[Filmfestivalresearch] Research on festival trailers?

[Ger Zielinski]

Hi Skadi, et al.,

I mention them in passing in relation to festival ephemera in Ger Zielinski
“On studying film festival ephemera. The case of queer film festivals and
archives of feelings,” in Film Festivals: History, Theory, Method,
Practice, eds. Marijke de Valck, Brendan Kredell, and Skadi Loist.
Routledge (2016).

A fascinating topic, it would be a vast study if not sharply defined. There
is likely a decent accumulation of work on regular film trailers, for
comparison.

Cheers,
Ger

Ger Zielinski, MA, MFA, PhD (he/him)
Professional Communication, Ryerson University*
350 Victoria Street, Toronto, ON M5B 2K3 Canada (by post)
RCC 325A, Rogers Communications Centre, 80 Gould Street (by courier/office)
https://www.ryerson.ca/procom/people/ger-zielinski/

Principal Investigator, SSHRC Insight Development Grant "Buffering Online
and Off"

"IN-SYNC OR NOT: Reflections on the Proliferation of Online Film Festivals
during the COVID-19 Global Pandemic" (2020, ZfM)
https://www.zfmedienwissenschaft.de/online/open-media-studies-blog/sync-or-notonline


**In August 2021, the university announced that it would begin a renaming
process to reconcile the legacy of Egerton Ryerson for a more inclusive
future. *

We acknowledge that Toronto is in the 'Dish With One Spoon Territory’. The
Dish With One Spoon is a treaty between the Anishinaabe, Mississaugas and
Haudenosaunee that bound them to share the territory and protect the land.
Subsequent Indigenous Nations and peoples, Europeans and all newcomers have
been invited into this treaty in the spirit of peace, friendship and
respect.


On Mon, Nov 22, 2021 at 3:50 PM Skadi Loist <s.loist at filmuniversitaet.de>
wrote:

> Dear festivalistas:
>
>
>
> In the production studies class that my colleague is currently teaching at
> the Filmuni, some students asked whether we knew of any research on
> festival trailers.  I must say, I can’t remember to have seen any.  Does
> anyone on this list have any hints / suggestions?
>
>
>
> Cheers
>
> Skadi
>
>
>
> ~ * ~ ~ * ~ ~ * ~ ~ ~ ⛵ ~ ~
>
>
>
> Prof. Dr. Skadi Loist  (*/none/they/she)
>
> Juniorprofessor*in Produktionskulturen in audiovisuellen Medienindustrien
>
> Assistant Professor Production Cultures in Audiovisual Media Industries
>
>
>
> Film University Babelsberg Konrad Wolf
>
> Marlene-Dietrich-Allee 11
>
> 14482 Potsdam
>
> Germany
>
>
>
> office: +49.331.6202.212 | mobile: +49.176.6204.0039
>
>  <mailto:s.loist at filmuniversitaet.de> s.loist at filmuniversitaet.de |  <
> http://www.skadiloist.de/> www.skadiloist.de
>
>
>
>
>
> PI " <http://filmcirculation.net/> Circulation" (BMBF 2017-2022)
>
> PI  <
> https://www.filmuniversitaet.de/en/research-transfer/research/projects/project-page/detail/gender-equity-policy-gep-analysis>
> “Gender Equity Policy (GEP) Analysis” (DFG/ESRC/SSHRC 2021-2024)
>
>
>
> Board member/founder:  <http://www.filmfestivalresearch.org/>
> filmfestivalresearch.org |  <https://necsus-ejms.org/> necsus-ejms.org |
> <http://www.eufa.org/> European University Film Award (EUFA)
>
>
>
> Recent publications:
>
> -       Kinomatics team. 2020. “Disciplinary Itineraries and Digital
> Methods: Examining the Kinomatics Collaboration Networks.” NECSUS. European
> Journal of Media Studies 9 (2): 273–98.
> https://doi.org/10.25969/mediarep/15320.
>
> -       Loist, Skadi. 2020. „Zirkulation im Netzwerk: Eine Betrachtung zur
> Zirkulationskraft von Filmfestivals.“ Zeitschrift für Medienwissenschaft
> no. 23: 55–63. https://doi.org/10.25969/mediarep/14833.
>
> -       Prommer, Elizabeth, and Skadi Loist. 2020. “Where Are the Female
> Creatives? The Status Quo of the German Screen Industry.” In Women in the
> International Film Industry: Policy, Practice and Power, edited by Susan
> Liddy, 43–60. Cham: Palgrave Macmillan.
>
>
>
> _______________________________________________
> Filmfestivalresearch mailing list
> Filmfestivalresearch at listcultures.org
>
> http://listcultures.org/mailman/listinfo/filmfestivalresearch_listcultures.org
>