[Filmfestivalresearch] NECS 2014 cfp, pre-constituted panel "Film Trade(s) and International Film Festivals"
Sydney J. Levine
sydney at sydneysbuzz.com
Fri Dec 6 20:16:36 CET 2013
I would love to be a part of this. I am in the process of writing
Iberoamerican Film Financing for El Patronata de Guadalajara (which
controls the Festival, the University, the publishing house and many other
businesses in Guadalajara).
What should I do to participate?
Thank you!
Sydney Levine
www.SydneysBuzz.com <http://www.SydneysBuzz.com>
SydneysBuzz the Blog
Member of the Indiewire Blog Network at www.Indiewire.com/SydneyLevine
<http://www.Indiewire.com/SydneyLevine>
Partner of IMDbPro News at http://pro.imdb.com/news/
Sydney at SydneysBuzz.com
Cel: +1 201 887 3469
Skype: SydneysBuzz
On 12/6/13, 4:45 AM, "M.P.Peirano-Olate" <mppp2 at kent.ac.uk> wrote:
>
>Dear Dorota and all,
>
>I would like to present a paper on film trades also, particularly in the
>market exchanges established by Latin-American filmmakers and film
>producers at European markets, co-production forums and other similar
>spaces at film festivals. I would be focusing in documentary film
>festival markets (particularly IDFA and Leipzig).
>
>I agree with Enrico that this topic clearly connects with the workshop we
>were planning before on festival markets, and I wonder if it is a wiser
>to merge them both? What do you think?
>
>All the best,
>Maria
>
>Maria-Paz Peirano
>PhD (c ) Social Anthropology
>School of Anthropology and Conservation
>University of Kent
>
>
>
>-----Original Message-----
>From: Filmfestivalresearch
>[mailto:filmfestivalresearch-bounces at listcultures.org] On Behalf Of
>filmfestivalresearch-request at listcultures.org
>Sent: 05 December 2013 17:40
>To: filmfestivalresearch at listcultures.org
>Subject: Filmfestivalresearch Digest, Vol 43, Issue 7
>
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>Today's Topics:
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> 1. Re: NECS 2014 cfp, pre-constituted panel "Film Trade(s) and
> International Film Festivals" (Enrico Vannucci)
> 2. Re: NECS 2014 cfp, pre-constituted panel "Film Trade(s) and
> International Film Festivals" (Cindy Wong)
> 3. NECS 2014 pre-con panel: "Festival Audiences" (LESLEY-ANN DICKSON)
>
>
>----------------------------------------------------------------------
>
>Message: 1
>Date: Thu, 5 Dec 2013 12:06:22 +0100
>From: Enrico Vannucci <10132687 at brookes.ac.uk>
>To: Skadi Loist <skadi at filmfestivalresearch.org>
>Cc: filmfestivalresearch at listcultures.org
>Subject: Re: [Filmfestivalresearch] NECS 2014 cfp, pre-constituted
> panel "Film Trade(s) and International Film Festivals"
>Message-ID: <DC33C1AD-2C83-4290-AE16-91709A536A30 at brookes.ac.uk>
>Content-Type: text/plain; charset=iso-8859-1
>
>Hi Dorota, Skadi and all,
>
>Your idea of a panel on Trades and Festivals is interesting. I think it
>connects to the Workshop on Film Festivals and Markets that SCMS rejected
>and that we've thought to propose again to NECS, as you know.
>
>Having a panel and a workshop on the same issues but with different
>approaches could be really compelling. What do you think?
>
>I could also be interested in joining the panel too. My original idea for
>NECS focused on finding which are the festivals that professionals in the
>short film festival ecosystem (producers, directors, programmers, etc...)
>use as principal hubs in order to distribute and promote their films more
>successfully. I could reframe this idea narrowing my research only on
>trades.
>
>Otherwise - since I still can use it for another conference - I am
>interested in writing something on the Clermont-Ferrand Market as the
>main hub for trades in the short film festival ecosystem, since this
>issue is also an important part of my PhD research.
>
>Please, let me know.
>
>Cheers.
>
>E.
>
>Enrico Vannucci
>Research Student
>Oxford Brookes University
>email: enrico.vannucci-2011 at brookes.ac.uk
>phone: +39 328 28 43 112
>skype: hypervan
>twitter: http://www.twitter.com/hypervan research blog:
>http://shortfilmfestivalsresearch.tumblr.com
>
>Il giorno 05/dic/2013, alle ore 10:59, Skadi Loist
><skadi at filmfestivalresearch.org> ha scritto:
>
>>
>> Hi Dorota & everyone:
>>
>> I would like to join a panel focusing on trade issues. I am not sure
>> yet which exact angle I will focus on - either the economic angle of
>> film circulation through the festival circuit (screening fees as
>> income in terms of distribution) or the development of various service
>> platforms (Cinando, Festival Scope, FilmFestivalLife), facilitating
>> trade on the festival circuit. Let me know if that might fit.
>>
>> Cheers
>> Skadi
>>
>>
>> --
>> Skadi Loist
>> Co-Founder / Admin
>> Film Festival Research Network (FFRN)
>> www.filmfestivalresearch.org
>> skadi at filmfestivalresearch.org
>>
>>
>>
>> -----Urspr?ngliche Nachricht-----
>> Von: Filmfestivalresearch
>> [mailto:filmfestivalresearch-bounces at listcultures.org] Im Auftrag von
>> DOROTA OSTROWSKA
>> Gesendet: Donnerstag, 5. Dezember 2013 10:45
>> An: dorota.ostrowska at btinternet.com
>> Cc: <filmfestivalresearch at listcultures.org>
>> Betreff: Re: [Filmfestivalresearch] NECS 2014 cfp, pre-constituted
>> panel "Film Trade(s) and International Film Festivals"
>>
>>
>> Hello,
>>
>> Would anyone be interested in contributing to the following panel I am
>> trying to put together for NECS 2014?
>>
>> CFP: Film Trade(s) and International Film Festivals
>>
>> I am interested in the role that different professional organisations,
>> both national (i.e. trade unions) and international (i.e. FIAPF,
>> FIPRESCI), played in relation to international film festivals. For my
>> own paper I will be focussing on the British Film Producers
>> Association and how it shaped the international film festival circuit
>> until 1970s when its key objective was to maximize the commercial
>>success of British films internationally.
>>
>> Best wishes,
>> Dorota Ostrowska
>> _______________________________________________
>> Filmfestivalresearch mailing list
>> Filmfestivalresearch at listcultures.org
>> http://listcultures.org/mailman/listinfo/filmfestivalresearch_listcult
>> ures.o
>> rg
>>
>>
>> _______________________________________________
>> Filmfestivalresearch mailing list
>> Filmfestivalresearch at listcultures.org
>> http://listcultures.org/mailman/listinfo/filmfestivalresearch_listcult
>> ures.org
>
>
>
>------------------------------
>
>Message: 2
>Date: Thu, 5 Dec 2013 13:28:44 +0000
>From: Cindy Wong <Cindy.Wong at csi.cuny.edu>
>To: Enrico Vannucci <10132687 at brookes.ac.uk>, Skadi Loist
> <skadi at filmfestivalresearch.org>, "dorota.ostrowska at btinternet.com"
> <dorota.ostrowska at btinternet.com>
>Cc: "filmfestivalresearch at listcultures.org"
> <filmfestivalresearch at listcultures.org>
>Subject: Re: [Filmfestivalresearch] NECS 2014 cfp, pre-constituted
> panel "Film Trade(s) and International Film Festivals"
>Message-ID:
> <FC438CDC2D274E40A4B22F3E980C0B28D7F0BD8E at mbox2.FLAS.CSI.CUNY.EDU>
>Content-Type: text/plain; charset="utf-8"
>
>Dear all,
>
>I am not sure that I can go to Milan this summer from Atlantic West, but
>all the discussions and panels sound too tempting.
>I am working on a new project on the Asian co-production markets at
>various Asian festivals which would fit well with the panel on film trade
>Dorota has proposed.
>I will apply for funds from my university and I do think (but am not
>sure) that I can probably get some assistance there.
>So count me in if you think that this fits.
>
>Cindy Hing-Yuk Wong
>Professor
>Department of Media Culture
>College of Staten Island/CUNY
>2800 Victory Blvd.
>Staten Island, NY, 10314
>USA
>718-982-2615
>718-982-2710 (FAX)
>________________________________________
>From: Filmfestivalresearch
>[filmfestivalresearch-bounces at listcultures.org] on behalf of Enrico
>Vannucci [10132687 at brookes.ac.uk]
>Sent: Thursday, December 05, 2013 6:06 AM
>To: Skadi Loist
>Cc: filmfestivalresearch at listcultures.org
>Subject: Re: [Filmfestivalresearch] NECS 2014 cfp, pre-constituted
>panel "Film Trade(s) and International Film Festivals"
>
>Hi Dorota, Skadi and all,
>
>Your idea of a panel on Trades and Festivals is interesting. I think it
>connects to the Workshop on Film Festivals and Markets that SCMS rejected
>and that we've thought to propose again to NECS, as you know.
>
>Having a panel and a workshop on the same issues but with different
>approaches could be really compelling. What do you think?
>
>I could also be interested in joining the panel too. My original idea for
>NECS focused on finding which are the festivals that professionals in the
>short film festival ecosystem (producers, directors, programmers, etc...)
>use as principal hubs in order to distribute and promote their films more
>successfully. I could reframe this idea narrowing my research only on
>trades.
>
>Otherwise - since I still can use it for another conference - I am
>interested in writing something on the Clermont-Ferrand Market as the
>main hub for trades in the short film festival ecosystem, since this
>issue is also an important part of my PhD research.
>
>Please, let me know.
>
>Cheers.
>
>E.
>
>Enrico Vannucci
>Research Student
>Oxford Brookes University
>email: enrico.vannucci-2011 at brookes.ac.uk
>phone: +39 328 28 43 112
>skype: hypervan
>twitter: http://www.twitter.com/hypervan research blog:
>http://shortfilmfestivalsresearch.tumblr.com
>
>Il giorno 05/dic/2013, alle ore 10:59, Skadi Loist
><skadi at filmfestivalresearch.org> ha scritto:
>
>>
>> Hi Dorota & everyone:
>>
>> I would like to join a panel focusing on trade issues. I am not sure
>> yet which exact angle I will focus on - either the economic angle of
>> film circulation through the festival circuit (screening fees as
>> income in terms of distribution) or the development of various service
>> platforms (Cinando, Festival Scope, FilmFestivalLife), facilitating
>> trade on the festival circuit. Let me know if that might fit.
>>
>> Cheers
>> Skadi
>>
>>
>> --
>> Skadi Loist
>> Co-Founder / Admin
>> Film Festival Research Network (FFRN)
>> www.filmfestivalresearch.org
>> skadi at filmfestivalresearch.org
>>
>>
>>
>> -----Urspr?ngliche Nachricht-----
>> Von: Filmfestivalresearch
>> [mailto:filmfestivalresearch-bounces at listcultures.org] Im Auftrag von
>> DOROTA OSTROWSKA
>> Gesendet: Donnerstag, 5. Dezember 2013 10:45
>> An: dorota.ostrowska at btinternet.com
>> Cc: <filmfestivalresearch at listcultures.org>
>> Betreff: Re: [Filmfestivalresearch] NECS 2014 cfp, pre-constituted
>> panel "Film Trade(s) and International Film Festivals"
>>
>>
>> Hello,
>>
>> Would anyone be interested in contributing to the following panel I am
>> trying to put together for NECS 2014?
>>
>> CFP: Film Trade(s) and International Film Festivals
>>
>> I am interested in the role that different professional organisations,
>> both national (i.e. trade unions) and international (i.e. FIAPF,
>> FIPRESCI), played in relation to international film festivals. For my
>> own paper I will be focussing on the British Film Producers
>> Association and how it shaped the international film festival circuit
>> until 1970s when its key objective was to maximize the commercial
>>success of British films internationally.
>>
>> Best wishes,
>> Dorota Ostrowska
>> _______________________________________________
>> Filmfestivalresearch mailing list
>> Filmfestivalresearch at listcultures.org
>> http://listcultures.org/mailman/listinfo/filmfestivalresearch_listcult
>> ures.o
>> rg
>>
>>
>> _______________________________________________
>> Filmfestivalresearch mailing list
>> Filmfestivalresearch at listcultures.org
>> http://listcultures.org/mailman/listinfo/filmfestivalresearch_listcult
>> ures.org
>
>_______________________________________________
>Filmfestivalresearch mailing list
>Filmfestivalresearch at listcultures.org
>http://listcultures.org/mailman/listinfo/filmfestivalresearch_listcultures
>.org
>
>________________________________
>
>CSI has been ranked one of America?s Best Colleges
>2014<http://colleges.usnews.rankingsandreviews.com/best-colleges/rankings/
>regional-universities-north/top-public/spp+50/page+2> (North East Public)
>by US News and World Report.
>
>------------------------------
>
>Message: 3
>Date: Thu, 5 Dec 2013 17:39:37 +0000
>From: LESLEY-ANN DICKSON <l.dickson.2 at research.gla.ac.uk>
>To: "<filmfestivalresearch at listcultures.org>"
> <filmfestivalresearch at listcultures.org>
>Subject: [Filmfestivalresearch] NECS 2014 pre-con panel: "Festival
> Audiences"
>Message-ID:
> <E0678A32AFA7C547B0029297E609FDC68D59A65384 at CMS04.campus.gla.ac.uk>
>Content-Type: text/plain; charset="iso-8859-1"
>
>Hi all,
>
>I am keen to put together a panel on "Film Festival Audiences." My plan
>is to submit a paper on film festivals as sites of embodied leisure,
>drawing on empirical audience research from Glasgow Film Festival. I'd
>like to hear from anyone interested in presenting on festival publics:
>audiences, communities, fans.
>
>Regards,
>Lesley-Ann Dickson
>
>Doctoral Researcher - Cinema/Festival Audiences Department of Theatre,
>Film & TV Studies University of Glasgow
>9 University Avenue
>Glasgow G12 8QQ
>l.dickson.2 at research.gla.ac.uk
>________________________________________
>From: Filmfestivalresearch
>[filmfestivalresearch-bounces at listcultures.org] On Behalf Of Franzi
>Florack [f.florack at googlemail.com]
>Sent: 05 December 2013 07:06
>To: Editordesk Thaicinema.org
>Cc: <filmfestivalresearch at listcultures.org>
>Subject: Re: [Filmfestivalresearch] NECS 2014 cfp, pre-constituted panel
>"Festival Origins"?
>
>Dear all,
>
>I am very interested in student film festivals and have studied (and
>contributed to) the student film festival scene in the UK. Let me know if
>you feel that a paper on the biggest one of these (Watersprite- The
>Cambridge Student Film Festival) would be of benefit to the panel- I'd
>enjoy contributing to the conference!
>
>All the best,
>Franzi
>
>
>On 5 December 2013 01:50, Editordesk Thaicinema.org <
>editordesk at thaicinema.org> wrote:
>
>>
>> Dear all,
>>
>> My work on the birth and death of Bangkok International Film Festival
>> might be possible to be considered for this panel. Although it had
>> just emerged in the early 2000s, it might be a good example to study
>> the problem of a film festival in a country where the film culture was
>> still developing. We just had the ministry of culture almost about the
>> same year. With the lack of knowledge and understanding, film festival
>> become a tool for profit-taking and corruption. It can also tackle in
>> terms of film festival's relation to tourism, or nationalism and
>> postcolonialism argument raised by the locals as a tool to be against
>> the US-based programmers.
>>
>>
>> cheers,
>> Anchalee
>>
>> On 12/5/13, Greg DeCuir <gdecuir at yahoo.com> wrote:
>> >
>> > Dear all:
>> >
>> > This burgeoning panel already sounds great. In general, I will be
>> > very interested to read more on film festival origins and history
>> > and to collaborate with those who are working on this subject.
>> > Hopefuly someone will eventually propose a paper on two notable
>>anniversaries in 2014:
>> > Oberhausen at 60 and Sundance at 30.
>> >
>> > Good luck!
>> >
>> > Greg de Cuir, Jr
>> > Selector/Programmer, Alternative Film/Video Belgrade
>> > http://www.alternativefilmvideo.org/
>> >
>> >
>> >
>> >
>> > ________________________________
>> > From: "Papadimitriou, Lydia" <L.Papadimitriou at ljmu.ac.uk>
>> > To: Kirsten Stevens <kirsten.e.stevens at gmail.com>; Jeffrey K. Ruoff
>> > <Jeffrey.K.Ruoff at dartmouth.edu>
>> > Cc: "<filmfestivalresearch at listcultures.org>"
>> > <filmfestivalresearch at listcultures.org>
>> > Sent: Wednesday, December 4, 2013 11:04 PM
>> > Subject: Re: [Filmfestivalresearch] NECS 2014 cfp, pre-constituted
>> > panel "Festival Origins"?
>> >
>> >
>> >
>> > HI Jeffrey, Kirsten and all -
>> >
>> > I would like to add a suggestion for a potential paper on this panel
>> that I
>> > believe would complement nicely the other two. I propose a paper on
>> > the origins of the Thessaloniki International Film Festival, which
>> > began in
>> 1960
>> > as "Week of Greek Cinema", later re-named as "Thessaloniki Film
>> Festival"
>> > (while still focused on the national output), and finally expanded
>> > into
>> an
>> > international festival in 1996. Its origins in the attempts to
>> > establish recognition for the national film industry at a time of
>> > affluence and abundance of Greek films can be insightfully
>> > contrasted with its current
>> and
>> > more contested role as a showcase for the national production.
>> > Please
>> let me
>> > know if you would be interested in such a paper.
>> >
>> > All best,
>> >
>> > Lydia
>> >
>> > ----
>> > Dr Lydia Papadimitriou
>> > Programme Leader and Senior Lecturer in Film Studies Liverpool John
>> > Moores University Redmonds Building Brownlow Hill Liverpool
>> > L3 5UG
>> > Tel. 0151 2314769
>> >
>> >
>> > http://ljmu.academia.edu/LydiaPapadimitriou
>> > http://www.ljmu.ac.uk/LSS/115166.htm
>> >
>> >
>> > Principal Editor: Journal of Greek Media and Culture (Intellect)
>> >
>> http://www.intellectbooks.co.uk/journals/view-Journal,id=237/view,page
>> =0/
>> > editorJGMC at gmail.com
>> >
>> >
>> > ________________________________________
>> > From: Filmfestivalresearch [
>> filmfestivalresearch-bounces at listcultures.org]
>> > on behalf of Kirsten Stevens [kirsten.e.stevens at gmail.com]
>> > Sent: Wednesday, December 04, 2013 9:49 PM
>> > To: Jeffrey K. Ruoff
>> > Cc: <filmfestivalresearch at listcultures.org>
>> > Subject: Re: [Filmfestivalresearch] NECS 2014 cfp, pre-constituted
>> > panel "Festival Origins"?
>> >
>> > Hi Jeffrey and All,
>> >
>> > I would be very interested in contributing to a pre-constituted
>> > panel on "Festival Origins" for the NECS conference.
>> >
>> > My own work has been looking at the Melbourne International Film
>> > Festival and its development in 1952 out of the film society
>> > movement in
>> Australia -
>> > an origin that created a very different type of festival to the
>> > events emerging elsewhere in the world at that time. Please let me
>> > know if you think a paper on this topic might fit into the panel you
>>are proposing.
>> >
>> > All the best,
>> >
>> > Kirsten
>> >
>> >
>> > Kirsten Stevens
>> > Film and Television Studies
>> > Monash University, Australia
>> >
>> >
>> > On Thu, Dec 5, 2013 at 7:14 AM, Jeffrey K. Ruoff <
>> > Jeffrey.K.Ruoff at dartmouth.edu> wrote:
>> >
>> >>
>> >> Hi everybody,
>> >>
>> >> I'd be interested in proposing a pre-constituted panel on "Festival
>> >> Origins," including my own contribution "A Festival is Born:
>> >> Telluride 1974."
>> >>
>> >> In my own paper, I don't intend origins as some kind of miraculous
>> birth,
>> >> since Telluride grew organically out of the archival, exhibition,
>> >> and programming practices of its three co-founders, practices that
>> >> dated
>> back
>> >> to the 1950s (in the case of James Card) and 1960s (in the cases of
>> >> Bill Pence and Tom Luddy).
>> >>
>> >> Best wishes,
>> >>
>> >> Jeffrey Ruoff
>> >>
>> >>
>> >>
>> >> Film and Media Studies
>> >> 204 Black Family Visual Arts Center
>> >> 22 Lebanon Street, HB6194
>> >> Dartmouth College
>> >> Hanover, NH 03755, USA
>> >> Tel: (603) 646-1553
>> >> Fax: (603) 646-3848
>> >> Http: www.dartmouth.edu/~jruoff, www.pilobolusfilm.com
>> >>
>> >> On Dec 4, 2013, at 7:00, "Valck, Marijke de" <M.deValck at uva.nl>
>>wrote:
>> >>
>> >> > Dear all,
>> >> >
>> >> > The Call for Papers for the NECS 2014 Conference "Creative
>> >> > Energies,
>> >> Creative Industries" is out. The event will be held in Milan
>> >> (Italy) on June 19-21, 2014 and be hosted by Universit? Cattolica
>>del Sacro Cuore.
>> >> For
>> >> further information please go to
>> >> http://necs.org/news/overview#/node/102535
>> >> >
>> >> > As in previous years, the film festival research group and the
>> >> > FFRN
>> >> would like have an active presence at NECS with pre-constituted
>> >> panels
>> on
>> >> film festivals. To facilitate the formation of pre-constituted
>> >> panels we invite everyone to share their paper and/or panel
>> >> proposals with the
>> list
>> >> members. Rules for submission have changed compared to earlier
>> >> editions and individuals may only apply with one paper.* Thus, if
>> >> more than one pre-constituted panel on film festivals can be
>> >> formed, different individuals will need to bear responsibility for
>> >> submitting a panel. We can use this list to bring people together.
>> >> I will happily step in to moderate whenever needed.
>> >> >
>> >> > Submission deadline is January 31, 2014.
>> >> >
>> >> > Best wishes,
>> >> > Marijke de Valck
>> >> >
>> >> > * In addition you are allowed to act as chair, workshop
>> >> > participant,
>> or
>> >> respondent.
>> >> > _______________________________________________
>> >> > Filmfestivalresearch mailing list
>> >> > Filmfestivalresearch at listcultures.org
>> >> >
>> >>
>> http://listcultures.org/mailman/listinfo/filmfestivalresearch_listcult
>> ures.org
>> >>
>> >> _______________________________________________
>> >> Filmfestivalresearch mailing list
>> >> Filmfestivalresearch at listcultures.org
>> >>
>> >>
>> http://listcultures.org/mailman/listinfo/filmfestivalresearch_listcult
>> ures.org
>> >>
>> > _______________________________________________
>> > Filmfestivalresearch mailing list
>> > Filmfestivalresearch at listcultures.org
>> >
>> http://listcultures.org/mailman/listinfo/filmfestivalresearch_listcult
>> ures.org
>> >
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>------------------------------
>
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