From rogers at govcom.org Mon Nov 1 16:25:39 2010 From: rogers at govcom.org (Richard Rogers) Date: Mon, 1 Nov 2010 16:25:39 +0100 Subject: Manovich - MAPPING TIME: Visualization of temporal patterns in media and art Message-ID: MAPPING TIME: Visualization of temporal patterns in media and art -------------------------------------------------------------------- http://lab.softwarestudies.com/2010/10/mappingtime.html Exhibition by Lev Manovich, Jeremy Douglass, William Huber With: Adelheid Heftberger, Agatha Man, Alex Avrorin, Bertrand Grandgeorge, Bob Li, Chanda L. Carey, Christa Lee, Christine Pham, Colin Wheelock, Daniel Rehn, Devon Merill, Jia Gu, Kedar Reddy, Laura Hoeger, Michael Briganti, Nichol Bernardo, Ong Kian Peng (aka Bin), Rachel Cody, Sergie Magdalin, So Yamaoka, Steven Mandiberg, Sunsern Cheamanunku, Tara Zepel, Victoria Azurin, Xiangfei Zeng, Xiaoda Wang. October 4 - December 10, 2010 gallery at Calit2 University of California, San Diego ------------------------------------------------------------------- Since 2008, the Software Studies Initiative has been developing new methods and techniques for the analysis and visualization of visual and interactive media. The exhibition "Mapping Time" includes visualizations of novels, video game play, web comics, manga, motion graphics, feature films, and mass media publications presented via large-scale prints, animations and real-time generative projections. The visualized data sets range from 4535 covers of Time magazine (1923-) to 1 million Manga pages. The exhibition coincides with the lab releasing a number of open-source tools which were used to create all works in the exhibition. The lab uses the term Cultural Analytics to refer to its techniques for the analysis and visualization of large cultural data sets. For the "Mapping Time" exhibition, the concept is to render the "shapes" of cultural time. According to Manovich, "our goal is to demonstrate how we can visualize gradual changes over time at a number of scales - from a single minute of a video game play, to 11 years of the popular manga title Naruto, to 130 years of the journal Science (1880-2010).? The lab is directed by Lev Manovich, UCSD Professor of Visual Arts -------------- next part -------------- An HTML attachment was scrubbed... URL: From paulien at dresscher.nl Wed Nov 3 08:42:40 2010 From: paulien at dresscher.nl (Paulien Dresscher) Date: Wed, 3 Nov 2010 08:42:40 +0100 Subject: Fwd: Manovich - MAPPING TIME: Visualization of temporal patterns in media and art References: Message-ID: <357E66C1-AD8B-49AE-80FD-5472FFAFC265@dresscher.nl> Begin forwarded message: > From: Richard Rogers > Date: November 1, 2010 4:25:39 PM GMT+01:00 > To: Masters of Media , rmm > Subject: Manovich - MAPPING TIME: Visualization of temporal patterns in media and art > > MAPPING TIME: Visualization of temporal patterns in media and art > > -------------------------------------------------------------------- > http://lab.softwarestudies.com/2010/10/mappingtime.html > > Exhibition by Lev Manovich, Jeremy Douglass, William Huber > > With: Adelheid Heftberger, Agatha Man, Alex Avrorin, Bertrand > Grandgeorge, Bob Li, Chanda L. Carey, Christa Lee, Christine Pham, > Colin Wheelock, Daniel Rehn, Devon Merill, Jia Gu, Kedar Reddy, Laura > Hoeger, Michael Briganti, Nichol Bernardo, Ong Kian Peng (aka Bin), > Rachel Cody, Sergie Magdalin, So Yamaoka, Steven Mandiberg, Sunsern > Cheamanunku, Tara Zepel, Victoria Azurin, Xiangfei Zeng, Xiaoda Wang. > > October 4 - December 10, 2010 > gallery at Calit2 > University of California, San Diego > > > ------------------------------------------------------------------- > > Since 2008, the Software Studies Initiative has been developing new > methods and techniques for the analysis and visualization of visual > and interactive media. The exhibition "Mapping Time" includes > visualizations of novels, video game play, web comics, manga, motion > graphics, feature films, and mass media publications presented via > large-scale prints, animations and real-time generative projections. > The visualized data sets range from 4535 covers of Time magazine > (1923-) to 1 million Manga pages. The exhibition coincides with the > lab releasing a number of open-source tools which were used to create > all works in the exhibition. > > The lab uses the term Cultural Analytics to refer to its techniques > for the analysis and visualization of large cultural data sets. For > the "Mapping Time" exhibition, the concept is to render the "shapes" > of cultural time. According to Manovich, "our goal is to demonstrate > how we can visualize gradual changes over time at a number of scales - > from a single minute of a video game play, to 11 years of the popular > manga title Naruto, to 130 years of the journal Science (1880-2010).? > > The lab is directed by Lev Manovich, UCSD Professor of Visual Arts > _______________________________________________ > mastersofmedia mailing list > mastersofmedia at listcultures.org > http://listcultures.org/mailman/listinfo/mastersofmedia_listcultures.org -------------- next part -------------- An HTML attachment was scrubbed... URL: From paulien at dresscher.nl Mon Nov 8 13:21:59 2010 From: paulien at dresscher.nl (Paulien Dresscher) Date: Mon, 8 Nov 2010 13:21:59 +0100 Subject: Fwd: Books in Browsers Keynote References: Message-ID: <43150F60-6ECD-4451-9163-C3A9B50408F7@dresscher.nl> Begin forwarded message: > From: John Haltiwanger > Date: November 8, 2010 1:17:31 PM GMT+01:00 > To: Masters of Media > Subject: Books in Browsers Keynote > > The even itself is over, but there is a really great keynote discussing the mutations of book culture in light of the transition from physical to ebooks: > > http://blog.archive.org/2010/10/22/books-in-browsers-keynote-speech-by-brewster-kahle/ _______________________________________________ > mastersofmedia mailing list > mastersofmedia at listcultures.org > http://listcultures.org/mailman/listinfo/mastersofmedia_listcultures.org -------------- next part -------------- An HTML attachment was scrubbed... URL: From paulien at dresscher.nl Wed Nov 17 22:10:39 2010 From: paulien at dresscher.nl (Paulien Dresscher) Date: Wed, 17 Nov 2010 22:10:39 +0100 Subject: Fwd: FW: Kunstlicht - Call for Papers: Intermediality References: <3E5C5B18CD1F014C865FA1195884848004DBF7B1@devries.uva.nl> Message-ID: <7EAA9D9A-76EE-45BB-9082-6D29E2C1ACC7@dresscher.nl> Begin forwarded message: > From: "Simons, J.A.A." > Date: November 17, 2010 9:30:38 PM GMT+01:00 > To: > Subject: FW: Kunstlicht - Call for Papers: Intermediality > > > > -----Oorspronkelijk bericht----- > Van: Kunstlicht [mailto:redactie at tijdschriftkunstlicht.nl] > Verzonden: di 16-11-2010 23:02 > Aan: Simons, J.A.A. > Onderwerp: Kunstlicht - Call for Papers: Intermediality > > Geachte heer Simons, > > > > Graag attendeer ik u onderstaande Call for Papers van Kunstlicht. Naast dat > dit vanzelfsprekend een uitnodiging is weer voor ons te schrijven, wil ik u > ook vragen of u deze oproep onder collega's en MA-studenten zou willen > verspreiden; waarvoor bij voorbaat dank. > > > > Met vriendelijke groet, > > > > Dani?l van der Poel > > hoofdredacteur > > > > > > > Kunstlicht > Call for Papers: Intermediality > Deadline 27 December 2010 > > > Nederlandse versie [English text below] > > > > Kunstlicht is een wetenschappelijk tijdschrift voor beeldende kunst, > beeldcultuur en architectuur, gelieerd aan de afdeling Kunst en Cultuur van > de Vrije Universiteit Amsterdam. Voor meer informatie, zie > www.tijdschriftkunstlicht.nl . > > > > Het tweede nummer van Kunstlicht in 2011 staat in het teken van > intermedialiteit. De redactie nodigt (jonge) academici uit om een voorstel > te schrijven voor een wetenschappelijk artikel waarin intermedialiteit op > een vernieuwende wijze wordt belicht of ingezet. Dit kan in de vorm van > kritische reflectie op de theorievorming rond intermedialiteit, uitbreiding > of revisie van bestaande theorie?n, of bespreking van relevante casus. De > belangstelling gaat daarbij met name uit naar analyses die de sociale > dimensie van mediagebruik en de sociale implicaties van mediatheorie > accentueren, en naar verhandelingen waarin historische thema's worden > belicht. > > > > Ge?nteresseerden kunnen uiterlijk 27 december 2010 een voorstel (200-300 > woorden) indienen via redactie at tijdschriftkunstlicht.nl > ermedialiteit> . Op basis van de voorstellen zal enkele auteurs worden > gevraagd om een artikel te schrijven van 2.000-3.500 woorden (exclusief > noten). De deadline voor de eerste versie van het artikel is 11 maart 2011. > De voorstellen en artikelen kunnen in het Nederlands of het Engels worden > aangeleverd. > > > > Auteurs die publiceren in Kunstlicht ontvangen drie presentexemplaren van > het betreffende nummer. Kunstlicht verstrekt geen auteurshonorarium. > Artikelen gepubliceerd in Kunstlicht verschijnen na twee jaar in het vrij > toegankelijke online archief, raadpleegbaar via > www.tijdschriftkunstlicht.nl/site/index.php/archief. > > > > English text > > > > Kunstlicht is a Dutch journal for visual art, visual culture and > architecture. It is affiliated with VU-University Amsterdam. For more > information (in Dutch), see > www.tijdschriftkunstlicht.nl > > > > Kunstlicht's second issue of 2011 will focus on intermediality. (Young) > scholars are invited to send in a proposal for a paper that innovatively > discusses or implements intermediality, by means of critical reflection on > the general development of theories of intermediality, the extension and > amendment of current theories, or the analysis of a relevant case study. Of > particular interest to the editors are proposals that focus on the social > dimensions of media and the social implications of media theory, or on > historical subjects. > > > > Proposals (200-300 words) can be sent to > ermedialiteit> redactie at tijdschriftkunstlicht.nl. The deadline is 27 > December 2010. Selected authors will be asked to write a paper of > 2.000-3.500 words (excluding notes). The deadline for the first version of > the paper is 11 March 2011. Proposals and papers may be written in either > English or Dutch. > > > > Authors who publish in Kunstlicht receive three complimentary copies. > Kunstlicht does not provide an author's honorarium. Two years after > publication, papers in Kunstlicht will be included in freely accessible > online archive at > > www.tijdschriftkunstlicht.nl/site/index.php/archief. > > > > > > > > > > > > > > > > > > _______________________________________________ > mastersofmedia mailing list > mastersofmedia at listcultures.org > http://listcultures.org/mailman/listinfo/mastersofmedia_listcultures.org -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: image001.png Type: image/png Size: 8271 bytes Desc: not available URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: image002.png Type: image/png Size: 5268 bytes Desc: not available URL: From j.a.teurlings at uva.nl Wed Nov 24 21:12:09 2010 From: j.a.teurlings at uva.nl (Jan Teurlings) Date: Wed, 24 Nov 2010 21:12:09 +0100 Subject: Fwd: PhD position References: <4CED2684.9040802@vub.ac.be> Message-ID: <9D2D8781-4148-41F9-8BF8-221783209D1C@uva.nl> > Vacancy: Full Time PhD position, Free University of Brussels > > > The Centre for Ethics and the research centre IBBT-SMIT of the Free University of Brussels (Vrije Universiteit Brussel) offer a full time PhD position in the fields of Media and Communication Studies and Philosophy. The vacancy is open for a research position of 4 years, in order to realize a PhD on virtual media, the reconfiguration of proximity and the social, cultural and moral consequences thereof. The position starts February 1st 2011, and is supervised by Prof. J. Bauwens, Prof. M. Van den Bossche and Prof. K. Verstrynge. > > > Candidates are expected to show strong affinity with and interest in the domain of media philosophy and media sociology, and are holder of a Masters degree in Philosophy or Communication Studies. Applications are to be sent latest by January 6th 2011 to Prof. J. Bauwens or Prof. K. Verstrynge. When applying, a motivation and an elaborated vision on the theme under concern are expected to be included with the CV. > > > > Contact information: > > > Prof. dr. J. Bauwens > > Dept. of Media and Communication Studies > > Free University of Brussels (Vrije Universiteit Brussel) > > Pleinlaan 2 > > B-1050 Brusssels > > E-mail: jbauwens at vub.ac.be > > Tel.: (0032) 2-629 1829 > > > Prof. dr. K. Verstrynge > > Dept. of Philosophy > > Free University of Brussels (Vrije Universiteit Brussel) > > Pleinlaan 2 > > B-1050 Brussels > > E-mail: karl.verstrynge at vub.ac.be > > Tel.: (0032) 2-629 2596 > > > > Description of the research theme: > > > The increasing virtualisation of processes of communication and interaction has important consequences for the definition and experience of proximity. In particular the reconfiguration of time and space is, according to several media-theoreticians, the crucial challenge of the ?digital age? (a.o. Virilio 1996; Morley 2007; Castells 2001): the accelerated speed of communication affects in a determining way the meaning of presence and absence of others, of their distance and the community they belong to (Silverstone 2007; Moores 1999). > > > In a virtual context, the dialectical relation between distance and proximity, as a condition for genuine interpersonal relations (e.g. Levinas 1961; Bauman 1993; Silverstone 2007; Virilio 2009), is subjected to great pressure. In line with this observation, two important evolutions can be detected. > > > First, the increasing interaction with others takes place through mediatised, i.e. digitized and virtual representations of the other (e.g. avatars in games, chatpartners in chatrooms, textualized and photographed ?friends? on social network sites). In this perspective, several studies have shown that this ?evaporation? of (online) alterity does not harm the strong affective character of online relationships. > > > Second, there is a changing role of emotionality in our society, by some described as ?post-emotionality? (Mestrovic 1997; cf. Giddens 1991), by others conceived as ?affectual postmodernism? (Maffesoli 1988a) or even as a sort of hyper-emotionality (cf. ?communisme des affects?, Virilio 2009). > > > Both these observations are the background for a philosophical and media-theoretical research project that focuses on the question how emotionality and affectivity should be understood in virtual forms of social interaction, from a phenomenological, ethical-existential and sociological point of view. > > > Because of the growing success of all kinds of social virtual worlds (ranging from social networking sites as Facebook to Instant Messaging communities and MMORPGs) and its impact on the meaning of social connectivity, closeness and grouping, this project addresses the following key research question: How do emotions and affections underpin the rise, organization, maintenance and disappearance of virtual tribes? This key research question is addressed from a philosophical and social theoretical perspective. The first tackles the philosophical discussion of the altering meaning of emotion and affect in virtual environments. The second perspective is rooted in media and communication theory and draws on sociology of emotions, cyber-anthropology and cyber-sociology to understand the role of emotionality and affectivity in computer-mediated interactions. The research project advocates a theoretical cross-fertilization of different fields of research and thought. > > > > > Jan Teurlings, PhD. ? Lecturer Television Studies ? Department of Media and Culture ? University of Amsterdam ? Turfdraagsterpad 9 ? 1012XT Amsterdam ? The Netherlands ? Tel: +31 (0)20 525 73 26 ? Fax:+31 (0)20 525 45 99 ? Email: j.a.teurlings at uva.nl ? http://www.mediastudies.nl "Biography lends to death a new terror" (Oscar Wilde) -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... 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