[Filmfestivalresearch] Article on Film Festivals

ger zielinski, ph.d. ger.zielinski at gmail.com
Fri Jun 24 19:45:52 CEST 2016


Of course, feel free to announce such good work also on the handy Film and
Media Festivals Scholarly Interest Group on Facebook:
https://web.facebook.com/groups/477426232323503/

Cheers,
Ger

On Fri, Jun 24, 2016 at 9:00 AM, Andrea Pócsik <pocsik66 at gmail.com> wrote:

>
> Dear All,
>
> I would join you to congratulate the author:)
>
> And let me improve this occasion to call your attention to my review about
> a rather unusual film festival, on this young, and yet, very professional
> academic website:
> http://www.apparatusjournal.net/index.php/apparatus/article/view/14
>
> Thanks, all the best,
> Andrea Pócsik
>
> 2016-06-23 17:57 GMT+02:00 Jean-Michel Frodon <jmfrodon at gmail.com>:
>
> >
> > Dear Ratheesh
> > I do share Dina's enthusiasm for your text. In includes several engaging
> > proposals and the necessary balance between accepted definition and
> > understanding of actual processes that are not so frequent in what we
> read.
> > I sre would like to watch "Dear Kim". And I understand you even better
> > having attended with pleasure Kerala festival.
> > Best regards
> > jmf
> >
> >
> > Jean-Michel Frodon
> > http://blog.slate.fr/projection-publique
> > Professeur associé à Sciences-Po Paris
> > Membre du comité pédagogique de SPEAP
> > http://blogs.sciences-po.fr/speap/
> > Professorial Fellow, University of St. Andrews. Scotland
> > Professor of Global Cinema and Creative Cultures, IGCCC
> > http://www.st-andrews.ac.uk/globalcinema
> >
> >
> >
> >
> >
> >
> > 2016-06-23 6:25 GMT+02:00 Dina Iordanova <
> dina.iordanova at st-andrews.ac.uk
> > >:
> >
> > >
> > > This is an impressive article, thank you for sending it to the list,
> > > Ratheesh:)
> > >
> > > It is one of the rare cases where ideological matters are made central
> > for
> > > the investigation of a festival's politics and a debate of this sort is
> > > discussed polemically.
> > > I so very much like to see more of this type of work, especially as we
> > > have got a range of festivals that have been geared politically in a
> very
> > > similar way and yet we do not have solid studies of these (with a few
> > > exceptions, e.g. Caroline Moine's work).
> > >
> > > And, of course, there is nothing surprising in Zanussi's betrayal --
> this
> > > is the sad state of affairs in many post-communist countries, and of
> > > course Poland is an extreme example of reactionary fundamentalism  (I
> > also
> > > wondered on the basis of what would Zanussi qualify as the most
> important
> > > post-war Polish director -- a standing that he lost in his own country
> a
> > > long time ago).
> > >
> > > Dina
> > >
> > >
> > > Dina Iordanova FRSA
> > > Professor of Global Cinema and Creative Cultures
> > > Director, Institute for Global Cinema and Creative Cultures (IGCCC)
> > > http://www.st-andrews.ac.uk/globalcinema
> > > https://www.facebook.com/staigccc
> > > Publisher, St Andrews Film Studies
> > > University of St Andrews, Scotland
> > >
> > >
> > >
> > >
> > >
> > > --
> > >
> > >
> > >
> > >
> > >
> > > On 22/06/2016 03:19, "Ratheesh Radhakrishnan"
> > > <ratheesh.radhakrishnan at gmail.com> wrote:
> > >
> > > >
> > >
> > >
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