[Filmfestivalresearch] Article on Film Festivals

[Andrea Pócsik]

Dear All,

I would join you to congratulate the author:)

And let me improve this occasion to call your attention to my review about
a rather unusual film festival, on this young, and yet, very professional
academic website:
http://www.apparatusjournal.net/index.php/apparatus/article/view/14

Thanks, all the best,
Andrea Pócsik

2016-06-23 17:57 GMT+02:00 Jean-Michel Frodon <jmfrodon at gmail.com>:

>
> Dear Ratheesh
> I do share Dina's enthusiasm for your text. In includes several engaging
> proposals and the necessary balance between accepted definition and
> understanding of actual processes that are not so frequent in what we read.
> I sre would like to watch "Dear Kim". And I understand you even better
> having attended with pleasure Kerala festival.
> Best regards
> jmf
>
>
> Jean-Michel Frodon
> http://blog.slate.fr/projection-publique
> Professeur associé à Sciences-Po Paris
> Membre du comité pédagogique de SPEAP
> http://blogs.sciences-po.fr/speap/
> Professorial Fellow, University of St. Andrews. Scotland
> Professor of Global Cinema and Creative Cultures, IGCCC
> http://www.st-andrews.ac.uk/globalcinema
>
>
>
>
>
>
> 2016-06-23 6:25 GMT+02:00 Dina Iordanova <dina.iordanova at st-andrews.ac.uk
> >:
>
> >
> > This is an impressive article, thank you for sending it to the list,
> > Ratheesh:)
> >
> > It is one of the rare cases where ideological matters are made central
> for
> > the investigation of a festival's politics and a debate of this sort is
> > discussed polemically.
> > I so very much like to see more of this type of work, especially as we
> > have got a range of festivals that have been geared politically in a very
> > similar way and yet we do not have solid studies of these (with a few
> > exceptions, e.g. Caroline Moine's work).
> >
> > And, of course, there is nothing surprising in Zanussi's betrayal -- this
> > is the sad state of affairs in many post-communist countries, and of
> > course Poland is an extreme example of reactionary fundamentalism  (I
> also
> > wondered on the basis of what would Zanussi qualify as the most important
> > post-war Polish director -- a standing that he lost in his own country a
> > long time ago).
> >
> > Dina
> >
> >
> > Dina Iordanova FRSA
> > Professor of Global Cinema and Creative Cultures
> > Director, Institute for Global Cinema and Creative Cultures (IGCCC)
> > http://www.st-andrews.ac.uk/globalcinema
> > https://www.facebook.com/staigccc
> > Publisher, St Andrews Film Studies
> > University of St Andrews, Scotland
> >
> >
> >
> >
> >
> > --
> >
> >
> >
> >
> >
> > On 22/06/2016 03:19, "Ratheesh Radhakrishnan"
> > <ratheesh.radhakrishnan at gmail.com> wrote:
> >
> > >
> >
> >
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