[Filmfestivalresearch] NECS 2014 cfp, pre-constituted panel "Film Trade(s) and International Film Festivals"

klara wyrzykowska klarawy at gmail.com
Fri Dec 6 13:46:20 CET 2013


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Klara Wyrzykowska
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2013/12/6 M.P.Peirano-Olate <mppp2 at kent.ac.uk>

>
> Dear Dorota and all,
>
> I would like to present a paper on film trades also, particularly in the
> market exchanges established by Latin-American filmmakers and film
> producers at European markets, co-production forums and other similar
> spaces  at film festivals. I would be focusing in documentary film festival
> markets (particularly IDFA and Leipzig).
>
> I agree with Enrico that this topic clearly connects with the workshop we
> were planning before on festival markets, and I wonder if it is a wiser to
> merge them both?  What do you think?
>
> All the best,
> Maria
>
> Maria-Paz Peirano
> PhD (c ) Social Anthropology
> School of Anthropology and Conservation
> University of Kent
>
>
>
> -----Original Message-----
> From: Filmfestivalresearch [mailto:
> filmfestivalresearch-bounces at listcultures.org] On Behalf Of
> filmfestivalresearch-request at listcultures.org
> Sent: 05 December 2013 17:40
> To: filmfestivalresearch at listcultures.org
> Subject: Filmfestivalresearch Digest, Vol 43, Issue 7
>
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> Today's Topics:
>
>    1. Re: NECS 2014 cfp,        pre-constituted panel "Film Trade(s) and
>       International Film        Festivals" (Enrico Vannucci)
>    2. Re: NECS 2014 cfp, pre-constituted panel "Film Trade(s) and
>       International Film        Festivals" (Cindy Wong)
>    3. NECS 2014 pre-con panel: "Festival Audiences" (LESLEY-ANN DICKSON)
>
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Thu, 5 Dec 2013 12:06:22 +0100
> From: Enrico Vannucci <10132687 at brookes.ac.uk>
> To: Skadi Loist <skadi at filmfestivalresearch.org>
> Cc: filmfestivalresearch at listcultures.org
> Subject: Re: [Filmfestivalresearch] NECS 2014 cfp,      pre-constituted
>         panel "Film Trade(s) and International Film     Festivals"
> Message-ID: <DC33C1AD-2C83-4290-AE16-91709A536A30 at brookes.ac.uk>
> Content-Type: text/plain;       charset=iso-8859-1
>
> Hi Dorota, Skadi and all,
>
> Your idea of a panel on Trades and Festivals is interesting. I think it
> connects to the Workshop on Film Festivals and Markets that SCMS rejected
> and that we've thought to propose again to NECS, as you know.
>
> Having a panel and a workshop on the same issues but with different
> approaches could be really compelling. What do you think?
>
> I could also be interested in joining the panel too. My original idea for
> NECS focused on finding which are the festivals that professionals in the
> short film festival ecosystem (producers, directors, programmers, etc...)
> use as principal hubs in order to distribute and promote their films more
> successfully. I could reframe this idea narrowing my research only on
> trades.
>
> Otherwise - since I still can use it for another conference - I am
> interested in writing something on the Clermont-Ferrand Market as the main
> hub for trades in the short film festival ecosystem, since this issue is
> also an important part of my PhD research.
>
> Please, let me know.
>
> Cheers.
>
> E.
>
> Enrico Vannucci
> Research Student
> Oxford Brookes University
> email: enrico.vannucci-2011 at brookes.ac.uk
> phone: +39 328 28 43 112
> skype: hypervan
> twitter: http://www.twitter.com/hypervan research blog:
> http://shortfilmfestivalsresearch.tumblr.com
>
> Il giorno 05/dic/2013, alle ore 10:59, Skadi Loist <
> skadi at filmfestivalresearch.org> ha scritto:
>
> >
> > Hi Dorota & everyone:
> >
> > I would like to join a panel focusing on trade issues.  I am not sure
> > yet which exact angle I will focus on - either the economic angle of
> > film circulation through the festival circuit (screening fees as
> > income in terms of distribution) or the development of various service
> > platforms (Cinando, Festival Scope, FilmFestivalLife), facilitating
> > trade on the festival circuit.  Let me know if that might fit.
> >
> > Cheers
> > Skadi
> >
> >
> > --
> > Skadi Loist
> > Co-Founder / Admin
> > Film Festival Research Network (FFRN)
> > www.filmfestivalresearch.org
> > skadi at filmfestivalresearch.org
> >
> >
> >
> > -----Urspr?ngliche Nachricht-----
> > Von: Filmfestivalresearch
> > [mailto:filmfestivalresearch-bounces at listcultures.org] Im Auftrag von
> > DOROTA OSTROWSKA
> > Gesendet: Donnerstag, 5. Dezember 2013 10:45
> > An: dorota.ostrowska at btinternet.com
> > Cc: <filmfestivalresearch at listcultures.org>
> > Betreff: Re: [Filmfestivalresearch] NECS 2014 cfp, pre-constituted
> > panel "Film Trade(s) and International Film Festivals"
> >
> >
> > Hello,
> >
> > Would anyone be interested in contributing to the following panel I am
> > trying to put together for NECS 2014?
> >
> > CFP: Film Trade(s) and International Film Festivals
> >
> > I am interested in the role that different professional organisations,
> > both national (i.e. trade unions) and international (i.e. FIAPF,
> > FIPRESCI), played in relation to international film festivals. For my
> > own paper I will be focussing on the British Film Producers
> > Association and how it shaped the international film festival circuit
> > until 1970s when its key objective was to maximize the commercial
> success of British films internationally.
> >
> > Best wishes,
> > Dorota Ostrowska
> > _______________________________________________
> > Filmfestivalresearch mailing list
> > Filmfestivalresearch at listcultures.org
> > http://listcultures.org/mailman/listinfo/filmfestivalresearch_listcult
> > ures.o
> > rg
> >
> >
> > _______________________________________________
> > Filmfestivalresearch mailing list
> > Filmfestivalresearch at listcultures.org
> > http://listcultures.org/mailman/listinfo/filmfestivalresearch_listcult
> > ures.org
>
>
>
> ------------------------------
>
> Message: 2
> Date: Thu, 5 Dec 2013 13:28:44 +0000
> From: Cindy Wong <Cindy.Wong at csi.cuny.edu>
> To: Enrico Vannucci <10132687 at brookes.ac.uk>, Skadi Loist
>         <skadi at filmfestivalresearch.org>, "dorota.ostrowska at btinternet.com
> "
>         <dorota.ostrowska at btinternet.com>
> Cc: "filmfestivalresearch at listcultures.org"
>         <filmfestivalresearch at listcultures.org>
> Subject: Re: [Filmfestivalresearch] NECS 2014 cfp, pre-constituted
>         panel "Film Trade(s) and International Film     Festivals"
> Message-ID:
>         <FC438CDC2D274E40A4B22F3E980C0B28D7F0BD8E at mbox2.FLAS.CSI.CUNY.EDU>
> Content-Type: text/plain; charset="utf-8"
>
> Dear all,
>
> I am not sure that I can go to Milan this summer from Atlantic West, but
> all the discussions and panels sound too tempting.
> I am working on a new project on the Asian co-production markets at
> various Asian festivals which would fit well with the panel on film trade
> Dorota has proposed.
> I will apply for funds from my university and I do think (but am not sure)
> that I can probably get some assistance there.
> So count me in if you think that this fits.
>
> Cindy Hing-Yuk Wong
> Professor
> Department of Media Culture
> College of Staten Island/CUNY
> 2800 Victory Blvd.
> Staten Island, NY, 10314
> USA
> 718-982-2615
> 718-982-2710 (FAX)
> ________________________________________
> From: Filmfestivalresearch [filmfestivalresearch-bounces at listcultures.org]
> on behalf of Enrico Vannucci [10132687 at brookes.ac.uk]
> Sent: Thursday, December 05, 2013 6:06 AM
> To: Skadi Loist
> Cc: filmfestivalresearch at listcultures.org
> Subject: Re: [Filmfestivalresearch] NECS 2014 cfp,      pre-constituted
> panel "Film Trade(s) and International Film     Festivals"
>
> Hi Dorota, Skadi and all,
>
> Your idea of a panel on Trades and Festivals is interesting. I think it
> connects to the Workshop on Film Festivals and Markets that SCMS rejected
> and that we've thought to propose again to NECS, as you know.
>
> Having a panel and a workshop on the same issues but with different
> approaches could be really compelling. What do you think?
>
> I could also be interested in joining the panel too. My original idea for
> NECS focused on finding which are the festivals that professionals in the
> short film festival ecosystem (producers, directors, programmers, etc...)
> use as principal hubs in order to distribute and promote their films more
> successfully. I could reframe this idea narrowing my research only on
> trades.
>
> Otherwise - since I still can use it for another conference - I am
> interested in writing something on the Clermont-Ferrand Market as the main
> hub for trades in the short film festival ecosystem, since this issue is
> also an important part of my PhD research.
>
> Please, let me know.
>
> Cheers.
>
> E.
>
> Enrico Vannucci
> Research Student
> Oxford Brookes University
> email: enrico.vannucci-2011 at brookes.ac.uk
> phone: +39 328 28 43 112
> skype: hypervan
> twitter: http://www.twitter.com/hypervan research blog:
> http://shortfilmfestivalsresearch.tumblr.com
>
> Il giorno 05/dic/2013, alle ore 10:59, Skadi Loist <
> skadi at filmfestivalresearch.org> ha scritto:
>
> >
> > Hi Dorota & everyone:
> >
> > I would like to join a panel focusing on trade issues.  I am not sure
> > yet which exact angle I will focus on - either the economic angle of
> > film circulation through the festival circuit (screening fees as
> > income in terms of distribution) or the development of various service
> > platforms (Cinando, Festival Scope, FilmFestivalLife), facilitating
> > trade on the festival circuit.  Let me know if that might fit.
> >
> > Cheers
> > Skadi
> >
> >
> > --
> > Skadi Loist
> > Co-Founder / Admin
> > Film Festival Research Network (FFRN)
> > www.filmfestivalresearch.org
> > skadi at filmfestivalresearch.org
> >
> >
> >
> > -----Urspr?ngliche Nachricht-----
> > Von: Filmfestivalresearch
> > [mailto:filmfestivalresearch-bounces at listcultures.org] Im Auftrag von
> > DOROTA OSTROWSKA
> > Gesendet: Donnerstag, 5. Dezember 2013 10:45
> > An: dorota.ostrowska at btinternet.com
> > Cc: <filmfestivalresearch at listcultures.org>
> > Betreff: Re: [Filmfestivalresearch] NECS 2014 cfp, pre-constituted
> > panel "Film Trade(s) and International Film Festivals"
> >
> >
> > Hello,
> >
> > Would anyone be interested in contributing to the following panel I am
> > trying to put together for NECS 2014?
> >
> > CFP: Film Trade(s) and International Film Festivals
> >
> > I am interested in the role that different professional organisations,
> > both national (i.e. trade unions) and international (i.e. FIAPF,
> > FIPRESCI), played in relation to international film festivals. For my
> > own paper I will be focussing on the British Film Producers
> > Association and how it shaped the international film festival circuit
> > until 1970s when its key objective was to maximize the commercial
> success of British films internationally.
> >
> > Best wishes,
> > Dorota Ostrowska
> > _______________________________________________
> > Filmfestivalresearch mailing list
> > Filmfestivalresearch at listcultures.org
> > http://listcultures.org/mailman/listinfo/filmfestivalresearch_listcult
> > ures.o
> > rg
> >
> >
> > _______________________________________________
> > Filmfestivalresearch mailing list
> > Filmfestivalresearch at listcultures.org
> > http://listcultures.org/mailman/listinfo/filmfestivalresearch_listcult
> > ures.org
>
> _______________________________________________
> Filmfestivalresearch mailing list
> Filmfestivalresearch at listcultures.org
>
> http://listcultures.org/mailman/listinfo/filmfestivalresearch_listcultures.org
>
> ________________________________
>
> CSI has been ranked one of America?s Best Colleges 2014<
> http://colleges.usnews.rankingsandreviews.com/best-colleges/rankings/regional-universities-north/top-public/spp+50/page+2>
> (North East Public) by US News and World Report.
>
> ------------------------------
>
> Message: 3
> Date: Thu, 5 Dec 2013 17:39:37 +0000
> From: LESLEY-ANN DICKSON <l.dickson.2 at research.gla.ac.uk>
> To: "<filmfestivalresearch at listcultures.org>"
>         <filmfestivalresearch at listcultures.org>
> Subject: [Filmfestivalresearch] NECS 2014 pre-con panel: "Festival
>         Audiences"
> Message-ID:
>         <E0678A32AFA7C547B0029297E609FDC68D59A65384 at CMS04.campus.gla.ac.uk
> >
> Content-Type: text/plain; charset="iso-8859-1"
>
> Hi all,
>
> I am keen to put together a panel on "Film Festival Audiences." My plan is
> to submit a paper on film festivals as sites of embodied leisure, drawing
> on empirical audience research from Glasgow Film Festival. I'd like to hear
> from anyone interested in presenting on festival publics: audiences,
> communities, fans.
>
> Regards,
> Lesley-Ann Dickson
>
> Doctoral Researcher - Cinema/Festival Audiences Department of Theatre,
> Film & TV Studies University of Glasgow
> 9 University Avenue
> Glasgow G12 8QQ
> l.dickson.2 at research.gla.ac.uk
> ________________________________________
> From: Filmfestivalresearch [filmfestivalresearch-bounces at listcultures.org]
> On Behalf Of Franzi Florack [f.florack at googlemail.com]
> Sent: 05 December 2013 07:06
> To: Editordesk Thaicinema.org
> Cc: <filmfestivalresearch at listcultures.org>
> Subject: Re: [Filmfestivalresearch] NECS 2014 cfp, pre-constituted panel
> "Festival Origins"?
>
> Dear all,
>
> I am very interested in student film festivals and have studied (and
> contributed to) the student film festival scene in the UK. Let me know if
> you feel that a paper on the biggest one of these (Watersprite- The
> Cambridge Student Film Festival) would be of benefit to the panel- I'd
> enjoy contributing to the conference!
>
> All the best,
> Franzi
>
>
> On 5 December 2013 01:50, Editordesk Thaicinema.org <
> editordesk at thaicinema.org> wrote:
>
> >
> > Dear all,
> >
> > My work on the birth and death of Bangkok International Film Festival
> > might be possible to be considered for this panel. Although it had
> > just emerged in the early 2000s, it might be a good example to study
> > the problem of a film festival in a country where the film culture was
> > still developing. We just had the ministry of culture almost about the
> > same year. With the lack of knowledge and understanding, film festival
> > become a tool for profit-taking and corruption. It can also tackle in
> > terms of film festival's relation to tourism, or nationalism and
> > postcolonialism argument raised by the locals as a tool to be against
> > the US-based programmers.
> >
> >
> > cheers,
> > Anchalee
> >
> > On 12/5/13, Greg DeCuir <gdecuir at yahoo.com> wrote:
> > >
> > > Dear all:
> > >
> > > This burgeoning panel already sounds great. In general, I will be
> > > very interested to read more on film festival origins and history
> > > and to collaborate with those who are working on this subject.
> > > Hopefuly someone will eventually propose a paper on two notable
> anniversaries in 2014:
> > > Oberhausen at 60 and Sundance at 30.
> > >
> > > Good luck!
> > >
> > > Greg de Cuir, Jr
> > > Selector/Programmer, Alternative Film/Video Belgrade
> > > http://www.alternativefilmvideo.org/
> > >
> > >
> > >
> > >
> > > ________________________________
> > >  From: "Papadimitriou, Lydia" <L.Papadimitriou at ljmu.ac.uk>
> > > To: Kirsten Stevens <kirsten.e.stevens at gmail.com>; Jeffrey K. Ruoff
> > > <Jeffrey.K.Ruoff at dartmouth.edu>
> > > Cc: "<filmfestivalresearch at listcultures.org>"
> > > <filmfestivalresearch at listcultures.org>
> > > Sent: Wednesday, December 4, 2013 11:04 PM
> > > Subject: Re: [Filmfestivalresearch] NECS 2014 cfp, pre-constituted
> > > panel "Festival Origins"?
> > >
> > >
> > >
> > > HI Jeffrey, Kirsten and all -
> > >
> > > I would like to add a suggestion for a potential paper on this panel
> > that I
> > > believe would complement nicely the other two.  I propose a paper on
> > > the origins of the Thessaloniki International Film Festival, which
> > > began in
> > 1960
> > > as "Week of Greek Cinema",  later re-named as "Thessaloniki Film
> > Festival"
> > > (while still focused on the national output), and finally expanded
> > > into
> > an
> > > international festival in 1996. Its origins in the attempts to
> > > establish recognition for the national film industry at a time of
> > > affluence and abundance of Greek films can be insightfully
> > > contrasted with its current
> > and
> > > more contested role as a showcase for the national production.
> > > Please
> > let me
> > > know if you would be interested in such a paper.
> > >
> > > All best,
> > >
> > > Lydia
> > >
> > > ----
> > > Dr Lydia Papadimitriou
> > > Programme Leader and Senior Lecturer in Film Studies Liverpool John
> > > Moores University Redmonds Building Brownlow Hill Liverpool
> > > L3 5UG
> > > Tel. 0151 2314769
> > >
> > >
> > > http://ljmu.academia.edu/LydiaPapadimitriou
> > > http://www.ljmu.ac.uk/LSS/115166.htm
> > >
> > >
> > > Principal Editor: Journal of Greek Media and Culture (Intellect)
> > >
> > http://www.intellectbooks.co.uk/journals/view-Journal,id=237/view,page
> > =0/
> > > editorJGMC at gmail.com
> > >
> > >
> > > ________________________________________
> > > From: Filmfestivalresearch [
> > filmfestivalresearch-bounces at listcultures.org]
> > > on behalf of Kirsten Stevens [kirsten.e.stevens at gmail.com]
> > > Sent: Wednesday, December 04, 2013 9:49 PM
> > > To: Jeffrey K. Ruoff
> > > Cc: <filmfestivalresearch at listcultures.org>
> > > Subject: Re: [Filmfestivalresearch] NECS 2014 cfp, pre-constituted
> > > panel "Festival Origins"?
> > >
> > > Hi Jeffrey and All,
> > >
> > > I would be very interested in contributing to a pre-constituted
> > > panel on "Festival Origins" for the NECS conference.
> > >
> > > My own work has been looking at the Melbourne International Film
> > > Festival and its development in 1952 out of the film society
> > > movement in
> > Australia -
> > > an origin that created a very different type of festival to the
> > > events emerging elsewhere in the world at that time. Please let me
> > > know if you think a paper on this topic might fit  into the panel you
> are proposing.
> > >
> > > All the best,
> > >
> > > Kirsten
> > >
> > >
> > > Kirsten Stevens
> > > Film and Television Studies
> > > Monash University, Australia
> > >
> > >
> > > On Thu, Dec 5, 2013 at 7:14 AM, Jeffrey K. Ruoff <
> > > Jeffrey.K.Ruoff at dartmouth.edu> wrote:
> > >
> > >>
> > >> Hi everybody,
> > >>
> > >> I'd be interested in proposing a pre-constituted panel on "Festival
> > >> Origins," including my own contribution "A Festival is Born:
> > >> Telluride 1974."
> > >>
> > >> In my own paper, I don't intend origins as some kind of miraculous
> > birth,
> > >> since Telluride grew organically out of the archival, exhibition,
> > >> and programming practices of its three co-founders, practices that
> > >> dated
> > back
> > >> to the 1950s (in the case of James Card) and 1960s (in the cases of
> > >> Bill Pence and Tom Luddy).
> > >>
> > >> Best wishes,
> > >>
> > >> Jeffrey Ruoff
> > >>
> > >>
> > >>
> > >> Film and Media Studies
> > >> 204 Black Family Visual Arts Center
> > >> 22 Lebanon Street, HB6194
> > >> Dartmouth College
> > >> Hanover, NH 03755, USA
> > >> Tel: (603) 646-1553
> > >> Fax: (603) 646-3848
> > >> Http: www.dartmouth.edu/~jruoff, www.pilobolusfilm.com
> > >>
> > >> On Dec 4, 2013, at 7:00, "Valck, Marijke de" <M.deValck at uva.nl>
> wrote:
> > >>
> > >> > Dear all,
> > >> >
> > >> > The Call for Papers for the NECS 2014 Conference "Creative
> > >> > Energies,
> > >> Creative Industries" is  out. The event will be held in Milan
> > >> (Italy) on June 19-21, 2014 and be hosted by Universit? Cattolica del
> Sacro Cuore.
> > >> For
> > >> further information please go to
> > >> http://necs.org/news/overview#/node/102535
> > >> >
> > >> > As in previous years, the film festival research group and the
> > >> > FFRN
> > >> would like have an active presence at NECS with pre-constituted
> > >> panels
> > on
> > >> film festivals. To facilitate the formation of pre-constituted
> > >> panels we invite everyone to share their paper and/or panel
> > >> proposals with the
> > list
> > >> members. Rules for submission have changed compared to earlier
> > >> editions and individuals may only apply with one paper.* Thus, if
> > >> more than one pre-constituted panel on film festivals can be
> > >> formed, different individuals will need to bear responsibility for
> > >> submitting a panel. We can use this list to bring people together.
> > >> I will happily step in to moderate whenever needed.
> > >> >
> > >> > Submission deadline is January 31, 2014.
> > >> >
> > >> > Best wishes,
> > >> > Marijke de Valck
> > >> >
> > >> > * In addition you are allowed to act as chair, workshop
> > >> > participant,
> > or
> > >> respondent.
> > >> > _______________________________________________
> > >> > Filmfestivalresearch mailing list
> > >> > Filmfestivalresearch at listcultures.org
> > >> >
> > >>
> > http://listcultures.org/mailman/listinfo/filmfestivalresearch_listcult
> > ures.org
> > >>
> > >> _______________________________________________
> > >> Filmfestivalresearch mailing list
> > >> Filmfestivalresearch at listcultures.org
> > >>
> > >>
> > http://listcultures.org/mailman/listinfo/filmfestivalresearch_listcult
> > ures.org
> > >>
> > > _______________________________________________
> > > Filmfestivalresearch mailing list
> > > Filmfestivalresearch at listcultures.org
> > >
> > http://listcultures.org/mailman/listinfo/filmfestivalresearch_listcult
> > ures.org
> > >
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> > ures.org
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> >
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> > Filmfestivalresearch at listcultures.org
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>
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> ------------------------------
>
> End of Filmfestivalresearch Digest, Vol 43, Issue 7
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