation.<br>
<br>
~ The sites listed above also contain information on other cultural<br>
projects and sources.<br>
<br>
~ A very low-volume, moderated mailing list for announcements and occasional<br>
commentary related to this project has been established. To subscribe to 12-list,<br>
simply send a message with the word "subscribe" in the Subject: field to<br>
<a href="mailto:12-list-request@eskimo.com" target="_blank">12-list-request@eskimo.com</a><br>
<br>
--<br>
The image was to make nothing visible but their connection with<br>
one another by space and air, yet each surrounded by the unique<br>
aura that disengages every deeply seen image from the world of<br>
irrelevant relationships and calls forth a tremor of<br>
astonishment at its fateful necessity. Thus from artworks of<br>
dead masters, over-life-size strangeness whose names we do not<br>
know and do not wish to know, look out at us enigmatically as<br>
symbols of all being.<br>
<br>
--<br>
<br>
Big Grey Bricks: This project also serves as a rehearsal for its<br>
culmination as a series of offset-printed volumes: each 800+ full-bleed<br>
pages (5x8"_300lpi), where the full integrated rhythm of<br>
greyscale-sequence can be more intricately resolved. I'd provide all<br>
design, prepress and production. The tonality of the imagery is<br>
important; these 12hr-jpegs scanned from film-prints are quick<br>
approximations for an institutionally unsupported outcome.<br>
<br>
--<br>
<br>
This project remains untainted by corrupt corporate and glib government<br>
art-subsidies. Some opportunities still exist for financially assisting the<br>
publication of editions of large (33x46") prints; perhaps (Iris giclees)<br>
inkjet duotones or extended-black quadtones with diasec on dibond mount.<br>
<br>
Other supporters receive rare copies of the first three web-offset printed<br>
ISBN-Books. Contributions and requests for 12hr-email-subscriptions,<br>
can also be made at <a href="http://bradbrace.net/buy-into.html" rel="noreferrer" target="_blank">http://bradbrace.net/buy-into.html</a>,<br>
or by mailed cheque/check: $5/mo $50/yr. Art-institutions must pay $12K<br>
for each image retained longer than 12 hours. Should this work be exhibited,<br>
the curator/administrators must be crammed naked in an open metal cage and<br>
mercilessly poked with sharp sticks for the duration of the installation.<br>
<br>
<br>
--<br>
<br>
ISBN is International Standard Book Number. JPEG and GIF are types of<br>
image files. Get the text-file, 'pictures-faq' to learn how to view or<br>
translate these images. [<a href="http://www.eskimo.com/~bbrace/netcom/pictures-faq.html" rel="noreferrer" target="_blank">http://www.eskimo.com/~bbrace/netcom/pictures<br>
-faq.html</a>] The 12hr-project is the world's first and longest-running<br>
photo-blog.<br>
<br>
ACKNOWLEDGEMENTS: No one and nothing. For over 20 years I've been<br>
posting this series of imagery online with out a nickel of support or<br>
word of critical consideration. More proof of corrupt cultural agency<br>
that excludes all but the validated insider sycophants. World (art)history<br>
is but a shuffled pack of lies. Here is, in total 40+ years' photo-artwork<br>
that only thrives beyond institutional tyranny.<br>
<br>
"You live in what we call the reality-based community. But<br>
that's not the way the world really works anymore. We're an empire now,<br>
and when we act, we create our own reality... we're history's actors...<br>
and you, all of you, will be left to just study what we do."<br>
-- 12hr Grey House Official<br>
<br>
<br>
--<br>
<br>
(c) Credit appreciated. Copyleft<br>
<br>
1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007<br>
2008 2009 2010 2011 2012 2013 2014<br>
<br>
<br>
<<a href="mailto:bbrace@eskimo.com" target="_blank">bbrace@eskimo.com</a>><br>
<br>
<br>
<br>
<br>
<br>
<br>
<br>
------------------------------<br>
<br>
Message: 3<br>
Date: Sat, 5 Sep 2015 14:45:02 -0400<br>
From: Ed Summers <<a href="mailto:ehs@pobox.com" target="_blank">ehs@pobox.com</a>><br>
To: Marcin Wilkowski <<a href="mailto:m@wilkowski.org" target="_blank">m@wilkowski.org</a>><br>
Cc: <a href="mailto:webcultures@listcultures.org" target="_blank">webcultures@listcultures.org</a><br>
Subject: Re: [WebCultures] grassroots web archiving projects<br>
Message-ID: <<a href="mailto:1E49B7ED-449B-48F2-85D6-3D968374122F@pobox.com" target="_blank">1E49B7ED-449B-48F2-85D6-3D968374122F@pobox.com</a>><br>
Content-Type: text/plain; charset="utf-8"<br>
<br>
Hi Marcin,<br>
<br>
> On Sep 5, 2015, at 5:42 AM, Marcin Wilkowski <<a href="mailto:m@wilkowski.org" target="_blank">m@wilkowski.org</a>> wrote:<br>
><br>
> Hi,<br>
><br>
> I'd like to collect information on grassroots web archiving projects -<br>
> web archiving is done not only by national archives or libraries but<br>
> also by organizations and common people. The best example is of course<br>
> the Internet Archive Foundation, but I found also Archive Team<br>
> (<a href="http://archiveteam.org" rel="noreferrer" target="_blank">archiveteam.org</a>) or the independent archival movement of Occupy Wall<br>
> Street (<a href="http://thebrooklynink.com/2011/12/26/39230-the-anarchivists-who-owns-the-occupy-wall-street-narrative/" rel="noreferrer" target="_blank">http://thebrooklynink.com/2011/12/26/39230-the-anarchivists-who-owns-the-occupy-wall-street-narrative/</a>)<br>
><br>
> Do you know any more similar initiatives?<br>
<br>
It?s an interesting question, I would be very interested in what you come up with, if you are able to share it.<br>
<br>
A few years ago I wrote a little piece [1] about the grass roots efforts to collect and re-publish content that Jonathan Gillette and Mark Pilgrim pulled offline when they committed "info-suicide" a few years ago.<br>
<br>
Also, here are a couple other stories that may be of interest:<br>
<br>
* Rhizome (New Museum) have been archiving artists' web content [2].<br>
* Museum of Modern Art in New York has been collecting their own exhibition sites. [3]<br>
<br>
Perhaps those stories aren?t grass roots enough. But they aren?t national libraries. I did take the liberty of forwarding your question to a new discussion list that is just getting started up called web-archives [4]. I hope that was ok.<br>
<br>
//Ed<br>
<br>
[1] <a href="http://inkdroid.org/2013/11/26/the-web-as-a-preservation-medium/" rel="noreferrer" target="_blank">http://inkdroid.org/2013/11/26/the-web-as-a-preservation-medium/</a><br>
[2] <a href="https://groups.google.com/forum/#!topic/web-archives/WVzzdpvmjpE" rel="noreferrer" target="_blank">https://groups.google.com/forum/#!topic/web-archives/WVzzdpvmjpE</a><br>
[3] <a href="http://www.moma.org/explore/inside_out/2015/05/25/moma-org-turns-20-archiving-two-decades-of-exhibition-sites" rel="noreferrer" target="_blank">http://www.moma.org/explore/inside_out/2015/05/25/moma-org-turns-20-archiving-two-decades-of-exhibition-sites</a><br>
[4] <a href="http://bits.blogs.nytimes.com/2014/10/19/a-new-tool-to-preserve-moments-on-the-internet/?_r=0" rel="noreferrer" target="_blank">http://bits.blogs.nytimes.com/2014/10/19/a-new-tool-to-preserve-moments-on-the-internet/?_r=0</a><br>
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Message: 4<br>
Date: Sat, 5 Sep 2015 21:14:18 +0200<br>
From: jara rocha <<a href="mailto:jararocha@gmail.com" target="_blank">jararocha@gmail.com</a>><br>
To: Ed Summers <<a href="mailto:ehs@pobox.com" target="_blank">ehs@pobox.com</a>><br>
Cc: Marcin Wilkowski <<a href="mailto:m@wilkowski.org" target="_blank">m@wilkowski.org</a>>,<br>
"<a href="mailto:webcultures@listcultures.org" target="_blank">webcultures@listcultures.org</a>" <<a href="mailto:webcultures@listcultures.org" target="_blank">webcultures@listcultures.org</a>><br>
Subject: Re: [WebCultures] grassroots web archiving projects<br>
Message-ID:<br>
<CAG3KurbwGwaG5O4PKZRaJcboF=<a href="mailto:x8FydC6YSp3UmCdpo4K%2BvqHw@mail.gmail.com" target="_blank">x8FydC6YSp3UmCdpo4K+vqHw@mail.gmail.com</a>><br>
Content-Type: text/plain; charset="utf-8"<br>
<br>
hello!<br>
check bookcamping and active archives:<br>
<br>
<a href="http://bookcamping.cc/" rel="noreferrer" target="_blank">http://bookcamping.cc/</a><br>
<a href="http://activearchives.org/wiki/Main_Page" rel="noreferrer" target="_blank">http://activearchives.org/wiki/Main_Page</a><br>
<br>
cheers!<br>
jxxx<br>
<br>
<br>
<br>
El s?bado, 5 de septiembre de 2015, Ed S<br>
<br>
ummers <<a href="mailto:ehs@pobox.com" target="_blank">ehs@pobox.com</a>> escribi?:<br>
<br>
> Hi Marcin,<br>
><br>
> > On Sep 5, 2015, at 5:42 AM, Marcin Wilkowski <<a href="mailto:m@wilkowski.org" target="_blank">m@wilkowski.org</a><br>
> <javascript:;>> wrote:<br>
> ><br>
> > Hi,<br>
> ><br>
> > I'd like to collect information on grassroots web archiving projects -<br>
> > web archiving is done not only by national archives or libraries but<br>
> > also by organizations and common people. The best example is of course<br>
> > the Internet Archive Foundation, but I found also Archive Team<br>
> > (<a href="http://archiveteam.org" rel="noreferrer" target="_blank">archiveteam.org</a>) or the independent archival movement of Occupy Wall<br>
> > Street (<br>
> <a href="http://thebrooklynink.com/2011/12/26/39230-the-anarchivists-who-owns-the-occupy-wall-street-narrative/" rel="noreferrer" target="_blank">http://thebrooklynink.com/2011/12/26/39230-the-anarchivists-who-owns-the-occupy-wall-street-narrative/</a><br>
> )<br>
> ><br>
> > Do you know any more similar initiatives?<br>
><br>
> It?s an interesting question, I would be very interested in what you come<br>
> up with, if you are able to share it.<br>
><br>
> A few years ago I wrote a little piece [1] about the grass roots efforts<br>
> to collect and re-publish content that Jonathan Gillette and Mark Pilgrim<br>
> pulled offline when they committed "info-suicide" a few years ago.<br>
><br>
> Also, here are a couple other stories that may be of interest:<br>
><br>
> * Rhizome (New Museum) have been archiving artists' web content [2].<br>
> * Museum of Modern Art in New York has been collecting their own<br>
> exhibition sites. [3]<br>
><br>
> Perhaps those stories aren?t grass roots enough. But they aren?t national<br>
> libraries. I did take the liberty of forwarding your question to a new<br>
> discussion list that is just getting started up called web-archives [4]. I<br>
> hope that was ok.<br>
><br>
> //Ed<br>
><br>
> [1] <a href="http://inkdroid.org/2013/11/26/the-web-as-a-preservation-medium/" rel="noreferrer" target="_blank">http://inkdroid.org/2013/11/26/the-web-as-a-preservation-medium/</a><br>
> [2] <a href="https://groups.google.com/forum/#!topic/web-archives/WVzzdpvmjpE" rel="noreferrer" target="_blank">https://groups.google.com/forum/#!topic/web-archives/WVzzdpvmjpE</a><br>
> [3]<br>
> <a href="http://www.moma.org/explore/inside_out/2015/05/25/moma-org-turns-20-archiving-two-decades-of-exhibition-sites" rel="noreferrer" target="_blank">http://www.moma.org/explore/inside_out/2015/05/25/moma-org-turns-20-archiving-two-decades-of-exhibition-sites</a><br>
> [4]<br>
> <a href="http://bits.blogs.nytimes.com/2014/10/19/a-new-tool-to-preserve-moments-on-the-internet/?_r=0" rel="noreferrer" target="_blank">http://bits.blogs.nytimes.com/2014/10/19/a-new-tool-to-preserve-moments-on-the-internet/?_r=0</a><br>
><br>
<br>
<br>
--<br>
<br>
'<br>
jara rocha<br>
objetolog?as <<a href="http://objetologias.tumblr.com/" rel="noreferrer" target="_blank">http://objetologias.tumblr.com/</a>><br>
@jararocha <<a href="https://twitter.com/jararocha" rel="noreferrer" target="_blank">https://twitter.com/jararocha</a>><br>
-orama <<a href="http://jararocha.blogspot.com.es/" rel="noreferrer" target="_blank">http://jararocha.blogspot.com.es/</a>><br>
,<br>
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