<videovortex> Rhizome News: Beyond Video Art (Modified by Geert Lovink)
Rhizome News
netartnews at rhizome.org
Mon Jan 7 10:00:06 CET 2008
Rhizome News
January 7, 2008
Beyond Video Art
For the last ten years New York City's Art in General has been host to
an annual Video Marathon – a weekend-long intensive look at the state
of video art. The next in a line of guest curators to produce the
event, Norwegian independent curator Hanne Mugaas has been chosen to
organize this year's 10th Year Anniversary edition. Mugaas' inclusive
approach to video, which extends beyond the confines of tape and dvd,
is indicative of a new generation of curators identified by artist Olia
Lialina in her essay "Flat Against the Wall" (2007) as those who
"studied JODI at University". (JODI being the seminal computer art
collective who emerged in the mid-90s.) As such, the Marathon frames
video as an ideology and process that cover a selection of practices,
including work on the web. Over the weekend, Art In General's galleries
will host ongoing exhibitions, as well as screenings and lectures. The
first exhibition, Artist Looking at the Camera, curated by Mugaas and
Fabienne Stephan, is an examination of video as a conceptual forum for
the production and distribution of facts and history.
The second exhibition, Transitional Objects, curated by Thomas Beard,
considers the fluidity of electronic art within political, aesthetic,
and technological realms over the last decade. Critic Ed Halter's
lecture Regarding Jeff's People takes Jeff Krulik's cult documentary
Heavy Metal Parking Lot (1986) as an entry point into a discussion of
public access television, underground VHS bootlegging, and the
formation of subjectivity within fan culture. Mugaas and artist Cory
Arcangel will present their performance/lecture Art Since 1960
(According to the Internet), which pieces together the past 48 years of
art history through its fragmented representation on the web. And in a
performance entitled Flipped Chips, artist collective Lovid, whose live
shows involve manipulating audio and video, will frame their own work
withi! n that of video art pioneers, such as Dan Sandin, Nam June Pai!
k, Stein a and Woody Vasulka, who created image processors long
before Apple made solarizing easy for the rest of us to do. The
Marathon begins January 10th--see the website for details. – Caitlin
Jones
Ida Ekblad, National Treasure, 2007
http://www.artingeneral.org/
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