[Filmfestivalresearch] NECS 2014 cfp, pre-constituted panel "Film Trade(s) and International Film Festivals"

[Cindy Wong]

Dear all,

I am not sure that I can go to Milan this summer from Atlantic West, but all the discussions and panels sound too tempting.
I am working on a new project on the Asian co-production markets at various Asian festivals which would fit well with the panel on film trade Dorota has proposed.
I will apply for funds from my university and I do think (but am not sure) that I can probably get some assistance there.
So count me in if you think that this fits.

Cindy Hing-Yuk Wong
Professor
Department of Media Culture
College of Staten Island/CUNY
2800 Victory Blvd.
Staten Island, NY, 10314
USA
718-982-2615
718-982-2710 (FAX)
________________________________________
From: Filmfestivalresearch [filmfestivalresearch-bounces at listcultures.org] on behalf of Enrico Vannucci [10132687 at brookes.ac.uk]
Sent: Thursday, December 05, 2013 6:06 AM
To: Skadi Loist
Cc: filmfestivalresearch at listcultures.org
Subject: Re: [Filmfestivalresearch] NECS 2014 cfp,      pre-constituted panel "Film Trade(s) and International Film     Festivals"

Hi Dorota, Skadi and all,

Your idea of a panel on Trades and Festivals is interesting. I think it connects to the Workshop on Film Festivals and Markets that SCMS rejected and that we've thought to propose again to NECS, as you know.

Having a panel and a workshop on the same issues but with different approaches could be really compelling. What do you think?

I could also be interested in joining the panel too. My original idea for NECS focused on finding which are the festivals that professionals in the short film festival ecosystem (producers, directors, programmers, etc...) use as principal hubs in order to distribute and promote their films more successfully. I could reframe this idea narrowing my research only on trades.

Otherwise - since I still can use it for another conference - I am interested in writing something on the Clermont-Ferrand Market as the main hub for trades in the short film festival ecosystem, since this issue is also an important part of my PhD research.

Please, let me know.

Cheers.

E.

Enrico Vannucci
Research Student
Oxford Brookes University
email: enrico.vannucci-2011 at brookes.ac.uk
phone: +39 328 28 43 112
skype: hypervan
twitter: http://www.twitter.com/hypervan
research blog: http://shortfilmfestivalsresearch.tumblr.com

Il giorno 05/dic/2013, alle ore 10:59, Skadi Loist <skadi at filmfestivalresearch.org> ha scritto:

>
> Hi Dorota & everyone:
>
> I would like to join a panel focusing on trade issues.  I am not sure yet
> which exact angle I will focus on - either the economic angle of film
> circulation through the festival circuit (screening fees as income in terms
> of distribution) or the development of various service platforms (Cinando,
> Festival Scope, FilmFestivalLife), facilitating trade on the festival
> circuit.  Let me know if that might fit.
>
> Cheers
> Skadi
>
>
> --
> Skadi Loist
> Co-Founder / Admin
> Film Festival Research Network (FFRN)
> www.filmfestivalresearch.org
> skadi at filmfestivalresearch.org
>
>
>
> -----Ursprüngliche Nachricht-----
> Von: Filmfestivalresearch
> [mailto:filmfestivalresearch-bounces at listcultures.org] Im Auftrag von DOROTA
> OSTROWSKA
> Gesendet: Donnerstag, 5. Dezember 2013 10:45
> An: dorota.ostrowska at btinternet.com
> Cc: <filmfestivalresearch at listcultures.org>
> Betreff: Re: [Filmfestivalresearch] NECS 2014 cfp, pre-constituted panel
> "Film Trade(s) and International Film Festivals"
>
>
> Hello,
>
> Would anyone be interested in contributing to the following panel I am
> trying to put together for NECS 2014?
>
> CFP: Film Trade(s) and International Film Festivals
>
> I am interested in the role that different professional organisations, both
> national (i.e. trade unions) and international (i.e. FIAPF, FIPRESCI),
> played in relation to international film festivals. For my own paper I will
> be focussing on the British Film Producers Association and how it shaped the
> international film festival circuit until 1970s when its key objective was
> to maximize the commercial success of British films internationally.
>
> Best wishes,
> Dorota Ostrowska
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> rg
>
>
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