[Filmfestivalresearch] NECS 2014 cfp, pre-constituted panel "Film Trade(s) and International Film Festivals"
M.P.Peirano-Olate
mppp2 at kent.ac.uk
Fri Dec 6 13:45:02 CET 2013
Dear Dorota and all,
I would like to present a paper on film trades also, particularly in the market exchanges established by Latin-American filmmakers and film producers at European markets, co-production forums and other similar spaces at film festivals. I would be focusing in documentary film festival markets (particularly IDFA and Leipzig).
I agree with Enrico that this topic clearly connects with the workshop we were planning before on festival markets, and I wonder if it is a wiser to merge them both? What do you think?
All the best,
Maria
Maria-Paz Peirano
PhD (c ) Social Anthropology
School of Anthropology and Conservation
University of Kent
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Today's Topics:
1. Re: NECS 2014 cfp, pre-constituted panel "Film Trade(s) and
International Film Festivals" (Enrico Vannucci)
2. Re: NECS 2014 cfp, pre-constituted panel "Film Trade(s) and
International Film Festivals" (Cindy Wong)
3. NECS 2014 pre-con panel: "Festival Audiences" (LESLEY-ANN DICKSON)
----------------------------------------------------------------------
Message: 1
Date: Thu, 5 Dec 2013 12:06:22 +0100
From: Enrico Vannucci <10132687 at brookes.ac.uk>
To: Skadi Loist <skadi at filmfestivalresearch.org>
Cc: filmfestivalresearch at listcultures.org
Subject: Re: [Filmfestivalresearch] NECS 2014 cfp, pre-constituted
panel "Film Trade(s) and International Film Festivals"
Message-ID: <DC33C1AD-2C83-4290-AE16-91709A536A30 at brookes.ac.uk>
Content-Type: text/plain; charset=iso-8859-1
Hi Dorota, Skadi and all,
Your idea of a panel on Trades and Festivals is interesting. I think it connects to the Workshop on Film Festivals and Markets that SCMS rejected and that we've thought to propose again to NECS, as you know.
Having a panel and a workshop on the same issues but with different approaches could be really compelling. What do you think?
I could also be interested in joining the panel too. My original idea for NECS focused on finding which are the festivals that professionals in the short film festival ecosystem (producers, directors, programmers, etc...) use as principal hubs in order to distribute and promote their films more successfully. I could reframe this idea narrowing my research only on trades.
Otherwise - since I still can use it for another conference - I am interested in writing something on the Clermont-Ferrand Market as the main hub for trades in the short film festival ecosystem, since this issue is also an important part of my PhD research.
Please, let me know.
Cheers.
E.
Enrico Vannucci
Research Student
Oxford Brookes University
email: enrico.vannucci-2011 at brookes.ac.uk
phone: +39 328 28 43 112
skype: hypervan
twitter: http://www.twitter.com/hypervan research blog: http://shortfilmfestivalsresearch.tumblr.com
Il giorno 05/dic/2013, alle ore 10:59, Skadi Loist <skadi at filmfestivalresearch.org> ha scritto:
>
> Hi Dorota & everyone:
>
> I would like to join a panel focusing on trade issues. I am not sure
> yet which exact angle I will focus on - either the economic angle of
> film circulation through the festival circuit (screening fees as
> income in terms of distribution) or the development of various service
> platforms (Cinando, Festival Scope, FilmFestivalLife), facilitating
> trade on the festival circuit. Let me know if that might fit.
>
> Cheers
> Skadi
>
>
> --
> Skadi Loist
> Co-Founder / Admin
> Film Festival Research Network (FFRN)
> www.filmfestivalresearch.org
> skadi at filmfestivalresearch.org
>
>
>
> -----Urspr?ngliche Nachricht-----
> Von: Filmfestivalresearch
> [mailto:filmfestivalresearch-bounces at listcultures.org] Im Auftrag von
> DOROTA OSTROWSKA
> Gesendet: Donnerstag, 5. Dezember 2013 10:45
> An: dorota.ostrowska at btinternet.com
> Cc: <filmfestivalresearch at listcultures.org>
> Betreff: Re: [Filmfestivalresearch] NECS 2014 cfp, pre-constituted
> panel "Film Trade(s) and International Film Festivals"
>
>
> Hello,
>
> Would anyone be interested in contributing to the following panel I am
> trying to put together for NECS 2014?
>
> CFP: Film Trade(s) and International Film Festivals
>
> I am interested in the role that different professional organisations,
> both national (i.e. trade unions) and international (i.e. FIAPF,
> FIPRESCI), played in relation to international film festivals. For my
> own paper I will be focussing on the British Film Producers
> Association and how it shaped the international film festival circuit
> until 1970s when its key objective was to maximize the commercial success of British films internationally.
>
> Best wishes,
> Dorota Ostrowska
> _______________________________________________
> Filmfestivalresearch mailing list
> Filmfestivalresearch at listcultures.org
> http://listcultures.org/mailman/listinfo/filmfestivalresearch_listcult
> ures.o
> rg
>
>
> _______________________________________________
> Filmfestivalresearch mailing list
> Filmfestivalresearch at listcultures.org
> http://listcultures.org/mailman/listinfo/filmfestivalresearch_listcult
> ures.org
------------------------------
Message: 2
Date: Thu, 5 Dec 2013 13:28:44 +0000
From: Cindy Wong <Cindy.Wong at csi.cuny.edu>
To: Enrico Vannucci <10132687 at brookes.ac.uk>, Skadi Loist
<skadi at filmfestivalresearch.org>, "dorota.ostrowska at btinternet.com"
<dorota.ostrowska at btinternet.com>
Cc: "filmfestivalresearch at listcultures.org"
<filmfestivalresearch at listcultures.org>
Subject: Re: [Filmfestivalresearch] NECS 2014 cfp, pre-constituted
panel "Film Trade(s) and International Film Festivals"
Message-ID:
<FC438CDC2D274E40A4B22F3E980C0B28D7F0BD8E at mbox2.FLAS.CSI.CUNY.EDU>
Content-Type: text/plain; charset="utf-8"
Dear all,
I am not sure that I can go to Milan this summer from Atlantic West, but all the discussions and panels sound too tempting.
I am working on a new project on the Asian co-production markets at various Asian festivals which would fit well with the panel on film trade Dorota has proposed.
I will apply for funds from my university and I do think (but am not sure) that I can probably get some assistance there.
So count me in if you think that this fits.
Cindy Hing-Yuk Wong
Professor
Department of Media Culture
College of Staten Island/CUNY
2800 Victory Blvd.
Staten Island, NY, 10314
USA
718-982-2615
718-982-2710 (FAX)
________________________________________
From: Filmfestivalresearch [filmfestivalresearch-bounces at listcultures.org] on behalf of Enrico Vannucci [10132687 at brookes.ac.uk]
Sent: Thursday, December 05, 2013 6:06 AM
To: Skadi Loist
Cc: filmfestivalresearch at listcultures.org
Subject: Re: [Filmfestivalresearch] NECS 2014 cfp, pre-constituted panel "Film Trade(s) and International Film Festivals"
Hi Dorota, Skadi and all,
Your idea of a panel on Trades and Festivals is interesting. I think it connects to the Workshop on Film Festivals and Markets that SCMS rejected and that we've thought to propose again to NECS, as you know.
Having a panel and a workshop on the same issues but with different approaches could be really compelling. What do you think?
I could also be interested in joining the panel too. My original idea for NECS focused on finding which are the festivals that professionals in the short film festival ecosystem (producers, directors, programmers, etc...) use as principal hubs in order to distribute and promote their films more successfully. I could reframe this idea narrowing my research only on trades.
Otherwise - since I still can use it for another conference - I am interested in writing something on the Clermont-Ferrand Market as the main hub for trades in the short film festival ecosystem, since this issue is also an important part of my PhD research.
Please, let me know.
Cheers.
E.
Enrico Vannucci
Research Student
Oxford Brookes University
email: enrico.vannucci-2011 at brookes.ac.uk
phone: +39 328 28 43 112
skype: hypervan
twitter: http://www.twitter.com/hypervan research blog: http://shortfilmfestivalsresearch.tumblr.com
Il giorno 05/dic/2013, alle ore 10:59, Skadi Loist <skadi at filmfestivalresearch.org> ha scritto:
>
> Hi Dorota & everyone:
>
> I would like to join a panel focusing on trade issues. I am not sure
> yet which exact angle I will focus on - either the economic angle of
> film circulation through the festival circuit (screening fees as
> income in terms of distribution) or the development of various service
> platforms (Cinando, Festival Scope, FilmFestivalLife), facilitating
> trade on the festival circuit. Let me know if that might fit.
>
> Cheers
> Skadi
>
>
> --
> Skadi Loist
> Co-Founder / Admin
> Film Festival Research Network (FFRN)
> www.filmfestivalresearch.org
> skadi at filmfestivalresearch.org
>
>
>
> -----Urspr?ngliche Nachricht-----
> Von: Filmfestivalresearch
> [mailto:filmfestivalresearch-bounces at listcultures.org] Im Auftrag von
> DOROTA OSTROWSKA
> Gesendet: Donnerstag, 5. Dezember 2013 10:45
> An: dorota.ostrowska at btinternet.com
> Cc: <filmfestivalresearch at listcultures.org>
> Betreff: Re: [Filmfestivalresearch] NECS 2014 cfp, pre-constituted
> panel "Film Trade(s) and International Film Festivals"
>
>
> Hello,
>
> Would anyone be interested in contributing to the following panel I am
> trying to put together for NECS 2014?
>
> CFP: Film Trade(s) and International Film Festivals
>
> I am interested in the role that different professional organisations,
> both national (i.e. trade unions) and international (i.e. FIAPF,
> FIPRESCI), played in relation to international film festivals. For my
> own paper I will be focussing on the British Film Producers
> Association and how it shaped the international film festival circuit
> until 1970s when its key objective was to maximize the commercial success of British films internationally.
>
> Best wishes,
> Dorota Ostrowska
> _______________________________________________
> Filmfestivalresearch mailing list
> Filmfestivalresearch at listcultures.org
> http://listcultures.org/mailman/listinfo/filmfestivalresearch_listcult
> ures.o
> rg
>
>
> _______________________________________________
> Filmfestivalresearch mailing list
> Filmfestivalresearch at listcultures.org
> http://listcultures.org/mailman/listinfo/filmfestivalresearch_listcult
> ures.org
_______________________________________________
Filmfestivalresearch mailing list
Filmfestivalresearch at listcultures.org
http://listcultures.org/mailman/listinfo/filmfestivalresearch_listcultures.org
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------------------------------
Message: 3
Date: Thu, 5 Dec 2013 17:39:37 +0000
From: LESLEY-ANN DICKSON <l.dickson.2 at research.gla.ac.uk>
To: "<filmfestivalresearch at listcultures.org>"
<filmfestivalresearch at listcultures.org>
Subject: [Filmfestivalresearch] NECS 2014 pre-con panel: "Festival
Audiences"
Message-ID:
<E0678A32AFA7C547B0029297E609FDC68D59A65384 at CMS04.campus.gla.ac.uk>
Content-Type: text/plain; charset="iso-8859-1"
Hi all,
I am keen to put together a panel on "Film Festival Audiences." My plan is to submit a paper on film festivals as sites of embodied leisure, drawing on empirical audience research from Glasgow Film Festival. I'd like to hear from anyone interested in presenting on festival publics: audiences, communities, fans.
Regards,
Lesley-Ann Dickson
Doctoral Researcher - Cinema/Festival Audiences Department of Theatre, Film & TV Studies University of Glasgow
9 University Avenue
Glasgow G12 8QQ
l.dickson.2 at research.gla.ac.uk
________________________________________
From: Filmfestivalresearch [filmfestivalresearch-bounces at listcultures.org] On Behalf Of Franzi Florack [f.florack at googlemail.com]
Sent: 05 December 2013 07:06
To: Editordesk Thaicinema.org
Cc: <filmfestivalresearch at listcultures.org>
Subject: Re: [Filmfestivalresearch] NECS 2014 cfp, pre-constituted panel "Festival Origins"?
Dear all,
I am very interested in student film festivals and have studied (and contributed to) the student film festival scene in the UK. Let me know if you feel that a paper on the biggest one of these (Watersprite- The Cambridge Student Film Festival) would be of benefit to the panel- I'd enjoy contributing to the conference!
All the best,
Franzi
On 5 December 2013 01:50, Editordesk Thaicinema.org < editordesk at thaicinema.org> wrote:
>
> Dear all,
>
> My work on the birth and death of Bangkok International Film Festival
> might be possible to be considered for this panel. Although it had
> just emerged in the early 2000s, it might be a good example to study
> the problem of a film festival in a country where the film culture was
> still developing. We just had the ministry of culture almost about the
> same year. With the lack of knowledge and understanding, film festival
> become a tool for profit-taking and corruption. It can also tackle in
> terms of film festival's relation to tourism, or nationalism and
> postcolonialism argument raised by the locals as a tool to be against
> the US-based programmers.
>
>
> cheers,
> Anchalee
>
> On 12/5/13, Greg DeCuir <gdecuir at yahoo.com> wrote:
> >
> > Dear all:
> >
> > This burgeoning panel already sounds great. In general, I will be
> > very interested to read more on film festival origins and history
> > and to collaborate with those who are working on this subject.
> > Hopefuly someone will eventually propose a paper on two notable anniversaries in 2014:
> > Oberhausen at 60 and Sundance at 30.
> >
> > Good luck!
> >
> > Greg de Cuir, Jr
> > Selector/Programmer, Alternative Film/Video Belgrade
> > http://www.alternativefilmvideo.org/
> >
> >
> >
> >
> > ________________________________
> > From: "Papadimitriou, Lydia" <L.Papadimitriou at ljmu.ac.uk>
> > To: Kirsten Stevens <kirsten.e.stevens at gmail.com>; Jeffrey K. Ruoff
> > <Jeffrey.K.Ruoff at dartmouth.edu>
> > Cc: "<filmfestivalresearch at listcultures.org>"
> > <filmfestivalresearch at listcultures.org>
> > Sent: Wednesday, December 4, 2013 11:04 PM
> > Subject: Re: [Filmfestivalresearch] NECS 2014 cfp, pre-constituted
> > panel "Festival Origins"?
> >
> >
> >
> > HI Jeffrey, Kirsten and all -
> >
> > I would like to add a suggestion for a potential paper on this panel
> that I
> > believe would complement nicely the other two. I propose a paper on
> > the origins of the Thessaloniki International Film Festival, which
> > began in
> 1960
> > as "Week of Greek Cinema", later re-named as "Thessaloniki Film
> Festival"
> > (while still focused on the national output), and finally expanded
> > into
> an
> > international festival in 1996. Its origins in the attempts to
> > establish recognition for the national film industry at a time of
> > affluence and abundance of Greek films can be insightfully
> > contrasted with its current
> and
> > more contested role as a showcase for the national production.
> > Please
> let me
> > know if you would be interested in such a paper.
> >
> > All best,
> >
> > Lydia
> >
> > ----
> > Dr Lydia Papadimitriou
> > Programme Leader and Senior Lecturer in Film Studies Liverpool John
> > Moores University Redmonds Building Brownlow Hill Liverpool
> > L3 5UG
> > Tel. 0151 2314769
> >
> >
> > http://ljmu.academia.edu/LydiaPapadimitriou
> > http://www.ljmu.ac.uk/LSS/115166.htm
> >
> >
> > Principal Editor: Journal of Greek Media and Culture (Intellect)
> >
> http://www.intellectbooks.co.uk/journals/view-Journal,id=237/view,page
> =0/
> > editorJGMC at gmail.com
> >
> >
> > ________________________________________
> > From: Filmfestivalresearch [
> filmfestivalresearch-bounces at listcultures.org]
> > on behalf of Kirsten Stevens [kirsten.e.stevens at gmail.com]
> > Sent: Wednesday, December 04, 2013 9:49 PM
> > To: Jeffrey K. Ruoff
> > Cc: <filmfestivalresearch at listcultures.org>
> > Subject: Re: [Filmfestivalresearch] NECS 2014 cfp, pre-constituted
> > panel "Festival Origins"?
> >
> > Hi Jeffrey and All,
> >
> > I would be very interested in contributing to a pre-constituted
> > panel on "Festival Origins" for the NECS conference.
> >
> > My own work has been looking at the Melbourne International Film
> > Festival and its development in 1952 out of the film society
> > movement in
> Australia -
> > an origin that created a very different type of festival to the
> > events emerging elsewhere in the world at that time. Please let me
> > know if you think a paper on this topic might fit into the panel you are proposing.
> >
> > All the best,
> >
> > Kirsten
> >
> >
> > Kirsten Stevens
> > Film and Television Studies
> > Monash University, Australia
> >
> >
> > On Thu, Dec 5, 2013 at 7:14 AM, Jeffrey K. Ruoff <
> > Jeffrey.K.Ruoff at dartmouth.edu> wrote:
> >
> >>
> >> Hi everybody,
> >>
> >> I'd be interested in proposing a pre-constituted panel on "Festival
> >> Origins," including my own contribution "A Festival is Born:
> >> Telluride 1974."
> >>
> >> In my own paper, I don't intend origins as some kind of miraculous
> birth,
> >> since Telluride grew organically out of the archival, exhibition,
> >> and programming practices of its three co-founders, practices that
> >> dated
> back
> >> to the 1950s (in the case of James Card) and 1960s (in the cases of
> >> Bill Pence and Tom Luddy).
> >>
> >> Best wishes,
> >>
> >> Jeffrey Ruoff
> >>
> >>
> >>
> >> Film and Media Studies
> >> 204 Black Family Visual Arts Center
> >> 22 Lebanon Street, HB6194
> >> Dartmouth College
> >> Hanover, NH 03755, USA
> >> Tel: (603) 646-1553
> >> Fax: (603) 646-3848
> >> Http: www.dartmouth.edu/~jruoff, www.pilobolusfilm.com
> >>
> >> On Dec 4, 2013, at 7:00, "Valck, Marijke de" <M.deValck at uva.nl> wrote:
> >>
> >> > Dear all,
> >> >
> >> > The Call for Papers for the NECS 2014 Conference "Creative
> >> > Energies,
> >> Creative Industries" is out. The event will be held in Milan
> >> (Italy) on June 19-21, 2014 and be hosted by Universit? Cattolica del Sacro Cuore.
> >> For
> >> further information please go to
> >> http://necs.org/news/overview#/node/102535
> >> >
> >> > As in previous years, the film festival research group and the
> >> > FFRN
> >> would like have an active presence at NECS with pre-constituted
> >> panels
> on
> >> film festivals. To facilitate the formation of pre-constituted
> >> panels we invite everyone to share their paper and/or panel
> >> proposals with the
> list
> >> members. Rules for submission have changed compared to earlier
> >> editions and individuals may only apply with one paper.* Thus, if
> >> more than one pre-constituted panel on film festivals can be
> >> formed, different individuals will need to bear responsibility for
> >> submitting a panel. We can use this list to bring people together.
> >> I will happily step in to moderate whenever needed.
> >> >
> >> > Submission deadline is January 31, 2014.
> >> >
> >> > Best wishes,
> >> > Marijke de Valck
> >> >
> >> > * In addition you are allowed to act as chair, workshop
> >> > participant,
> or
> >> respondent.
> >> > _______________________________________________
> >> > Filmfestivalresearch mailing list
> >> > Filmfestivalresearch at listcultures.org
> >> >
> >>
> http://listcultures.org/mailman/listinfo/filmfestivalresearch_listcult
> ures.org
> >>
> >> _______________________________________________
> >> Filmfestivalresearch mailing list
> >> Filmfestivalresearch at listcultures.org
> >>
> >>
> http://listcultures.org/mailman/listinfo/filmfestivalresearch_listcult
> ures.org
> >>
> > _______________________________________________
> > Filmfestivalresearch mailing list
> > Filmfestivalresearch at listcultures.org
> >
> http://listcultures.org/mailman/listinfo/filmfestivalresearch_listcult
> ures.org
> >
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