From paulien at dresscher.nl  Sun Dec  6 20:36:39 2009
From: paulien at dresscher.nl (Paulien Dresscher)
Date: Sun, 6 Dec 2009 20:36:39 +0100
Subject: <rmm> test 1
Message-ID: <4EE06921-6F73-49BF-837D-026876FE5FD5@dresscher.nl>

test 1



From paulien at dresscher.nl  Sun Dec  6 20:56:27 2009
From: paulien at dresscher.nl (Paulien Dresscher)
Date: Sun, 6 Dec 2009 20:56:27 +0100
Subject: <rmm> test 2
Message-ID: <4A34D858-C731-4CBF-8201-46041D1E01E1@dresscher.nl>

test 2




From paulien at dresscher.nl  Sun Dec  6 21:00:27 2009
From: paulien at dresscher.nl (Paulien Dresscher)
Date: Sun, 6 Dec 2009 21:00:27 +0100
Subject: <rmm> test 3
Message-ID: <61C7A33C-C1D1-4A0E-8B48-DB700D25BA73@dresscher.nl>

test 3



From paulien at dresscher.nl  Sun Dec  6 21:01:41 2009
From: paulien at dresscher.nl (Paulien Dresscher)
Date: Sun, 6 Dec 2009 21:01:41 +0100
Subject: <rmm> test 4
Message-ID: <ED5E0AE9-5A39-4CB2-9E91-18BF2F13B60A@dresscher.nl>

test 4



From paulien at dresscher.nl  Mon Dec  7 18:42:21 2009
From: paulien at dresscher.nl (Paulien Dresscher)
Date: Mon, 7 Dec 2009 18:42:21 +0100
Subject: <rmm> Fwd: [Nettime-nl] ME YOU AND EVERYONE WE KNOW IS A CURATOR
	(Zaterdag 19-12-2009 Paradiso/Amsterdam)
References: <318D5B37-6488-46B3-A39F-49D2F78F1B57@xs4all.nl>
Message-ID: <6BFFCF84-AA2B-4D4A-8E50-67651B55E169@dresscher.nl>



Begin forwarded message:

> From: Geert Lovink <geert at xs4all.nl>
> Date: November 24, 2009 8:58:49 AM CEST
> To: nettime-nl at nettime.org
> Subject: [Nettime-nl] ME YOU AND EVERYONE WE KNOW IS A CURATOR  
> (Zaterdag 19-12-2009 Paradiso/Amsterdam)
>
> ME YOU AND EVERYONE WE KNOW IS A CURATOR
> Zaterdag 19?12?2009 paradiso
>
> Een symposium over kwaliteit in een tijdperk van visuele overvloed
>
> Terwijl de musea beleid ontwikkelen voor het online zetten van hun  
> collecties, blijft de
> digitale culturele productie groeien. Er komen honderdduizenden  
> beelden per dag bij.
> Veel interessant werk wordt online geproduceerd en bereikt de  
> fysieke wereld niet eens.
> De verspreiding van kwalitatief hoogwaardig werk wordt al lang niet  
> meer alleen centraal
> geregeld via instanties die daarvoor ontwikkeld zijn zoals musea,  
> fondsen of vaktijdschriften.
> Aan de andere kant groeit de behoefte voor fysieke cultuurbeleving  
> nu men de hele
> dag achter de computer zit te netwerken. Ontwerpers, kunstenaars,  
> bemiddelaars en beleidmakers
> zullen hun positie moeten herzien, want nieuwe technologie?n bepalen  
> in
> grote mate de mogelijkheden van presentatie en archivering. Het  
> zoeken is naar nieuwe
> kwaliteitscriteria, denkkaders en methoden om verbindingen tot stand  
> te brengen tussen
> de virtuele en de fysieke ruimte.
>
> locatie: paradiso, weteringschans 6 amsterdam
> entree: ?25, ?10 (studenten) engels gesproken
> deuren open: 10.00 uur
>
> contactinformatie: graphic design museum
> t +31 (0)76 529 99 00
> www.graphicdesignmuseum.com
>
> reserveren: symposium at graphicdesignmuseum.com
> voorverkoop:AUB ticketshop amsterdam / ticket service nederland
>
>
> Programma zaterdag 19 december 2009
>
> 10.00            Inloop, koffie & thee
> 10.25            Welkom door Mieke Gerritzen
>
> 10.30            Bruce Sterling - revisions of digital culture
> 11.20            Julia Noordegraaf - performing archival material  
> online
> 11.40            Sarah Cook - curatorial strategies for online  
> artistic production
>
> 12.00            Koffie pauze
>
> 12.15            Rick Poynor - ign criticism in the blogosphere
> 12.45            Sophie Krier - me, you and everyone we know is a  
> curator
> 12.50            Metahaven - visual identity and network standards
>
> 13.00            Lunch pauze
>
> 14.00            Andrew Keen - digital vertigo: selecting talent in  
> the age of social media
> 14.50            Aram Bartholl - online visual culture in physical  
> space
> 15.10            Dagan Cohen (Upload Cinema) - bringing web films to  
> the big screen
> 15.20            Willem Velthoven (Mediamatic) - please try a new  
> search to find more results
>
> 15.30            Koffie pauze
>
> 15.40            Inleiding debat door Henk Oosterling
> 15.50            debat met experts en vertegenwoordigers van  
> nederlandse fondsen en musea over de rol van de digitale wereld in  
> het nederlandse cultuurbeleid
>
> 16.40	            Borrel
>
> moderator: Koert van Mensvoort
> visuele interventies: Sander van der Pavert
>
> ------
>
> bruce sterling (us)
> As one of the main voices of the cyberpunk movement in 1980s, SF
> writer Bruce Sterling promoted a worldview and aesthetic that strongly
> influenced the generation that came of age with the computer  
> revolution.
> In his popular books and articles, Sterling chronicles the social and
> technological developments of our over mediatised world.
> www.wired.com/beyond_the_beyond/
>
> andrew keen (uk)
> Author of bestseller ?Cult of the Amateur: How the Internet is  
> killing our
> culture? (2007). Keen is currently writing a second book entitled  
> ?Digital
> Vertigo: Anxiety, Loneliness and Inequality in the Social Media Age?,
> which will be published by St Martins Press. Keen starred in the Dutch
> VPRO television documentary, ?Wiki the Truth? and was the subject of  
> the
> November 2008 BBC Radio 4 show ?Iconoclasts.?
> andrewkeen.typepad.com
>
> rick poynor (uk)
> Design critic and writer, Poynor is the co-founder of Eye, The  
> international
> Review of Graphic Design. He has written about design, media and  
> visual
> culture for Blueprint, Icon, Creative Review, Frieze, Domus, I.D.,  
> Metropolis,
> Harvard Design Magazine, Adbusters, The Guardian, Financial Times,
> and many others. In 2003, he co-founded the weblog Design Observer,
> which became a leading international forum for design discussion.
> www.designobserver.com
> www.eyemagazine.com/critiques.php
>
> julia noordegraaf (nl)
> Programme director of the Master Preservation and Presentation of the
> Moving Image, department of Media Studies, University of Amsterdam
> (from September 2003) and author of a.o. Strategies of Display: Museum
> Presentation in Nineteenth- and Twentieth-Century Visual Culture
> (Boijmans van Beuningen / Nai Uitgevers 2004). Noordegraaf is  
> currently
> researching a book entitled ?The Performing Archive?, due to come out
> in Fall 2010.
> home.medewerker.uva.nl/j.j.noordegraaf/
>
> sarah cook (uk)
> Co-editor of CRUMB (the Curatorial Resource for Upstart Media Bliss
> www.crumbweb.org) and research fellow at the University of Sunderland.
> Her forthcoming book on curating, co-authored with Beryl Graham, will
> be published by MIT Press in 2009. Sarah?s most recent curatorial  
> project
> is a series of online commissions about outer space for Xcult.org.
> www.beam-me.net
>
> aram bartholl (de)
> Aram Bartholl lives and works in Berlin. In his art work he thematizes
> the relationship of net data space and every day life. In which form  
> does
> this network-data-world manifest itself in our physical everyday- 
> lifespace?
> What is being fed back into physical space from the ?cyberspace? into
> which data has been fed for so long now? How do these digital  
> innovations
> influence our actions in everyday life?
> www.datenform.de
>
> upload cinema (nl)
> Upload Cinema is a film club that takes the best web films to the big
> screen. The audience can submit films; an editorial team selects the  
> best
> and compiles a ninety minutes program, which is screened at movie  
> theatres
> and special venues.
> www.uploadcinema.nl
>
> mediamatic (nl)
> Mediamatic is interested in the cultural developments that go hand in
> hand with new technologies and in new technologies that cause cultural
> development. They organize exhibitions, salons, lectures, workshops,
> screenings in public space and develop software and art projects, and
> they used to publish the magazine Mediamatic Off-Line.
> www.mediamatic.net
>
> henk oosterling (nl)
> Henk Oosterling is senior lecturer of the Faculty of Philosophy at  
> the Erasmus
> University Rotterdam. He lectures on dialectic methods, French
> philosophy and differential thinking, inter-cultural philosophy and  
> aesthetics.
> As director of the Centre for Philosophy and Art he initiated and
> led the Intermediality research programme.
> www.henkoosterling.nl
>
> metahaven (nl)
> A studio for design and research, Metahaven is based in Amsterdam and
> Brussels. Metahaven works in visual identity and architecture, both  
> with
> clients and independently.
> www.metahaven.net
>
> koert van mensvoort (nl)
> Koert van Mensvoort is an artist/scientist. He holds a PhD in  
> industrial
> design from Eindhoven University of Technology. His most profound
> experience in life, so far, has been the discovery of next nature.  
> Which
> revolves around the idea that our technological world is so complex,  
> that
> it has become a nature of its own.
> www.nextnature.net
>
> sander van der pavert (lucky tv) (nl)
> Sander van de Pavert makes LuckyTV, a concept he created himself. In
> short films, Lucky reacts in a light-hearted way to current affairs.  
> Generally
> use is made of existing images that are cut, edited and mutilated in
> an indecent way. LuckyTV is currently shown on weekdays at the end of
> the Dutch television programme ?De Wereld Draait Door? (The World
> Keeps Turning).
> www.luckytv.nl
>
> sophie krier (lux)
> With her studio Sophie Krier explores the peripheries of the design  
> field,
> with a focus on film, writing and temporary, social interventions.  
> She is
> currently developing scenarios for public space in Houten and Hoeksche
> Waard, editing a new design journal entitled Field Essays, and doing  
> research
> for a documentary project. Between 2005 and 2009, Sophie Krier
> was head of designLAB at Rietveld Academie, Amsterdam.
> www.sophiekrier.com
>
> mieke gerritzen (nl)
> Mieke Gerritzen is director of the Graphic Design Museum in Breda.  
> Besides
> she makes films, books and organizes public events. Gerritzen creates
> networks with many different designers, writers and artists. In 2001
> she started the All Media Foundation for the organization and  
> production
> of movies, publications and events like ?The International Browserday?
> in New York, Berlin and Amsterdam and more recently ?The Biggest
> Visual Power Shows.?
> www.graphicdesignmuseum.com
> ______________________________________________________
> * Verspreid via nettime-nl. Commercieel gebruik niet
> * toegestaan zonder toestemming. <nettime-nl> is een
> * open en ongemodereerde mailinglist over net-kritiek.
> * Meer info, archief & anderstalige edities:
> * http://www.nettime.org/.
> * Contact: Menno Grootveld (rabotnik at xs4all.nl).

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From paulien at dresscher.nl  Tue Dec  8 23:47:22 2009
From: paulien at dresscher.nl (Paulien Dresscher)
Date: Tue, 8 Dec 2009 23:47:22 +0100
Subject: <rmm> Fwd: <mom> Media Playground will take place at NIMK in
	Amsterdam on the 11-12th of December
References: <B248D7CF-EEF3-4DCB-9B6F-92547D644A3B@xs4all.nl>
Message-ID: <11CBE0EC-B1AA-4CB9-8CAC-1EBEF62F6DE1@dresscher.nl>



Begin forwarded message:

> From: Geert Lovink <geert at xs4all.nl>
> Date: December 8, 2009 9:04:15 PM CEST
> To: mastersofmedia at listcultures.org
> Subject: <mom> Media Playground will take place at NIMK in Amsterdam  
> on the 11-12th of December
>
>> Media Playground will take place at NIMK in Amsterdam on the  
>> 11-12th of December.
>>
>> MEDIA PLAYGROUNDS presents creative ways of dealing with broadcast  
>> media by community media practitioners, professional and emergent  
>> artists. Media Playgrounds takes place in Amsterdam, London,  
>> Vienna, Budapest and Sofia. At each location, during two days, a  
>> variety of workshops and public events will elaborate and. This  
>> event is part of ?Broadcast Media Sculpture? program.
>>
>> More info: http://www.montevideo.nl/nl/agenda/detail_agenda.php?id=556&archief=
>
>
>
>
>
> _______________________________________________
> mastersofmedia mailing list
> mastersofmedia at listcultures.org
> http://listcultures.org/mailman/listinfo/mastersofmedia_listcultures.org

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From J.A.Teurlings at uva.nl  Tue Dec  8 23:53:38 2009
From: J.A.Teurlings at uva.nl (Jan Teurlings)
Date: Tue, 8 Dec 2009 23:53:38 +0100
Subject: <rmm> Potsdam conference on quality TV
Message-ID: <942DA063-3ED9-4ABF-B217-195BECC970B2@uva.nl>

Dera all, below is attached the programme for a conference on quality TV, with contributions from Markus Stauff and me...

Attached you find the conference schedule for the CSC. We hope very much that the program allowes for all speakers to participate their panel and hopefully the whole conference. 

From Monday, 7th December on, the website with registration form, travelling and accomodation details and conference schedule will be online at http://csc.hff-potsdam.de.

We are looking forward to seeing you all in Potsdam next year!
Lothar Mikos / Rainer Winter

Susanne Eichner
wiss. Mitarbeiterin

MA-Medienwissenschaft: Analyse, ?sthetik, Publikum
Hochschule f?r Film und Fernsehen "Konrad Wolf"
media studies (ma): analysis, aesthetics audiences
university of film and television "konrad wolf"

Marlene-Dietrich-Allee 11
D-14482 Potsdam-Babelsberg
fon +49 (0) 331 - 6202 214
fax +49 (0) 331 - 6202 299
mobile +49 (0) 172 - 9488369

mail: s.eichner at hff-potsdam.de
web: www.hff-potsdam.de 



Jan Teurlings, PhD. ? Lecturer Television Studies ? Department of Media and Culture ? University of Amsterdam ? Turfdraagsterpad 9 ? 1012XT Amsterdam ? The Netherlands ? Tel: +31 (0)20 525 73 26 ? Fax:+31 (0)20 525 45 99 ? Email: j.a.teurlings at uva.nl ? http://www.mediastudies.nl

"Knowledge is not made for understanding; it is made for cutting" 

(M. Foucault, 1971)




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From paulien at dresscher.nl  Tue Dec 29 13:49:59 2009
From: paulien at dresscher.nl (Paulien Dresscher)
Date: Tue, 29 Dec 2009 13:49:59 +0100
Subject: <rmm> Follow The Money The database as a narrative form -
	Mediafonds@Sandberg Masterclass on New Media Storytelling
Message-ID: <2C30EDD9-0B24-4237-B0DB-386CF1AB0757@dresscher.nl>

Follow The Money The database as a narrative form -  
Mediafonds at Sandberg Masterclass on New Media Storytelling
Dec 18th, 2009 by admin

I am one of the organizers of theMediafonds at Sandberg Masterclass that  
couples new media designers with traditional media directors to  
experiment with innovative ways of storytelling. For the 2010 edition  
we are focussing on ?Datavisualization?, and Database Culture in a  
more general way and what this might mean for the documentary format.  
The Program consists of a Conference open to the general public and  
aMasterclass for invited participants.
Follow The Money
The database as a narrative form
At the beginning of the twenty-first century, our lives play out in a  
succession of databases and spreadsheets. Not only do we spend all day  
rummaging through countless data streams like Google and Facebook;  
everything we do leaves traces behind in other databases, through  
public transport chip cards, supermarket club cards and electronic  
medical files. The influence of databases, Excel sheets and algorithms  
has never been as clearly visible as it became during the credit  
crisis. The crisis cast a cold light on the fact that the global  
financial system had been built on the basis of mathematical models  
that attempted to quantify human behaviour. Blinded by the beauty of  
impressive mathematical systems, people thought they could precisely  
understand the risks of investments. Meanwhile it has become clear how  
risky it is to be dependent on these.
The media world, too, is paying more attention to the ever-increasing  
data streams. Data visualisation ? a genre within visual culture that  
depicts data streams in provocative, poetic or insightful ways ? has  
been booming, thanks to the growing availability of large amounts of  
data and the desire to grasp ever more complex realities by visual  
means. But is it always a good idea to assign such an important role  
to numerical information? How can we best interpret various data in  
relation to the values we consider important? And which new forms of  
storytelling does data visualisation have to offer us? Will the data  
film be the new documentary form?
The Mediafonds at Sandberg conference will consider the possibilities and  
consequences of these developments for media producers.


http://www.martijndewaal.nl/?p=161



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